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| Idamante |
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| Idamante |
| Sung by |
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| Hans Peter Blochwitz |
| Lyric mezzo (pants) Son of Idomeneo. |
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| SFO Idomoneo Idamante |
| Aria Database for Idamante |
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| No, la morte |
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| The Idamante, Maria Ewing was a very fetching one./ pg 350 - 1922-1978 SFO-Bloofield |
| Kasarova swaggers convincingly, but it was her ardent instrument, the color of chestnuts and suggesting power in reserve, that justified the casting. It is Idamante, who, thanks to his father Idomeneo's vow, must face the possibility that he will be sacrificed. And the conflicts were vividly etched in a voice that allowed sheer intensity, rather than volume, to accomplish the task. Kasarova simply burned with conviction in every phrase, starting with her opening aria, "Non ho colpa." She is not a singer easily forgotten; one hopes she is a singer easily and swiftly re-engaged by this company. / Review |
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| damante, sung with palpable fervor by the great British mezzo-soprano Alice Coote in a trouser role. / Review
Alice Coote�s Idamante (the center of the love triangle) sounded direct and assertive. Her voice complemented Genia K�hmeier�s Ilia wonderfully in their Act 3 duet, and throughout the evening she sang brightly and with agility. Her acting, though, felt stilted, and she often resorted to what looked like posturing. It was as if she was thinking �Look! I�m being manly!� which detracted from her solid vocal performance./ SFCV |
| Daniela Mack |
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