From: "Dik de Heer" Date: Tue Sep 23, 2003 1:27 am Subject: Born To Be With You : Rick Lewis (Silhouettes) RICK LEWIS Born Richard A. Lewis, 23 September 1933, Philadelphia, Pennsylvania Mention the term doo-wop and many people's first association will be the song "Get A Job", though some purists loathe the song for its seeming burlesque of doo-wop's attributes. "Get A Job", a million seller by the Silhouettes in 1958, was written by Rick Lewis (though the label credit went to all four Silhouettes). The Silhouettes started out as a gospel group, the Gospel Tornadoes, in 1955 in Philadelphia. The group was popular but was barely making any kind of a living at all performing gospel. After Lewis (who had been active in music since 1946) joined the group, he convinced the other members (Bill Horton, Earl Beal, Raymond Edwards) to give rock 'n' roll a try. The Gospel Tornadoes became the Thunderbirds, but they soon found out that another outfit had a prior claim on the name and they changed their name once again, borrowing the title of a 1957 hit by the Rays, "Silhouettes". Deejay Kae Williams liked their style and signed them to his label Junior Records. The Silhouettes cut their first record in October 1957. The intended A-side was "I Am Lonely", an original ballad, backed with an upbeat tune that Lewis had written after getting out of the army entitled "Get A Job". Released on Junior in November 1957, "I Am Lonely" became a Philadelphia hit due to Kae's radio play. Other jocks started flipping it and "Get A Job" began blaring out of radios all over. Dick Clark smelled a hit, but would only push the record on "American Bandstand" if it had national distribution. Kae Williams made a licensing deal with Al Silver's Ember label, a much larger New York independent. The song with its "Sha na na na" syllables was everywhere, and charted both pop and R&B on January 30, 1958. "Get A Job" hit number one on both charts by February. The record became such a 50s standard that a 70s group gained fame parodying 50s rock records under the name Sha Na Na. The greatest acknowledgement of a hit in the 50s was the issuing of answer records by other acts. It wasn't long before record players were spinning discs like "I Found A Job" by the Heartbeats (Roulette), "I Got Fired" by the Mistakes (Lofi), "I Lost My Job" by the Supreme Four (Sara) and "Got A Job" by a young group with their first record, The Miracles (End). The Silhouettes' second single, "Headin' for the Poorhouse" fared less well. in fact, the Silhouettes would never have another chart entry. Their fourth single, "I Sold My Heart to the Junkman" (1959) would become a Top 20 hit for the Bluebelles three years later. A few more singles followed, but by the 1962 release of "Rent Man", Horton and Edwards had departed to find another way to pay the rent. The Silhouettes went their separate ways in 1968, but the original four re-formed in 1980 for "The Royal New York Doo-Wop Show" and from 1986 through 1993, they continued to make spirited appearances at rock and roll revival shows. Bill Horton died in 1995 and Raymond Edwards, the bass man, who rendered the immortal "yip yip yip yip yip yip yip yip boom boom boom boom boom", in 1997. CD: The Silhouettes, Get A Job. Collectables, 1996.