It would have been easy for this film to stray into parody � some of the more quaint elements are ripe for it. But, by retaining a high degree of emotional honesty and by never betraying the integrity of the characters, it avoids the misstep. Far From Heaven begins almost as a nostalgic excursion, but quickly detours into a powerful and telling story that examines forbidden love, racial tension, and other issues that are as valid today as they were in the 1950s.
Cathy Whitaker (Julianne Moore) has a seemingly perfect life. Her husband, Frank (Dennis), is a recognized TV salesman. As per the American dream, she has two children and a comfortable home. She is content with the way things are, until Frank inadvertently provides a shock to her system. One night, when he is supposedly working late, Cathy hand-delivers him dinner, only to find him in a torrid embrace with another man. Afterwards, Frank confesses that he has always had homosexual feelings and promises to seek out a doctor to help him "beat this thing." While Frank is struggling with his sexuality, Cathy finds herself drawn to the quiet, kind gardener, Raymond (Dennis Haysbert). Raymond is black, and, on an occasion when he and Cathy are seen in public, a firestorm of nasty rumors begins. Raymond's idealistic belief that color should not be a social barrier are soon put to the test, and Cathy finds that her platonic relationship with Raymond is as much of a danger to her family as is Frank's homosexuality.
Visually, Far From Heaven is easily one of the most stunning non-special effects intensive motion pictures of the year. The colors, which are rich and warm, are designed to evoke vibrant Technicolor images. Many of the scenes take place in the Northeast during the Fall, and the brilliance of the multi-hued leaves comes across on screen. Elmer Bernstein's score is a fitting audio companion for the visuals and the story they present.
Donning a blonde wig, Julianne Moore makes an effective, understated performance that avoids going over-the-top into the realm of the caricature. Dennis Quaid plays against type as a bitter, conflicted man trying to cope with his homosexuality. And Dennis Haysbert gives a strong portrayal of the overly optimistic gardener. Support is provided by Patricia Clarkson as Cathy's best friend, Eleanor.
The film's style and approach draw the viewer in gently, but firmly. Once we are established in the seemingly-perfect world of Cathy and Frank, their marriage and their lives to unravel before our eyes. Far From Heaven is not "realistic" in the traditional sense of the word, but the emotions of the characters are genuine, and we feel for them and with them. In the end, Far From Heaven tells a simple story, but there's nothing remotely simple about the impact it has upon the viewer.