Shazad Roy

 

 

 

 

Shehzad Roy was born on February 16, 1977. Shehzad Roy father is a businessman. Shehzad Roy mother Nazli Qamar is a
PhD holder and a housewife. Shehzad Roy has an older sister who is married and lives in the US. Shehzad Roy
moved to the US after Grade 5 and stayed there for a few years. Shehzad Roy came back and settled
in the port city of Karachi. Shehzad Roy is a religious person; Shehzad Roy performed Umrah on July 2006
with his manager Arif Roy and guitar player Imran Akhoond.

Shehzad Roy is one of the main lead singers who initiated singing with Indian singers. His major
hit was with Sukhbir. He has also sung with Shan. He is also doing some work with Bryan
Adams. Shehzad Roy has appeared on the show, 'Childhood with Zumil'.There are only a handful of
musicians in Pakistan who started out young but created usic so strong it made a lasting
impression in our hearts and souls. Shehzad Roy, with his deep voice and undeniable
charisma may have started out as a fledgling musician not too long ago, but is now
considered one of the seasoned singers of our country! He has given us more than a fair
share of hit numbers in these past 11 years and his style of music has only become better
with age.

Shehzad Roy grew up listening to classical performers like Abida Parveen and Reeshma. The traditional heritage and folk influence are the most prominent features of his work. Be it be Ustad Salamat Ali’s flute rendering in Bewafai, the contemporary Qawali flavour of Darshan or the very latest, traditional Siraiki folk inspired Jan Gayo (from Rab Janey), Shehzad’s work strongly advocates his inclination towards Eastern symphonies. Yet, he identifies the ‘guitar’ as the love of his life and the major driving force behind coming into this profession. His exceptional guitar playing skills add an almost palpable vibrancy to quite a few of his songs but perhaps his best work in this area is Roshini ka Yaqeen, an instrumental piece from Rab Janey. Commenting on his music, the musician with a knack for experimentation asserts, “We grow from experience. My music is always changing and in constant evolution.

Shehzad Roy is dedicated to the building up of Zindagi Trust, the NGO which springs from his passion for helping impoverished and uneducated children. Roy once said; “I feel so sad when I see some child working, or on the streets, not going to school. The Trust is my best effort to do something about that.”

The program has 25 schools across the country and uses unique teaching methods along with incentives to entice children to attend. If children pass daily assessments, they are rewarded Rs20. “Some people say it's wrong to bribe children to be in school,” says Shehzad, “but well-off kids are rewarded for their marks all the time. There is no reason poor children should not have the same support.”
Shehazadroy's Interview

 Are you the proverbial rebel with a cause?

 People think that if I talk about providing adequate health and education I am a

 revolutionist or a rebel. It’s just that these are the basic needs which should be provided

 to the general public.

 I would answer your question by saying that my inspiration comes from the academic

 system in this country, and me being a singer with a cause comes from my music. The

 latter has supported me to raise funds and the power that music gives me transcends into

 a conflict with the government to improve the flawed education system in Pakistan.

 Qismet Apnay Haath Mein has an eclectic mix of songs where some spell patriotism,

 some are naughty while others talk about the political situation in the country.

 What inspired you to come out with such an album?

 Just by saying “we are one” one does not become a patriot. I am trying to point out

 problems but that also doesn’t make me the ultimate patriot. This country is not another

 planet’s hell and it’s not going to the dogs. My point is if you do not upgrade your

 education system you will have a chronic sense of despair among the masses. I am a

 patriot to the core, to the extent of giving my life for the right cause. I, in regard to

 Zindagi Trust, and Sami Mustafa of Book Group have both received threats while

 working on improving the existing system in government schools. But nobody can kill

 the passion that is there and I strongly believe that goodness is contiguous.

 Saali was a controversial song/album, then came Qismet…and specifically the song Khul

 

 Kay Pyar in which the guitar riff represents the words emanating from frustration and

 which could not be put into words.

 Saali was my last album and the title song just came about without any specific pattern of

 thought. On the contrary, the songs in the latest album have a definite thought process.

 The song Khul Kay Pyar is basically a message to the young and old alike that due to the

 lack of creative outlets our youth indulge in mischief and then end up covering their

 misdoings. How are they supposed to vent their energy? What I am basically saying in

 the song is that one does not relive his youth again so we should make the most of it.

 The other song in the album, Laga Reh, and its video by Ahsan Rahim says a lot

 under the garb of its comic theme. Who owns the concept and are there any more

 videos in the offing?

 I have only written and composed the song. This was my first song and Ahsan, who is

 also a friend, came up with the concept. Four more videos are also in the pipeline all to be

 directed by Ahsan, namely the title song followed by Aik Baar Kehdo, Quaid-i-

 Azam and Aankhain which sketches the life of a suicide bomber.

 Keeping in mind the controversial nature of Laga Reh, how difficult was it to find a

 sponsor for the album?

 While making the Laga Reh video, since I had invested so much in it Ahsan warned me

 that I won’t be able to sell it due to controversial content. Somehow I did manage to get a

 sponsor but just two days before the video went on air the sponsor called me and told me

 that I needed to chuck out three shots — one where the old man says ‘leave everything to

 Allah’, second where the lawyer is trying to set a tyre on fire and third where people are

 picked up by the agency and then vanish into thin air. I was adamant and told them that I

 won’t because then there won’t be anything left in the video. It might sound very brave

 but believe me when you see all the money slipping away, it’s not funny. Here, I would

 like to ask sponsors to kindly support the paradigm shift in music, too.

 “I feel modern education just grooms you for the rat race, and even if you win you will

 still be considered a rat. I get excited when we talk about drama, violin classes or a

 sport through which a child’s hidden talent comes out in the open. Our children should

 be taught to ask questions, only then will they succeed in life as adults. In our country

 one may have the freedom of speech, but there is no freedom after speech. I gain power

 from music therefore I don’t need to become a politician,” says Shehzad Roy.

 The song was also supposedly banned. Why indulge in such risk-taking and insist on

 being a controversial artiste? Are you playing the angry young man?

 I also saw the bit on the Internet that Laga Reh has been banned but that was not the

 case. No risk, no gain, and there is no gain without pain. As I said earlier, trying to

 provide a sound education does not make me into a revolutionary. Gaining knowledge

 and empowering ourselves is the only and right way to go about things. I have tried to ask

 the right questions in most of songs on the album. We generally don’t ask questions and

 when and if we do, it is seen as controversial.

 Both the song and the Laga Reh video effectively summarised the earlier political

 situation in the country. Do you think the song is still relevant?

 Earlier during its making when I had expressed a similar concern, the director of the

 video, Ahsan, wittingly said that I need not worry about Laga Reh because no matter

 when the song was released listeners will relate to it. And do you know why? When I was

 10, I heard on the 9 ‘o’clock news that Pakistan was going through a sensitive phase, and

 only two days back I heard Sheikh Rasheed saying the exact same thing all over again!

 So tell me what has changed? We like to live in denial and keep going on about nonissues,

 but I also think change is coming. We need to talk about the right issues. I think

 both the album and the song will remain topical even five years from now. God help us if

 people can relate to it even after that.

 Qismet… has allegedly become a best-selling album. How do you feel about that?

  Is it really that controversial? If it wasn’t selling well I would have become a pauper by

 now! It was tough losing a sponsor but if I had known that the album wouldn’t sell, I

 wouldn’t have been able to bring out Qismet...

 The message that I am trying to impart through this album is that the general public in

 Pakistan has not been given an outlet to think for themselves with the outlet being the

 right education system. Once our children start asking questions and demand an answer

 no leader can make a fool out of us. I also write for a section of the English press but

 writing, singing songs or going to talk shows won’t change anything. You can only create

 an opinion with it. I could have come up with such an album before but Qismet… came

 after I started working in the field and learned about the ground realities.

 The reforms in the education system that you speak of are also reflected in your

 music. So is music a tool to fulfill all such aspirations?

 Of course music is such a tool as I have raised the maximum amount of funds through

 music. It gives you power. People who generally create problems with my trust’s work

 back off after a while. I strongly believe that when you take a stand on the right issues, no

 one dare create problems.

 You seem to be in awe of Imran Khan and Ardeshir Cowasjee. Any particular

 reason? Do you have any plans to enter politics?

 I will never go into politics because once you go into that arena your hands are tied. The

 reforms that I am trying to bring in the education system are working out more strongly

 otherwise. And by the way, I have never given such an impression. As for Imran Khan, I

 have idolised him since childhood and he is like a brother to me. We are very close. The

 same goes for Adreshir Cowasjee. Both these men have given me tremendous support in

 regard to my educational project and I thank them for it.

 Ali Azmat, Fuzon, Strings and Zeb & Haniya have all released their albums round

 the same time as Qismet… Your comments on the released albums?

 I really liked Ali Azmat’s Klashinfolk and Zeb & Haniya’s. I support Zeb & Haniya

 because women are not encouraged in our country. Secondly, they are good musicians.

 As for Ali, I have been attending his concerts since I was young lad. He is the only rock

 star in our country and I love his music, and not just because he’s a friend.

 From pop singer to social activist, how would you sum up your journey so far?

 I have never really planned my life. Things just kept happening. But yes, I give credit to

 my parents and the people who inspired me and taught me a lot.

 My first passion was strumming the guitar. With that came singing at college get

 togethers, later adopting it as a profession. In 2003, I set up Zindagi Trust with the

 realisation that drastic reforms are needed in our education system. I feel modern

 education just grooms you for the rat race, and even if you win the race you will still be

 considered a rat. I get excited when we talk about drama, violin classes or a sport through

 which a child’s hidden talent comes out in the open. Our children

 should be taught to ask questions, only then will they succeed in

 life as adults. In our country one may have the freedom of speech,

 but there is no freedom after speech. I gain power from music

 therefore I don’t need to become a politician.

 You have already started working on the next album. Will it

 also be as hard-hitting as Qismet…?

 There is time for the next album to come out as I am touring and

 doing concerts for now. Then, I have adopted a few more schools

 which need attention.

 For the next album I am thinking of compiling songs on the brain drain issue. Our youth

 is abandoning Pakistan for greener pastures abroad. Besides this, there are many other

 issues that I want to touch upon. Nowadays, I am also into observing people on the streets

 where one sees millions of faces and zillions of stories. We have a very interesting

 country with so many religions, cultures, and castes. I’ve decided to observe people and

 compile my next album along those lines.


Albums

* Disco Graphy (group)
* Zindagi (1995)
* Darshan (1997)
* Teri Soorat (1999)
* Rab Jaanay (2002)
* Buri Baat Hai (2005)
* Qismat Apnay Haath Mein (2008)
 

Best pakistani singers

 

                                         
  Atif Aslam                                       Abrar-ul-Haq                          Ahmed Jahanzeb                         Jawad Ahmed
                                         
  Hadiqa Qiyani                               Fareeha Pervaiz                           Ali Haider                                   Haroon Ka Nasha
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