The film Paradise Lost: The Child Murders at Robin Hood Hills explores love at its most dangerous and self-destructive. Society's lovesick worship of innocence and children manifests itself in a preoccupation with over-protection: the brutal murders a catalyst in justifying this sentiment. The ironic name of the scene of the crime, Robin Hood Hills, reflects man's obsession with the preservation of youth and innocence. The title Paradise Lost alludes to the fall from grace and purity, and the descent into what is perceived by fanatics as hell. The film, which takes place in West Memphis, Arkansas, a card-carrying member of the bible-belt, depicts the dizzying and draining journey to Judgement Day.

Citizens divide themselves, and even the viewers are subliminally stimulated to favour the arguments and displays of love of one side over the other. I found both sides genuine in their demonstrations of love and anguish: this is the most raw and true form of love, far from beautiful and appealing.

© Copyright Spencer de C, 2007
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