From: "Dik de Heer" Date: Sat Nov 30, 2002 7:14 am Subject: Born To Be With You : Jimmy Bowen JIMMY BOWEN (By Alain Dormoy) Born James Allen Bowen, Santa Rita, New Mexico, 30 November 1937. In 1956 Bowen was playing bass for the Orchids (later to be called the Rhythm Orchids) with Buddy Knox, in Dumas, TX, about 200 miles north of Lubbock where he also was a DJ on K-triple-D. They recorded "Party Doll" at Norman Petty's studio in Clovis, New Mexico. According to Waylon Jennings, who mentioned Bowen at length in his autobiography, the success of Party Doll inspired Buddy Holly and the Crickets to take the trip to Clovis. Knox was the lead vocalist on Party Doll, while on the B-side, Bowen sang "I'm Sticking With You". The record was later leased to the Roulette label who released it as two separate singles which both went into the charts. Bowen soon gave up performing and moved to Los Angeles in 1959 where he produced a number of very successful albums for Frank Sinatra, Sammy Davis, Jr and Dean Martin, including his famous "Everybody Loves Somebody" (number one pop 1964). After relocating to Nashville in 1977, he worked for about three years at Tompall Glaser's studio, then known as "Outlaw Central" from where he had several major hits with Mel Tillis. He also helped launch Hank Williams Jr into a new, more commercial career. Bowen was among the first if not the first to use the latest digital technology to record country music, which at the time only pop and rock producers did. He had a profound dislike for what he called the "honk factor" of country music, that way of "singing through the nose" that was the distinctive tone of country ("and western" as it was called until his time). If there was a hint that someone he produced was singing that way he would use his electronics all he could to hide it. His critics argued that he destroyed country music to save it. In the 1980s he produced an enormous variety of country artists such as Conway Twitty, George Strait, Reba McEntire, the Bellamy Brothers, Crystal Gayle, John Anderson and Waylon Jennings. When he took control of a label, which happened a considerable number of times, the first thing he did was "letting go" a huge part of the roster: arriving at Elektra/Warner in 1984, he fired 29 out of the 53 existing acts. Bowen was also famous for never giving anyone creative control or artistic freedom. But contrary to his usual habit, he let Waylon try anything, albeit persuading him to record the album "Will The Wolf Survive?" in 1986, and "Hanging Tough" the following year, without his band (except for Jerry Bridges on bass). Accepting this had been unheard of from Waylon for years. "Rose In Paradise", from the latter album, reached number one on the country charts. Waylon acknowledged the positive part in Bowen's action. In his opinion, country music "would have stayed in the Stone Age if it had not been for Bowen". At the turn of the 90's, Bowen moved to Capitol Records, taking along most of the roster of Universal which he had just left, and renaming the Nashville division of Capitol "Liberty Records". Along came Garth Brooks, a "country" singer who by 1996 was to become one of the biggest sellers in history, not only of country records but in all categories. He and Bowen were both equally reaching out for more and more power. In 1991, Michael Jackson had what was supposed to be the biggest contract in history with a record company. As Laurence Leamer tells it in his book "Three Chords And The Truth" (1997), Garth went to see Bowen and demanded the same. "You are not Michael Jackson" replied Bowen "You're just not going to get a Michael Jackson deal". Infuriated, Brooks, reached over Bowen's head to the executives of Capitol-EMI, Liberty's mother company, and got a mega-buck deal that left Liberty holding the bag. The titanic fight went on until 1994: Garth Brooks told the EMI executives that he would not record another album until Bowen left. Jimmy Bowen would have stood his ground but he was diagnosed with thyroid cancer and shortly after decided to throw in the sponge. He went to live in Maui to play 18 holes of golf a day and write his memoirs. He had proved one of the most influential producers in the musical history of Nashville, for the best or the worst highly contributing to making the "Nashville sound" what it is today. As of 1995 his production had scored a total of 227 top 20 singles, out of which 197 in the top 10 with 67 number 1s (figures from the New York Oxford University Press Encyclopedia of Country Music). Further reading: "Rough Mix". Bowen tells his side of the story (publ. by Simon & Schuster, New York, 1997) His complete Roulette recordings are on Disc 2 of the 2 CD-set "Buddy Knox, Jimmy Bowen and the Rhythm Orchids" (Sequel NED CD 278).