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DATE |
|
TITLE |
|
AUTHOR |
|
COUNTRY |
|
COMMENTS |
|
OUT OF 10 |
|
|
|
12/99 |
|
The Collector |
|
Fowles, John |
|
�Brit |
|
10.0 |
|
|
|
1/00 |
|
The Great Gatsby |
|
Fitzgerald, F.Scott |
|
USA |
|
7.0 |
|
|
|
1/00 |
|
Le Grande Meaulnes |
Fournier Alain |
|
France |
|
9.0 |
|
|
|
3/00 |
|
The Guardians |
|
Christopher John |
|
Brit |
|
7.0 |
|
|
|
3/00 |
|
Blood Meridian |
|
McCarthy, Cormac |
USA |
|
|
|
4/00 |
|
Slapstick Vonnegut, |
|
Kirk |
|
USA |
|
6.0 |
|
|
|
5/00 |
|
Portrait of the Artist |
|
Joyce James |
|
Ireland |
|
|
|
6/00 |
|
The Fat Man In History |
Carey, Peter |
|
Aust |
|
8.0 |
|
|
|
|
|
7/00 |
|
The Dead |
|
Joyce, James |
|
Ireland |
|
10.0 |
|
|
|
7/00 |
|
Zigzag Street |
|
Earls, Nick |
|
Aust |
|
4.0 |
|
|
|
8/00 |
|
Moon Palace |
|
Auster, Paul |
|
USA |
|
9.5 |
|
|
|
9/00 |
|
Things |
|
Perec, Georges |
|
France |
|
9.0 |
|
|
|
10/00 |
|
Portrait of the Artist |
|
Joyce, James |
|
10.0 |
|
|
|
11/00 |
|
The Dispossessed |
|
Le Guin, Urulsa |
|
USA |
|
8.5 |
|
|
|
11/00 |
|
The World Waiting To Be Made |
Lazaroo, Simone |
|
Aust |
|
6.0 |
|
|
|
|
|
11/00 |
|
The Music of Chance Auster, |
Paul |
|
USA |
|
9.5 |
|
|
|
|
|
12/00 |
|
The Catcher In The Rye |
Salinger, JD |
|
�USA |
|
10.0 |
|
|
|
|
|
12/00 |
|
Ulysses |
|
Joyce, James |
|
Ireland |
|
|
|
1/01 |
|
Cities of the Plain |
|
�McCarthy Cormac |
USA |
|
7.5 |
|
|
|
1/01 |
|
liv |
|
Yasbincek, Morgan |
Aust |
|
7.0 |
|
|
|
1/01 |
|
Mr Vertigo |
|
Auster, Paul |
|
USA |
|
7.0 |
|
|
|
1/01 |
|
Fight Club |
|
�Palahniuk, Chuck |
|
USA |
|
8.5 |
|
|
|
2/01 |
|
Leviathan |
|
�Auster, Paul |
|
USA |
|
9.0 |
|
|
|
2/01 |
|
White Noise |
|
De Lillo, Don |
|
USA |
|
8.5 |
|
|
|
3/01 |
|
Invisible Man |
|
�Ellison, Ralph |
|
�USA |
|
8.0 |
|
|
|
3/01 |
|
In The Country of Last Things |
Auster, Paul |
|
USA |
|
8.0 |
|
|
|
|
|
4/01 |
|
Fictions |
|
Borges, Jorge Luis |
|
�Argentinia |
|
9.5 |
|
|
|
5/01 |
|
The Favourite Game |
�Cohen Leonard |
|
Canada |
|
9.5 |
|
|
|
6/01 |
|
The MD |
|
Disch, Thomas |
|
USA |
|
8.0 |
|
|
|
6/01 |
|
The Book of Lights |
|
�Potok, Chaim |
|
�USA |
|
8.0 |
|
|
|
7/01 |
|
Great Expectations |
|
�Dickens, Charles |
|
Brit |
|
8.5 |
|
|
|
7/01 |
|
Breakfast at Tiffany's |
Capote, Truman |
|
USA |
|
8.5 |
|
|
|
7/01 |
|
Lazarillo De Tomes |
|
(Anonymous) |
|
�Spain |
|
7.0 |
|
|
|
8/01 |
|
Les Liasons Dangereuses |
�Laclos, Choderlos De |
�France |
|
8.5 |
|
|
|
|
|
8/01 |
|
Blood and Guts in High School |
�Acker, Kathy |
|
USA |
|
|
|
|
|
9/01 |
|
Jane Eyre |
|
�Bronte, Charlotte |
|
Brit |
|
8.0 |
|
|
|
9/01 |
|
New York Trilogy |
|
�Auster, Paul |
|
USA |
|
9.0 |
|
|
|
10/01 |
|
Billy Budd |
|
Mellvile, Herman |
|
�USA |
|
6.0 |
|
|
|
10/01 |
|
Mrs Dalloway |
|
Woolf, Virginia |
|
Brit |
|
9.5 |
|
|
|
10/01 |
|
A Passage To India |
|
Forster, E.M. |
|
�Brit |
|
8.5 |
|
|
|
11/01 |
|
Wide Sargasso Sea |
|
Rhys, Jean |
|
Brit |
|
7.0 |
|
|
|
11/01 |
|
Hearts of Darkness |
|
�Conrad, Joseph |
|
Poland/ Brit |
|
[Top of the Document] |
|
6.0 |
|
|
|
|
|
11/01 |
|
Midnight's Children |
|
�Rushdie, Salman |
|
India |
|
8.0 |
|
|
|
12/01 |
|
Wild Jack |
|
�Christopher, John |
|
Brit |
|
4.5 |
|
|
|
12/01 |
|
The Businessman |
|
�Disch, Thomas |
|
USA |
|
6.0 |
|
|
|
12/01 |
|
The Virgin Suicides |
|
Jeffrey Eugenides |
|
USA |
|
8.5 |
|
|
|
12/01 |
|
Virtual Light |
|
Gibson, William |
|
Canada |
|
6.0 |
|
|
|
1/02 |
|
Mavis |
|
�Vecchio, Zenda |
|
�Aust |
|
3.0 |
|
|
|
1/02 |
|
Sad Bastard |
|
Hamilton, Hugo |
|
�Ireland |
|
6.0 |
|
|
|
1/02 |
|
The Business |
|
Banks, Iain |
|
Brit |
|
6.0 |
|
|
|
1/02 |
|
Guitar, Highway, Rose |
�Lowry, Brigid |
|
Aust |
|
6.0 |
|
|
|
|
|
1/02 |
|
Emily and other stories |
Vecchio, Zendo |
|
Aust |
|
3.0 |
|
|
|
|
|
2/02 |
|
Lolita |
|
�Nabakov, Vladimir |
|
Russ/ USA |
|
9.0 |
|
|
|
2/02 |
|
The Infernal |
|
�Wilkins, Kim |
|
�Aust |
|
4.0 |
|
|
|
2/02 |
|
The Puppies of Terra |
�Disch, Thomas |
|
USA |
|
4.0 |
|
|
|
2/02 |
|
The Chocolate War |
|
�Cormier, Robert |
|
Brit |
|
6.5 |
|
|
|
2/02 |
|
To the Lighthouse |
|
Woolf Virginia |
|
|
|
3/02 |
|
Oscar and Lucinda Carey Peter |
�Aust |
|
7 |
|
|
|
|
|
3/02 |
|
Martian Time Slip |
|
�Dick, Philip K. �Usa |
|
7 |
|
|
|
3/02 |
|
Puttering About in a Small Land |
�Dick, Philip K |
|
Usa |
|
6 |
|
|
|
|
|
4/02 |
|
Go Tell It On The Mountain |
�Baldwin James |
|
Usa |
|
7.5 |
|
|
|
|
|
4/02 |
|
The Magus |
|
�Fowles, John |
|
Brit |
|
9 |
|
|
|
5/02 |
|
The Gentle Spirit |
|
�Dostoevesky, Fydor |
Russ |
|
7 |
|
|
|
5/02 |
|
Waiting for Einstein |
|
Cox, Nigel |
|
NZ |
|
Yes bearing comparison to The Magus - both first novels, both flawed and yet both deeply engaging and important.� It was the ending alone which was flawed - a disparity in tone and Peter Cave left an unresolved character.� The sort of book which is a joy to read. |
|
8 |
|
|
|
|
|
6/02 |
|
Jesus on Mars |
|
Farmer Philip Jose |
|
Usa |
|
What if Jesus came back but was really an alien?� A rational explanation for everything! Written loosely, with underdeveloped narrative.� But an impressive understanding of theology as well as SF conventions led to a story that I had to find compelling. |
|
6.5 |
|
|
|
|
|
6/02 |
|
Blood Meridian |
|
McCarthy Cormac |
|
Usa |
|
The narrative never falls like I expect it to, even though this is the second time.� The intense poetry periodically grips. |
|
8.5 |
|
|
|
|
|
6/02 |
|
Cloudstreet |
|
Winton Tim |
|
Aust |
|
The magic realism throws me.� The trendiness also puts me off.� But wow.� The great Perth novel has already been written.� |
|
9 |
|
|
|
|
|
7/02 |
|
Portnoy's Complaint |
|
Roth Phillip |
|
NY lusting genius Jew in therapy.� What Holden could become.� Who Woody Allen became.� Very readable - beyond crudity, because of the excited witty narrator |
|
8 |
|
|
|
|
|
7/02 |
|
Sons and Lovers |
|
Lawrence, D.H |
|
Brit |
|
Acute observation of humans - of men and women and families.� Unsentimental account of working class life.� If it is 'naturalism' its not Hemingwayish but closer to McCarthy or Forster. |
|
8.5 |
|
|
|
|
|
7/02 |
|
Robinson Crusoe |
|
Defoe, Daniel |
|
Brit |
|
The Enlightenment gospel - or acts of its apostle at least.� The imperialist agenda tied to Christianity and the supremacy of the individual.� Proto-novel - bio/travelogue. |
|
7 |
|
|
|
|
|
7/02 |
|
Less Than Zero |
|
Easton Ellis, Bret |
|
Usa |
|
The Stranger for the 80s. |
|
8.5 |
|
|
|
|
|
8/02 |
|
Herzog |
|
Bellow, Saul |
|
Usa |
|
Like Roth and yet not quite; a familiar character. |
|
7.5 |
|
|
|
|
|
8/02 |
|
To Kill A Mockingbird |
Lee, Harper |
|
Usa |
|
I read with constant wincing, disgust, at Roussea, Abe Lincoln etc: the noble quiet liberal humanist father; the virtuous 'niggers', the tomboy who learns to be a lady.�� It was well done, but I didn't want to like it. |
|
7 |
|
|
|
|
|
8/02 |
|
All Quiet on the Western Front |
Remarque, Erich |
|
German |
|
An unrelenting vision of hell; this was my century!� It is not human |
|
7.5 |
|
|
|
|
|
|
|
|
8/02 |
|
The Unbearable Lightness of Being |
Kundera, Milan |
|
Czech |
|
Milan is a soft-hard lyrical writer with great insight. |
|
9.0 |
|
|
|
|
|
|
|
|
8/02 |
|
The Crying of Lot 49 |
Pynchon Thomas |
|
Usa |
|
I didn't follow, to be quite honest. |
|
|
|
|
|
8/02 |
|
The Playmaker |
|
Keneally Thomas |
|
.� |
|
So meticulous in its research, and yet so free in that framework - I admire his craftmanship and was engaged in the important story of sex and colony.� Some of his writing was bloated |
|
7.0 |
|
|
|
|
|
9/02 |
|
The Farewell Party |
|
Kundera Milan |
|
Czech |
|
Such a brilliant observor of humans!� The themes are similar to the later Lightness of Being, although here the plot is tightly arranged over 5 days.� |
|
8.5 |
|
|
|
|
|
9/02 |
|
The World In Winter |
Christopher, John |
|
First half is compelling.� Second half is TOO familiar. |
|
7.0 |
|
|
|
|
|
9/02 |
|
�Goodbye Colombus |
Roth Phillip |
|
Usa |
|
Lyrical telling of first love.� The dialogue is often funny and always convincing.� This is a head above Portnoy.� It felt so well honed and crafted as I read. |
|
8.5 |
|
|
|
|
|
9/02 |
|
Lockie Leonard, Scumbuster |
Winton, Tim |
|
Aust |
|
Language of the kids down pat. |
|
6.0 |
|
|
|
|
|
|
9/02 |
|
�I was a teenage fascist |
Grearson, David |
|
Aust |
|
Exceptionally compulsive.� The need to be famous and different.� His conclusion is that the left and right both come out of these needs.� |
|
8.5 |
|
|
|
|
|
|
|
|
9/02 |
|
Son of God |
|
McCarthy |
|
Usa |
|
Darker than Blood Meridian;� a sick gem about a necrophiliac that is accomplished and repulsive. |
|
8.0 |
|
|
|
|
|
9/02 |
|
Around the World in 80 Days |
Verne, Jules |
|
France |
|
Comic.� Auster's Father.� Technology/ British imperialism. |
|
7.0 |
|
|
|
|
|
|
|
|
9/02 |
|
Chicago, Chicago |
|
Romaro, John |
|
Aust |
|
Two levels of audience; the commentary was interesting, and the characters. |
|
|
|
|
|
9/02 |
|
People Might Hear You |
Klein Robin |
|
Aust |
|
Echoes of The Collector - surely an influence.� Good to help me understand the mechanics of writing.� Theology of the cult never explored.� Orphan-ness mystery; quite appropriate.� |
|
6.5 |
|
|
|
|
|
|
|
|
9/02 |
|
The Front Room Boys |
Buzo Alexander |
|
Aust |
|
Theatrical' a mode I don't get yet?� Coz it seems ludicrous to me often reading the scripts as I did here. |
|
|
|
|
|
9/02 |
|
No Exit |
|
Sartre Jean-Paul |
|
France |
|
Could've been more interesting.� |
|
6.5 |
|
|
|
|
|
9/02 |
|
Death of a Salesman |
Miller, Arthur |
|
Usa |
|
The American dream spirals down into a nightmare. |
|
8.0 |
|
|
|
|
|
10/02 |
|
Dirt Music |
|
Winton, Tim |
|
Aust |
|
Compulsive, and moments of profound observation.� A good story teller.� The introspective passages in second person sounded clumsy to my ear. |
|
8.5 |
|
|
|
|
|
10/02 |
|
Brothers Karamazov |
|
Dostoevesky |
|
Russia |
|
A crazy empire of a novel, sprawling and immense, scrappy, spiralling, ever intense and ever revealing at the madness inherent in everyone, or at least in his world. |
|
9.0 |
|
|
|
|
|
11/02 |
|
The Prime of Miss Jean Brodie |
Spark Muriel |
|
Scot |
|
thematically written, not chronologically, although all the threads lead back toward an explanation of what is being slowly revealed.� Fascism/ freedom |
|
|
|
|
|
|
|
|
11/02 |
|
The Big Sleep |
|
Chandler |
|
Usa |
|
Stylish as all hell.� Surely such an influential work on Lebowski and Salinger |
|
7.0 |
|
|
|
|
|
11/02 |
|
The Catcher In The Rye |
Salinger |
|
Usa |
|
Too many people want to die gloriously rather than to live humbly for a good cause.� |
|
10.0 |
|
|
|
|
|
|
|
|
11/02 |
|
Ulysses |
|
Joyce |
|
Ireland |
|
Tell me, where is fancy bread? |
|
10.0 |
|
|
|
|
|
11/02 |
|
The Merchant of Venice |
Shakespeare |
|
Brit |
|
Tell me, where is fancy bred? |
|
7.0 |
|
|
|
|
|
|
11/02 |
|
Scoop |
|
Waugh, Evelyn |
|
Brit |
|
This is the English humour that is latently remembered, perhaps in my collective UC; a wit old Evelyn, a fine wit. |
|
8.0 |
|
|
|
|
|
12/02 |
|
As I Lay Dying |
|
Faulkner, William |
|
Usa |
|
At last it gripped me - what a lazy reader I have been.� Dark.� Addy is the only brilliant one, and she just has a short voice in the middle. |
|
8.0 |
|
|
|
|
|
30/11/02 |
|
Rumble Fish |
|
Hinton |
|
USA |
|
.� |
|
6.0 |
|
|
|
1/12/02 |
|
Count Zero |
|
Gibson |
|
Canada |
|
5.0 |
|
|
|
11/12/02 |
|
If on a winter night's a traveller? |
Calvino |
|
Italy |
|
[Top of the Document] |
|
7.0 |
|
|
|
|
|
|
5.0 |
|
|
12/12/02 |
|
Dead Sexy |
|
Jaivin |
|
Australia |
|
|
|
|
|
|
|
|
|
6.0 |
|
|
16/12/02 |
|
snail |
|
Dando |
|
Australia |
|
|
|
|
|
|
|
|
|
6.0 |
|
|
17/12/02 |
|
Thanksgiving |
|
Dibdin |
|
UK |
|
|
|
|
|
|
|
|
|
22/12/02 |
|
Immortality |
|
Kundera |
|
Czech |
|
An indulgent disappointment coming as it does from my favourite 'new' writer of 2002 |
|
|
|
|
|
|
|
5.0 |
|
|
|
|
|
|
|
|
7.0 |
|
|
|
|
2/01/03 |
|
Glamorama |
|
Ellis |
|
USA |
|
A compulsive, sordid and surreal satirical mystery thriller, that verges at times on being 'literary porn'.� Read this novel and never look at Hollywood the same - Ellis exposes Hollywood for what it is (cf his American Psycho) but one senses fondness in his savage portrayal. |
|
|
|
|
|
|
|
|
|
|
|
|
7.0 |
|
|
|
|
11/01/03 |
|
The Secret Diary of Adrian Mole |
Townsend |
|
UK |
|
Us intellectuals are much misunderstood.� Stopped reading George Eliot to devote extra time to Big n Bouncy magazine and Amateur Photographer.� [few books have more deadpan classic lines than this!� Me and Adrian have a certain affinity] |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8.5 |
|
|
|
|
12/01/03 |
|
The Grapes of Wraith |
Steinbeck |
|
USA |
|
|
|
|
|
|
|
|
|
|
Fambly abides.� Cf this classic-modernity's individualism of looking after your family with the individualism of consumer-modernity, where the self is elevated above even family.� The narrative moves from the country to the family and then back again, framing the Joads as part of the state of the nation, as a family observed by a sympathetic author-god, who steps back now and again from the close-up for a long panning shot.� |
|
|
|