From: "jean.marc.pezet Date: Tue Aug 20, 2002 3:05 am Subject: Born To Be With You: Roland Janes ROLAND JANES (By Shaun Mather) Born 20 August 1933, Brookings, Arkansas Considering his influence and the number of brilliant records he played on, Roland Janes is virtually a forgotten man in rock history. Everyone talks about James Burton, Scotty Moore, Link Wray, Chet Atkins and many others, but how often do you hear about Roland Janes. Listen to his work with Jerry Lee, Billy Lee Riley or Charlie Rich and then imagine them without him. His telepathy with Jerry Lee and drummer Jimmy Van Eaton is particularly stunning - being on the same wavelength as Jerry Lee, scary! He grew up the second youngest of seven in the small North-East Arkansas town, Brookings. Music ran deep in the family's blood and it was only a matter of time before Roland's veins were also in tune. His parents divorced and he moved with his mother to St. Louis 1942, although he regularly went back to his father. Talking about his early influences he has said, "So I was not influenced at all by black music because I wasn't exposed to it. I came in contact with black music only when I came to Memphis and I'd already developed my style. I picked up on their style when the need arose. I could play blues. In other words, I'm very perceptive, not bragging, but I'm very perceptive in that I can pick up on different styles very easily. But, I wasn't infuenced by it, I was influenced by country and pop. In St. Louis I listened to people like Patty Page, Joni James and Les Paul. My father, he was a Pentecostal minister, so they had music in the church at that time. That was probably the basis, that's the basis of most country and rockabilly : the church." He moved to Memphis in 1953 but soon joined the Marine Corps, playing country music during his service years. On his discharge he returned to Memphis and began working with Doc McQueen. He soon met Jack Clement who was involved with Slim Wallace who had built a studio in his garage on Fernwood Street, launching the small record label Fernwood Records. In 1956 he started his association with Sun Records, being a key player in the studio band for the next seven years, playing on hundreds of tracks, some legendary, some very legendary. He even cut a session with Eddie Cash on 11th February 1959 which included the instrumental Rolando. In 1962 he opened his own Sonic Studios the first of many such ventures in the '60's and '70's. Sonic closed down in 1974 with Janes drifting out of the business for a couple of years. He returned in 1977 as a producer and engineer at the Sounds of Memphis Recording Studio and as an instructor of recording techniques at a black vocational school in South Memphis. In 1982, he retired from teaching and went back to work for Sam Phillips, where he remains to this day. Me and Phil met him at Sam's studio on Maddison Avenue two years ago and he posed for some photos - although we certainly seemed more thrilled by it all than he was! LP (deleted): Guitarville (Bear Family BFX 15340).