jacques louis david
Jacques Louis David (1748 to 1825)

Jacques-Louis David was a supporter of the French Revolution and one of the leading figures of Neoclassicism. He was a distant relative of Boucher, who perhaps helped his early artistic progress as a pupil under Vien. In 1774, he won the Prix de Rome and travelled with his master to Rome where he spent six years. It was during this period (1775-81), that he abandoned the grand manner of his early work, with its Baroque use of lighting and composition for a stark, highly finished and morally didactic style. This was influenced by the ideas then current in Rome and by artists such as Hamilton who were already experimenting with a Neoclassical idiom. In 1784 the change of style was confirmed by the Oath of the Horatii, probably the most famous and certainly the most severe of a series of works which extolled the antique virtues of stoicism, masculinity and patriotism.
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Oath of the Horatii, 1784
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The Death of Socrates (left) has been compared with Michelangelo's Sistine Ceiling and Raphael's Stanze.

During the French Revolution, David played an active role both artistically and politically. He reorganised the Acad�me and produced numerous and spectacular propaganda exercises - and politically, as an avid supporter of Robespierre, who voted for the execution of the king. He also attempted to catalogue the new heroes of the age, abortively in the Oath of the Tennis Court, and successfully in his pieta-like portrayal of the Death of Marat (below)
Death of Marat, 1793
The Death of Socrates, 1787
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