From: "Dik de Heer" Date: Sat Apr 27, 2002 2:17 am Subject: Born To Be With You : Syd Nathan SYD NATHAN Born 27 April 1904, Cincinnati, Ohio Died 5 March 1968, Miami Beach, Florida Label owner / producer / songwriter. Sydney Nathan learned to play drums and piano in his childhood with the help of local black musicians, but entered the record-selling business in the '30s, although he became a successful songwriter under the pseudonym of 'Lois Mann'. In November 1943 his King Records was launched with releases by local hillbilly acts. These initial releases failed to sell due to the poor pressings; Nathan then decided to learn how to press his own records. In August 1944 King Records was incorporated as an outlet for hillbilly music, and scored early on with hits by the Delmore Brothers and Cowboy Copas. One year later, Syd started his Queen Records subsidiary as a showcase for jazz and R&B acts, making particular use of his friend, Lucky Millinder's Orchestra, with releases by Bullmoose Jackson, Annisteen Allen, David 'Panama' Francis and Sam Taylor - all Millinder alumni. In 1946 Queen Records began recording, issuing some of the finest gospel music by such artists as Swan's Silvertone Singers and Wings Over Jordan Choir. Nathan's name became synonymous with peerless gospel and exciting R&B thereafter. By August 1947 the Queen label was discontinued and all output - new and old - was issued or reissued on King Records. This switch brought about a change of luck for Nathan; he scored almost immediately with three big hits in Bullmoose Jackson's "I Love You, Yes I Do", Lonnie Johnson's "Tomorrow Night" and Wynonie Harris' version of "Good Rockin' Tonight" and about the same time, Nathan began leasing or acquiring masters from smaller independents like DeLuxe, Miracle and Gotham. During the '50s and early '60s, King Records went from strength to strength with top-selling R&B artists like Tiny Bradshaw, Earl Bostic, Bill Doggett, Sonny Thompson, Little Willie John and James Brown, and on the new subsidiary label Federal with the Dominoes, Freddie King and others, but by 1964 Nathan's search for innovative recording talent was virtually at an end. King settled down to focus on James Brown's career and to repackage much of its back-catalogue on album. In 1968 Nathan merged with Don Pierce's Starday record company. After Nathan's death, Starday/King and all its off-shoots was sold to Gusto Records of Nashville, Tennessee. Further reading: Michel Ruppli, The King Labels : A Discography. Westport, CT : Greenwood Press, 1985. 2 vols. Liner notes to the "King Rockabilly" CD (Ace 804).