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Building the Skeleton of Your Story

Author notes.
  1. First, the information that is posted here is an accumulation of what I have learned over 10 years of studying writing.  It is not a copy of any specific source of information, rather an amalgamation of many tidbits that I have gathered along the way and have implemented into my writing style.  The three act system, I have no idea who came up with the original idea, but it's freely published across the web.  I do not take credit for it's creation.
  2. The subject for this example was not chosen for any kind of statement.  The subject of abortion is a heavy hitting theme that is easy to identify clear decisions so it’s easier to help with the writing tutorial because there’s less ambiguity.  
    The first thing that is important to your story is to have an idea of what you story is.  Then taking that idea and making it into one that’s really a story idea.  From this idea, we should be able to identify the main story question that must be answered by the end of the story.  Taking that idea and creating a beginning, middle, and end is your second step in this process.

    For example, say I want to write a story about a teenage pregnancy.  Sure, I could write a book report or essay on this subject, but it wouldn’t be a story.  So, I have to take my idea and make it into a story idea.  Jane, a 16 year-old, straight A student who’s headed for Berkley with a full ride scholarship becomes pregnant.  Ok.  We have the beginning of a story idea, but there isn’t any movement.  We just know what is and not what she must confront that will make her make life altering decisions.  Jane, a young teen with a promising future studying artificial intelligence at Berkley, must face the decision of whether or not to have an abortion after her boyfriend breaks up with her for getting pregnant.  Now, we have a story idea.  There’s movement here that will make Jane deal with real life issues even though the story is fiction.  

    What’s my main story question?  First, the question should be a yes or no question.  The story will be the explanation of the question so the only answer should be yes or no.  For this idea the question should be something like this:

    Will Jane get an abortion so that she can continue following her life goals?  

    Now that we’ve got the idea and the question down, we’ve got to flesh it out a little bit.  What problems force Jane to face the consequences of her actions?  I tend to stick with the three act system, so I outline the biggest problems that will advance the story to the fulfillment of my story question.  I also use this setup for my subplots because its easy and helps me keep things in perspective.  

    So following the three act system, I’ll need…
   
    Act I 20-35% of the story
        The catalyst is the first 10% of your story.  Here I’ll plunge your character into the story and introduce the main story problem and question.
        The rest of act 1 is dedicated to introducing my characters and setting up the story so that the reader is prepared to get into the meat of the story when they hit turning point 1.
        Turning Point 1 is where the flow of the story changes and plunges me into act 2.  I up the tension by adding a problem that the mc must solve in order to go on.  However, they go in an unexpected direction, which creates conflict.
   
    Act II 50% of the story
        The middle is where the bulk of my conflict will be.  Here I want to have the character fighting him/herself and the antagonist.  The must be conflict in order to propel the story toward the climax and keep the tension building. 
        Turning Point 2 plunges me into act 3 and increases the tension and speeds up the action.  This is where I’m really building that steep incline to the climax.  Think of it as the ultimate roller coaster and this is the highest rail before I drop them into the gravity defying, stomach clenching, wondrous climax of my story.
   
    Act III 15-25% of the story
         This is the resolution of the story.  Here I want to tie up the loose ends, but make sure that in doing so, I am still creating more tension all the way up to the climax.  Remember, I want to build that steep incline for the roller coaster so the reader gets that head rush, giddy, goose bumps Feeling when I spring the climax.
        The climax is the last 5% of the story.  Here I’m in the final conflict and the main story question must be answered in order for the story to end.  

    So now I have these six points in which I have a good idea along the plot line where they will rest.  This is where people differ.  Some writers just plunge into the story.  I’m the type of writer that figures out what my approximate word count will be and I have a baseline of word count per scene.  I also like to write 2.5-3 scenes per chapter.  So, I’ve set a tentative word count of 2000 words per scene.  Usually I predict that a novel will be about 100,000-150,000 words.  I like to check the publishers requirements that I’ll be interested in submitting to, because some of them are very strict on word counts.  

    So, for a 100,000 word novel at 5000 words per scene, I’ll have 20 chapters and 50 scenes (20x2.5).  For a 150,000 word novel at 5000 words per scene, I’ll have 30 chapters and 75 scenes.  This sounds a little daunting, but I found that I could focus on where scenes lie along the plot line and pace my novel appropriately.  It actually made figuring out where I needed to place scenes and elements in my story whereas before I just kind of estimated and a lot of the time they were misplaced.  

    Now that I know how many scenes I’ll need, I can then divide the word count or the scenes by the acts percentages.  This gives me a really good idea where to put the most important parts of the story.  Basically this is outlining the story but with an added element of actually seeing where to place specific part like the turning points.


Some great sites to check out are…
http://www.massucci.com/Articles/Outlines/outlines.html  This is about outlining
http://www.storyispromise.com/wfound.htm  The foundation of storytelling.  It’s a great read.
http://www.hackman-adams.com/articles/   General writing articles
http://www.io.com/~eighner/writing_course/oldtutorials/tnovel.html  This talks about the three act structure and more.  Very good information.
http://story.exis.net/masterlink/general.htm  This has a lot of links to great writing information.
http://grammar.ccc.commnet.edu/grammar/sentences.htm  This is a great place to find information on how to break up repetitive sentence structures.

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