Alternative Process Printing

Alternative Process Printing

 Modern photographs are also known as silver/gelatin prints because the image is formed from silver metal in a gelatin emulsion.  Almost all silver/gelatin prints are made by using "factory-made" commercial paper.

The processes and techniques that preceded modern silver/gelatin photography were invented or discovered in the 19th century (during the Victorian era). While some of these processes use silver compounds, most of them use compounds of other metals such as platinum, gold, iron, chromiun and uranium. These processes are called "alternative processes" because they are an alternative to the look of modern silver/gelatin prints.

The alternative process printer must mix his own sensitizer and processing chemicals from stock chemical compounds, and coat his own paper. Since prints are not made by projection enlargement, large negatives -- the size of the finished print -- must be created for contact printing. Thus, the techniques require greater skill than does silver/gelatin photography.

While it is difficult to see on the web, alternative process prints do not look anything at all like silver/gelatin prints. Most alternative processes result in prints of greater tonal range than silver/gelatin prints and greater permanence as well. For these reasons, alternative processes are valued by fine art photographers.

For anyone interested in alternative printing, the following sources are recommended:

BOOKS

The Keepers of Light by William Crawford (LC 79-88815, ISBN 87100-158-6)A history and working guide. This is a good beginners' book. It is a classic.

Historic Photographic Processes by Richard Farber (LC 98-70401, ISBN 1-88559-93-5) This is a very good how-to-do-it guide.

Encyclopedia of Printing, Photographic and Photomechanical Processes by Luis Nadeau (ISBN 0-9690841-5-3) This is the definitive reference source. None better. However, it is not a how-to book.

PERIODICALS

The World Journal of Post-Factory Photography This is the only periodical devoted solely to alternative process printing. It is superbly edited and contains a veritable font of accurate and valuable information:
The Post-Factory Press
61 Morton St.
New York, NY 10014
e-mail: [email protected]

WORKSHOPS

George Eastman House conducts workshops in daguerreotypy, wet-plate, albumen and other 19th century processes. (716)271-3361 ext. 234

Photographers' Formulary offers workshops in all types of alternative process printing. They also sell chemicals and kits.

www.photoformulary.com
e-mail: [email protected]

INTERNET

For the very latest info and to interact with real, live alternate process printers, you can subscribe to the alternative process list on the internet. Send a message to [email protected] Include the command "subscribe alt-photo-process-l" in the body of the message. The FAQ for the list is at http://duke.usask.ca/~holtsg/photo/faq.html

For those interested in daguerreotypes, take a look at The Daguerreian Society
www.daguerre.org
e-mail: [email protected]

For more information on cyanotypes, and to view cyanotypes of other alternative process printers, go to
www.cyanotypes.com

NOTE: There is much, much more information available, but this will provide a good beginning. Be aware that there is also a lot of misinformation out there. This is why I strongly recommend the alternative photo process list on the internet and The Post-Factory Journal.

Bob Schramm

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