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| La Boh�me |
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| Musetta |
| Sung by |
| Year |
| Ariel Bybee |
| Ann Panagulias |
| Ann Panagulias |
| Dina Kuznetsova |
| Nicolle Foland |
| Jolanda Meneguzzer |
| Colette Boky |
| Pamela South |
| Evelyn de la Rosa |
| Tammy Jenkins |
| Anna Young |
| Myrtle Donnelly |
| Katharine Seymour |
| Anna Young |
| Audrey Farncroft |
| Emily Hardy |
| Edna Elizabeth Smith |
| Charlotte Boerner |
| Anne Jamison |
| Margit Bokor |
| Verna Osborne |
| Lois Hartzell |
| Franca Duval |
| Anna Young |
| Audrey Farncroft |
| Virginia MacWatters |
| Maria Sa Earp |
| Lois Hartzell |
| Lois Hartzell |
| Lois Hartzell |
| Uta Graf |
| Uta Graf |
| Mary Gray |
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| There is one bright spot amid the drab, workaday revival of Puccini's "La Boh�me"...and her name is Anna Netrebko...Netrebko's powerful, pure soprano -- still silvery in its basic coloring but growing darker and more luxuriant with each passing year -- soared above the orchestra in cascading, precisely shaped phrases./ Review |
| Kuznetsova flounces so busily in the cafe scene that her self-absorption seems too silly to pack much punch. She sings her famous waltz, skillfully enough, more as a light-fingered throwaway than as a man-maddening showstopper./ Review |
| Lyric soprano role A grisette/ Marcello's occasional girlfriend. |
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| SFO Musetta History |
| Aria Database for Musetta |
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| Marie Collier |
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| This site and all related sites are for entertainment and reserch and contains information that anyone can get by using a search engine, such as Google./ This site is a sub-site of SF ART World // Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License |
| An even larger crowd visited Civic Auditorium for a September 17 Boheme in chich Audrey Farncroft, a young singer, sang creditably as Musetta amoung her famous collegues, Gigli and Maio./ pg 46- 1922-1978 SFO-Bloofield |
| Then there was the Boheme review, which poured cold water on the Musetta of local Anna Young, whose �flaunting and diablerie� he compared to �those of a virtuous society lady who wants to appear bad for the amusement of her guests.�/ pg 43- 1922-1978 SFO-Bloofield |
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| Amsellem also was a study in vocal contrasts, her early selfish fervor in �Quando me�en vo� (when I walk along) later giving way to her quietly selling her earrings for Mim� (�Forse � l�ultima volta�), her voice now as tender and as loving as her gesture./ SFCV |
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