La Boh�me
Rodolfo
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Year
1958
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Gianni Raimondi
Jos� Carreras
Giacomo Aragall
Fernando De La Mora
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Vinson Cole
Zoran Todorovich
Frank Lopardo
Giuseppe Gismondo
Renato Cioni
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1983
Luis Lima
1988
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Giovanni Martinelli/ U
Jose Mojica
Antonio Cortis
Mario Chamlee
Gennaro Barra
Dino Borgioli
Charles Kullman
Galliano Masini
Jussi Bjoerling
David Poleri
1924
Beniamino Gigli
Jan Peerce
Giuseppe di Stefano
1924
Sung by
Year
Lyric tenor role
A poet, beloved of Mimi
Che gelida manina
Jello Aria
SFO Rodolfo History
Sandor Konya
1960
Aria Database for Rodolfo
1946
1948
1949
Ferruccio Tagliavini
Piotr Beczala
2008-2009
1953
1958
1960
1965
1978
Barry McCauley
1993
Roberto Aronica
1996-1997
Alfredo Portilla
1996-1997
Tito Beltr�n
1999-2000  Jan
1999-2000  Jan
Todd Geer
Beniamino Gigli
Mario Chamlee
Giovanni Martinelli/ U
Charles Kullman
Charles Kullman
Charles Kullman
Charles Kullman
Jussi Bjoerling
Jussi Bjoerling
Jussi Bjoerling
Jan Peerce
Jan Peerce
Jan Peerce
Jan Peerce
Jussi Bjoerling
Jussi Bjoerling
Jan Peerce
Sandor Konya
Renato Cioni
Luciano Pavarotti
Luciano Pavarotti
Luis Lima
Luis Lima
Luis Lima
Luis Lima
Roberto Aronica
Podcasts
Calander
This site and all related sites are  for entertainment and reserch and contains information that anyone can get by using a search engine, such as Google./ This site is a sub-site of SF ART World // Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License
Marinelli was in mellow form, and according to Ray Brown in The Chronicle, �Although he was so deliberate in the delivery of �Che gelida manina� as to lag a bit behind the orchestra at times, it was a deliberateness that served to accentuate the ease with which he sustained notes and linked them in unbroken sequence.�./ pg 12 - 1922-1978 SFO-Bloofield
October 12, Adler put on a waiter�s jacket and suddenly appeared on stage during Act 2, and with back to the audience, poured real Champagne for the Bohemians. It was the tenor�s birthday./ 1922-1978 SFO-Bloofield
Bjoerling�s debut occurred in Boheme�he liked to get on stage before the Act 2 curtain so he could put some real beer in his Caf� Momus mug. He was also partial to raw eggs � consumed in sherry!/ pg 81- 1922-1978 SFO-Bloofield
Jos� Carreras
Piotr Beczala
She(Angela Gheorghiu)  was matched in every way by her Rodolfo, tenor Piotr Beczala. His is also a commanding talent, his voice easily riding Puccini�s great crests of sound yet delicately spinning out every nuance that follows. He was especially persuasive in attracting Mim� (�Che gelida manina�), describing his penniless poetic dreams (�e per castelli in aria�) and romantic hope (�la speranza!�). Beczala�s rendition was so fresh, so fervent, that it seemed as if this all-too-familiar music had never been heard before. He too developed his character over time, his early ardor later wrenched by the guilt that he may be contributing to Mim�s illness with �La mia stanza � una tana squallida� (my room is a squalid den), his voice darkened by despair./ SFCV
Marius Brenciu
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