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| Macbeth |
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| Lady Macbeth |
| Aria Data Base for Lady Macbeth |
| San Francisco Opera Lady Macbeth History |
| Dramatic coloratura role She is the wife of Macbeth. |
| Ace 1: Vieni t'affretta |
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| Act 1: Or tutti, sorgete |
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| Act 2: La luce langue |
| Act 1: Al cader della sera il re qui giunge |
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| Act 2: Si colmi il calice di vino |
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| Act 4: Una macchia � qui tuttora! |
| Year |
| Artist |
| 1955 |
| 1957 |
| 1967 |
| 1986 |
| 1994 |
| Luk�cs, who made an undistinguished U.S. debut here as Tosca 10 years ago, sings with brassy sound and an ultra-wide vibrato that often makes pitch a matter of guesswork. Yet the most infuriating aspect of her performance came during those moments when her singing would suddenly and all-too-briefly snap into focus./ Review |
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| Soprano Georgina Luk�cs, who made her U.S. opera debut here as Tosca, is Lady Macbeth. Her large and harsh voice happens to fit the role well; at times, she sounds on the edge of wrong notes, but she pulls back and makes her arias count./ Review |
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| Shirley Vernett & Timothy Noble |
| Robert Weede and Inge Borkh |
| While the upper reaches of her voice displayed glimpses of a bright, silvery tone, the other registers were unfocused and her vibrato had a clearly apparent wobble. Luk�cs� voice does not seem inclined toward movement, so quicker passages and occasional decorated lines dragged behind the orchestra./ SFCV |