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| Macbeth |
| Aria Data Base for Macbeth |
| San Francisco Opera Macbeth History |
| Dramatic baritone role He is general of Duncan's Army. |
| Act 3: O lieto augurio |
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| Act 3: Fuggi regal fantasima |
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| Act 4: Piet�, rispetto, amore |
| Act 1: Sappia la sposa mia |
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| Act 3: Finche appelli |
| Year |
| Artist |
| 1955 |
| 1957 |
| Chester Ludgin |
| 1967 |
| Timothy Noble |
| 1986 |
| 1994 |
| But whenever Hampson was onstage, all quibbles and reservations vanished like so many witchy apparitions. His singing was as forthright and electrifying as ever - robust and capacious in the lower register, lithe and burnished above.
And Hampson's ability to inhabit a dramatic character without embellishment or commentary remains astonishing./ Review |
| Hampson and the music will provide great opera. The baritone is Macbeth - royal, ambitious, wicked, confused, murderous, falling apart - all with a heroic, lyric, gorgeous voice and perfect diction, commanding the audience's attention and sympathy./ Review |
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| James Morris |
| Shirley Vernett & Timothy Noble |
| Robert Weede and Inge Borkh |
| He sang with great clarity and line, displaying none of the woofy quality that I have heard in his voice recently. His Macbeth was strong and commanding, becoming thoroughly unnerving as his visions and paranoia took over./ SFCV |