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A theory or style of painting originating and developed in France during the 1970s, characterized by concentration on the immediate visual impression produced by a scene and by the use of unmixed primary colors and small strokes to simulate actual reflected light.
Paintings | Description |
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L'automne: Bords de la Seine pres Bougival (Autumn: Banks of the Seine near Bougival) |
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Bridge at Villeneuve-la-Garenne |
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The Chemin de By through Woods at Roches-Courtaut, St. Martin's Summer |
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Provencher's Mill at Moret |
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Moret-sur-Loing |
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Flood at Port-Marly |
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Station at Sevres |
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The Canal of Loing at Moret |
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The Seine at Bougival in Winter |
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Snow at Louveciennes |
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The Church at Moret |
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Garden Path in Louveciennes (Chemin de l'Etarche) |