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"LIBANESES EN ULTRAMAR"

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DIRECTORIO DE LIBANESES

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AZOURI MIRANDA JOSE EDUARDO LIC.

AZOURI MIRANDA ISSAM ARTURO PSTE ING.

AZOURI MIRANDA JUAN ALFONSO.

AZOURI MIRANDA RAQUEL ANGELICA LIC.

AZOURI RAQUEL ANGELICA MIRANDA DE Q.F.B.

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AZOURI YAPOR ALFREDO DR.


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CAMACHO CORTES JOSE LUIS DR.

CAMACHO CORTES RAFAEL DR.


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GARCIA MEJIA FRANCISCO GUILLERMO ING.-




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VARGAS RODRIGUEZ ROSALBA DRA.
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AZOURI YAPOR ISSAM.-INGENIERO CIVIL

CUAUHTEMOC 832, CD. DEL SOL, ZAPOPAN, JALISCO, C.P. 45050

TELS (3) 632 22 32, 133 01 09/FAX, 133 0079

[email protected].

[email protected].

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AZOURI MIRANDA ISSAM ARTURO.- PSTE INGENIERO CIVIL

CUAUHTEMOC 832, CD. DEL SOL, ZAPOPAN, JALISCO, C.P. 45050

TELS (3) 632 22 32, 133 01 09/FAX, 133 0079

[email protected].

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AZOURI MIRANDA JUAN ALFONSO.- INGENIERO ELECTRONICO

CUAUHTEMOC 832, CD. DEL SOL, ZAPOPAN, JALISCO, MEXICO
PHONE (3) 133 00 79, 632 22 32, 133 01 09/FAX

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GARCIA MEJIA FRANCISCO GUILLERMO.- INGENIERO CIVIL


PRADO DE LAS AZUCENAS 4467-2,
PRADOS TEPEYAC,ZAPOPAN, JALISCO, MEXICO
PHONE (3) 122 61 17/FAX, 122 78 96

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AZOURI MIRANDA JOSE EDUARDO.- LICENCIADO EN MERCADOTECNIA.

CUAUHTEMOC 832, CD. DEL SOL, ZAPOPAN, JALISCO, C.P. 45050

TELS (3) 632 22 32, 133 01 09/FAX

[email protected].

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AZOURI MIRANDA RAQUEL ANGELICA.- LICENCIADA EN COMERCIO INTERNACIONAL

CUAUHTEMOC 832, CD. DEL SOL, ZAPOPAN, JALISCO, C.P. 45050

TELS (3) 632 22 32, 133 01 09/FAX, 133 0079

[email protected].

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AZOURI YAPOR ALFREDO.- MEDICO INTERNISTA

CUAUHTEMOC 832, CD. DEL SOL, ZAPOPAN, JALISCO,MEXICO

TELS.-(3) 133 00 79, 632 22 32, 133 01 09 /CON FAX>

[email protected].

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CAMACHO CORTES JOSE LUIS .-MEDICO ONCOLOGO

CIRCUNVALACION AGUSTIN YA�EZ 2457-PRIMER PISO

GUADALAJARA,JALISCO, MEXICO

TEL.-(3) 616 74 92

[email protected].

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CAMACHO CORTES RAFAEL.-MEDICO INTERNISTA

CIRCUNVALACION AGUSTIN YA�EZ 2457-PRIMER PISO

GUADALAJARA,JALISCO, MEXICO

TEL.-(3) 616 74 92

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VARGAS RODRIGUEZ ROSALBA.- ALERGIAS E INMUNOLOGIA CLINICA. VIAS RESPIRATORIAS

CLEMENTE OROZCO 69-A S.H., GUADALAJARA, JALISCO, MEXICO

TEL.-(3)825 47 25

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AZOURI RAQUEL ANGELICA MIRANDA DE.- QUIMICO FARMACO BIOLOGA

CUAUHTEMOC 850, CD. DEL SOL, ZAPOPAN JALISCO, MEXICO

TEL(3) 133 15 18

"[email protected].




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THE ACADIANS

1755-1757 In 1755 the first Acadians were deported south to British colonies from Acadie. Turned away by Virginia, ships carrying 1,500 exiles sailed for Britain.

1758-1762 A second wave of deportation swept several hundred Acadians to France in 1758. By 1763 some 10,000 Acadians had been desplaced- two-thirds of the original population.

1763-1785 After the French and Indian War ended in 1763 some refugees in the British colonies made their way north to French territory. Others moved to South America, the West Indies, the Falkland Islands, and Louisiana. In 1785 about 1,600 refugees left France for Louisiana.

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THE CAJUNS

In the 17Th century the Cajuns�pioneer ancestors founded a French colonie called Acadie in what is now the Canadian province of Nova Scotia. While the Acadians prospered on the fertile farmland, France and Britain vied for control of the region. Britain won sovereignty in 1713; four decades later, at the start of the French and Indian War, security-conscious officials deported many Acadians. Scattered along Atlantic and Caribbean shores (Santo Domingo, Martinique, Cayenne in the French Guiana), some refugees found a final home in south Louisiana. As their settlements spread across bayous and prairies, neighbors shortened the French "Acadien" to "Cadien" and then "Cajun". Today 22 parishes, or counties, with a Cajun flavor make a triangular region known as Acadiana.

In most respects the main features of today�s Louisiana Cajun culture hardly go back at all to old Acadie; furthermore Cajun life differs sharply from that led by their now distants cousins in Canada. Some 300,000 people proudly calling themselves Acadian reside in Canada�s Maritime Provinces, mostly along the eastern shore of New Brunswick. Another 25,000, a special breed of American Acadians, live across the St. John River in Maine�s Madawaska region. They are separated fron the Louisiana�s 500,000 Cajuns in distance but not in spirit. But 200 years in Louisiana made the Cajuns there a separate people, bound to their northern kin more by sentiment than by substance.

Their food, with its cayenne pepper, roux, and mingled aromatic flavors of onions, celery, and bell pepper, owes more to the Indians, the Spanish, and the slaves cooks of the antebellumSouth than to the salted, oily foods of old Acadie. Rice is a Cajun staple, and well-loved ingredients. Rice is a Cajun staple, and well-loved ingredients like crawfish and alligator play a part in Louisiana as nowhere else. Only in the one-pot cooking style do the Cajuns share a culinary inheritance whith the Acadians-but a gumbo or a jumbalaya is a far different experience than the Acadian chicken-and-dumpling stew called fricot. Today�s favorite Acadian dishes are poutine and rappie pie.

Classic Cajun music owes its heart and soul to the fiddle and the diatonic accordion, something old Acadie never saw. Introduced to Acadiana by the Germans about 1850, it reshaped the old Cajun fiddle dance tunes, eliminating those that could not fit its limited range. Fore the most part, only waltzes and two steps survived. Today�s distinctive Cajun sound has few real counterparts in Canada.

When the Cajuns celebrate who they are, they mean who they have become. When the Acadians celebrate who they are, they mean who they have been.

La joie de vivre: It may be the richest nugget of wisdom at the core of Cajun being. Cajun author Trent Angers observation that " Joie de vivre is not a state of euphoria that can be induced by the consumption of alcohol but rather a way of looking at things, a condition of the mind and of the heart."

I learned all about the Acadians and the Cajuns from an article by Griffin Smith, Jr. He is a writer and lawyer in Little Rock Arkansas. All the article above belongs to him.

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NEW ORLEANS

By the mouth of the Mississipi River, New Orleans grew on the edge of the American mainstream. Even the hard rock of the continent ends well upriver; southern Louisiana is merely the runoff, a residue of silt from 31 states and parts of two Canadian provinces, perched on the Gulf of Mexico like a webbed foot. Much of the city lies below sea level, shielded by thick levees, swept by heavy rains, and flushes out by pumps and canals. Within city limits the 23,000 acre Bayou Sauvage National Wildlife Refuge shelters tens of thousands of migratory waterfowl. Along a narrow channel of the bayou the air is silky above the murk where alligators lounge, and water striders scat across the duckweed as if it were solid ground, part of the New Orleans illusion of permanence. Strip shows, mud wrestling, female impersonators, tourists chugging alcoholic concoctions sold like Slurpees; raw oysters, crawfish �e, and fil� gumbo; Dixieland, Cajun, country, zydeco, and rock music palpitating through open windows. Bourbon Srteet, the French Quarter�s entertainment stip, is a soft-core adult Diesneyland of forbidden fantasies. Voodoo as a religion was practiced openly in New Orleans by African slaves and their descendants until the 1920s, and some of its ritual survive in local "spiritual" churches. In St. Louis Cemetery N� 1, worshipers still leave chicken bones and other charms on the grave of Marie Laveau, a powerful voodoo priestess. She lies next to Ernest "Dutch" Morial, the city first black mayor. Jazz was born on the streets of New Orleans and played first by backs and inmigrants, notably Sicilian. They picked up military instruments left at pawnshops after the Civil War and turned European brass-band music into something hipper, adding the rhythms of Congo Square. (TO BE CONTINUED) (I read all about in an article by Priit Vesilind)

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NEW ORLEANS MUSIC

New Orleans musicians truly represent a potpourri of musical richness, performing everything from zydeco and gospel to jazz, rhythm and blues and new age rock. Music is literally in the air, at street parades, jazz funerals, seasonal festivals, and drifting from open doors all around the city, beckoning all who are willing to let the spirit move them. The Crescent City is best known for jazz, which made some of its most significant advances here --thanks to music pioneers like Sidney Bechet, Louis Armstrong, Buddy Bolden, King Oliver and Jellyroll Morton. Traditional jazz is alive and healthy today, several generations later, fostered at establishments such as Preservation Hall and the Palm Court Cafe by musicians like the Percy Humphrey, Wendell Brunious, Pud Brown and Dr. Michael White. New Orleans also boasts some of the finest modern jazz players around like Red Tyler, Tony Dagradi, and Peter Martin, as well as avant garde jazz artists like Edward "Kidd" Jordan, Alvin Batiste and Earl Turbinton, who play at uniquely New Orleans venues like Snug Harbor and Cafe Brasil. Pianist Ellis Marsalis and his talented offspring -- the Grammy-winning Wynton, "Tonight Show" bandleader Branford, and younger brothers Delfeayo and Jason -- continue to wow audiences at home and abroad with their inspirational jazz performances. Rhythm and blues finds its spiritual home here too, having developed in the late 1950s when local artists like Fats Domino topped the music billboards. The "Fats Man's" sound, masterminded by his bandleader Dave Bartholomew, was so hot that major record companies sent their stars to record here, including music legends Big Joe Turner and Little Richard. Another local luminary was the late, great pianist Professor Longhair -- whose spirit still lives on at Tipitina's, the king of New Orleans jamming music clubs. Today, rhythm and blues continues to thrive, with many of yesterday's stars still shining. Irma Thomas, Frankie Ford, Clarence "Frogman" Henry, Ernie K-Doe, Allen Toussaint, the Neville Brothers, Dr. John, Marcia Ball and Snooks Eaglin are just some of the award-winning native Louisianians that grace our clubs, as well as those around the country, with their soulful sound. Fine R&B haunts include Tipitina's, the Maple Leaf, House of Blues and Mid-City Lanes. Gospel music, the heart and inspiration of music like jazz and R&B, has passionate expression in the city as well. There are literally hundreds of gospel groups in New Orleans, many of which play commercial venues. Groups like the 50-year-old Zion Harmonizers quartet and the 60-member-strong Gospel Soul Children, as well as soloists such as Joe "Cool" Davis are celebrated nationally, adored internationally, and can be heard right here at home at the House of Blues and Tipitina's as well as various gospel festivals. Of course, contemporary rock and roll is shaking the rafters too, thanks to homegrown bands like the Radiators, Dash Rip Rock, Cowboy Mouth and the Subdudes. Not only do these bands loyally play their spirited music to hooked natives, but they tour and collaborate with noted musical leaders like Bruce Springsteen, Los Lobos, Edie Brickell, and Linda Ronstadt. You can catch the local rock and roll scene at Jimmy's, Tipitina's and the Howlin' Wolf. Cajun and zydeco music, are especially unique factors in the local scene. You can cut the rug in town at Cajun restaurant/clubs like Mulate's and Michaul's, or at the Maple Leaf Bar or Tipitina's. For the complete Cajun/zydeco cultural experience, drive west a couple of hours to Slim's Y-KiKi in Opelousas, Grant Street Dance Hall in Lafayette or Richard's (pronounced "REE-shards") in Lawtell. New Orleans also has a thriving Latin music led by Ruben "Mr. Salsa" Gonzales, the Iguanas, Acoustic Swiftness, Casa Samba and the Iguanas. Wherever you go, for whatever type of music, remember that the Big Easy's nightclubs have no mandatory closing time, and informal dress is just fine. Annually music luminaries gather to pay homage to their craft at the world-renowned New Orleans Jazz and Heritage Festival. The Jazz Fest alone has an economic impact of roughly $140 million on the New Orleans scene, and has experienced tremendous growth since its inception in 1968. Although the festival is very much a local celebration, highlighting the best this region has to offer, the number of national and international visitors has exploded to the tune of 424,000 in total attendance. The total economic impact music has on the city is approximately $1.5 billion. Approximately 40,000 jobs are produced by the music industry, and over $33 million is collected in tax revenues from the industry. About nine percent of New Orleans visitors list music as an important factor in deciding to come to the city, and approximately 39 percent of all visitors to New Orleans visit a nightclub or restaurant featuring live music; 69 percent of visitors on pleasure and business trips to the city listen to live music. According to the U.S. Travel Data Service, the total primary spending of the visitor industry in the New Orleans area is $3.2 billion. Visitor spending due to music has a total impact of nearly $600 million, roughly 20 percent of total annual visitor spending. These figures may expand to even more impressive proportions with several new initiatives underway. The city plans to begin celebrating the 100 year anniversary of the birth of jazz in 1995, with a variety of special events, competitions, and activities designed to promote and invigorate the local music industry. Another innovation on the music scene is a promotional partnership between Greater New Orleans Tourist & Convention Commission and the convention and visitor bureaus of Memphis and St. Louis organized to promote the musical "Mississippi Corridor" linking the three cities. The Mississippi historically served as a Southern lifeline for blues and, especially, jazz music, carrying new ideas and innovations along its currents and giving jazz and blues musicians work on its riverboats. Music in New Orleans is like a magnet -- more and more, musicians from around the country are wanting in on the action, and joining the parade of successful native hitmakers. Robbie Robertson, Linda Ronstadt, Quincy Jones, Daniel Lanois, Paul Simon, and folk rock singer Maria Moldaur -- all these artists and more have found that once they get New Orleans under their skin, they have to keep returning to take in more of that soulful, spiritual, melodic gumbo of Crescent City music.

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