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PRODUCTION
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Conductor - Jean-Yves Ossonce*
Set Designer - Paul Brown
Lighting Designer - Nick Chelton*
Director - Graham Vick
Chorus Director - Ian Robertson
Costume Designer - Paul Brown
Costume supervisor - Christopher Verdosci
Musical Preparation - Ernest Fredric Knel, Bryndon Hassman, William Hobbs, Paul Harris
Prompter - William Hobbs
Assistant  Director - Jose Maria Condemi
Supertitles - Christopher Bergen
Florence Opera
Cast
Zimmerman recalls her inspiration: �I went to Scotland to Culzean Castle on the west coast, which clings to the side of a cliff surrounded by vast cultivated gardens, alleys of trees, and wild land as well. That place became the core of our design: the strange shade of green of the outsized rooms, the bare branches above our heads in the alleyways � an image of the nervous system or the broken vasculature of Lucia�s brain. It felt like a place haunted by madness, the setting for a ghostly Victorian tale.�/ At the Met
San Francisco Opera Replaces Planned Mary Zimmerman Staging of Lucia
Mary Zimmerman's new production of Donizetti's Lucia di Lammermoor, which opened the Metropolitan Opera's season earlier this fall, will not be traveling to San Francisco Opera this coming summer as previously planned.
In a statement released this week, the company explained that presenting the Tony Award-winning director's staging would not be feasible due to technical issues: "the physical dimensions of the production and extensive rebuilding required to adapt the sets for the War Memorial Opera House."

In place of the Zimmerman staging, San Francisco Opera will import a widely-seen production by Graham Vick with sets and costumes designed by Paul Brown. First presented in 1996 in Florence at the Maggio Musicale, Vick's Lucia has since been mounted in the main opera houses of Tokyo, Geneva, Barcelona, Madrid, Rome and Genoa.
Source/ DVD
SF Gate reviews
Met Lucia by Mary Zimmerman -
Did review mention that SFO would be doing this porduction in 2008?
2007-08 Opera Talks-Marcia Green
Graham Vick's 1998 production (originally for Florence) featured simple but very evocative scenes, in which visual details pointed toward the complicated relations between the two rival families (in the first act, Edgardo and Lucia were associated with different tartans)/ Review
Maybe SFO can reuse the tree form this season's Tanhauser
Stage Manager - Rachel Henneberry
Wig and Makeup Designer - Gerd Mairandres
Production Super Captain - Mike Harvey
Lucia di Lammermoor
Gaetano Donizetti
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