WHO RULES AMERICA ?
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The Alien Grip on Our News and Entertainment Media
Must Be Broken
This documentary report names
the men who control America's news and entertainment media and, through these, public
opinion and the political process.
http://www.natall.com/who-rules-america
Source/Publisher: National Vanguard Books
http://www.natall.com/ -
National Alliance By the
Research Staff of National Vanguard Books
P.O. Box 330 - Hillsboro - West Virginia 24946 - USA
There
is no greater power in the world today than that wielded by the manipulators of
public opinion in America. No king or pope of old, no conquering general or
high priest ever disposed of a power even remotely approaching that of the few
dozen men who control America's mass media of news and entertainment.
Their
power is not distant and impersonal; it reaches into every home in America, and
it works its will during nearly every waking hour. It is the power that shapes
and molds the mind of virtually every citizen, young or old, rich or poor,
simple or sophisticated.
The
mass media form for us our image of the world and then tell us what to think about
that image. Essentially everything we know -- or think we know -- about events
outside our own neighborhood or circle of acquaintances comes to us via our
daily newspaper, our weekly news magazine, our radio, or our television.
It
is not just the heavy-handed suppression of certain news stories from our
newspapers or the blatant propagandizing of history-distorting TV
"docudramas" that characterizes the opinion-manipulating techniques
of the media masters. They exercise both subtlety and thoroughness in their
management of the news and the entertainment that they present to us.
For
example, the way in which the news is covered: which items are emphasized and
which are played down; the reporter's choice of words, tone of voice, and
facial expressions; the wording of headlines; the choice of illustrations --
all of these things subliminally and yet profoundly affect the way in which we
interpret what we see or hear.
On
top of this, of course, the columnists and editors remove any remaining doubt
from our minds as to just what we are to think about it all. Employing
carefully developed psychological techniques, they guide our thought and
opinion so that we can be in tune with the "in" crowd, the
"beautiful people," the "smart money." They let us know
exactly what our attitudes should be toward various types of people and
behavior by placing those people or that behavior in the context of a TV drama
or situation comedy and having the other TV characters react in the Politically
Correct way.
Molding
American Minds
For
example, a racially mixed couple will be respected, liked, and socially sought
after by other characters, as will a "take charge" Black scholar or
businessman, or a sensitive and talented homosexual, or a poor but honest and
hardworking illegal alien from Mexico. On the other hand, a White racist --
that is, any racially conscious White person who looks askanc eat miscegenation
or at the rapidly darkening racial situation in America -- is portrayed, at
best, as a despicable bigot who is reviled by the other characters, or, at
worst, as a dangerous psychopath who is fascinated by firearms and is a menace
to all law-abiding citizens. The White racist "gun nut," in fact, has
become a familiar stereotype on TV shows.
The
average American, of whose daily life TV-watching takes such an unhealthy
portion, distinguishes between these fictional situations and reality only with
difficulty, if at all. He responds to the televised actions, statements, and
attitudes of TV actors much as he does to his own peers in real life. For all
too many Americans the real world has been replaced by the false reality of the
TV environment, and it is to this false reality that his urge to conform
responds. Thus, when a TV scriptwriter expresses approval of some ideas and
actions through the TV characters for whom he is writing, and disapproval of
others, he exerts a powerful pressure on millions of viewers toward conformity
with his own views.
And
as it is with TV entertainment, so it is also with the news, whether televised
or printed. The insidious thing about this form of thought control is that even
when we realize that entertainment or news is biased, the media masters still
are able to manipulate most of us. This is because they not only slant what
they present, but they establish tacit boundaries and ground rules for the
permissible spectrum of opinion. As an example, consider the media treatment of
Middle East news. Some editors or commentators are slavishly pro-Israel in
their every utterance, while others seem nearly neutral. No one,however, dares
suggest that the U.S. government is backing the wrong side in the Arab-Jewish
conflict and that it served Jewish interests rather than American interests to
send U.S. forces to cripple Iraq, Israel's principal rival in the Middle East.
Thus, a spectrum of permissible opinion, from pro-Israel to nearly neutral, is
established.
Another
example is the media treatment of racial issues in the United States. Some
commentators seem almost dispassionate in reporting news of racial strife,
while others are emotionally partisan -- with the partisanship always on the
non-White side. All of the media spokesmen without exception, however, take the
position that "multiculturalism" and racial mixing are here to stay,
and that they are good things.
Because
there are differences in degree, however, most Americans fail to realize that
they are being manipulated. Even the citizen who complains about "managed
news" falls into the trap of thinking that because he is presented with an
apparent spectrum of opinion he can escape the thought controllers' influence
by believing the editor or commentator of his choice. It's a "heads I win,
tails you lose" situation. Every point on the permissible spectrum of
public opinion is acceptable to the media masters -- and no impermissible fact
or viewpoint is allowed any exposure at all, if they can prevent it.
The
control of the opinion-molding media is nearly monolithic. All of the
controlled media -- television, radio, newspapers,
magazines, books, motion pictures -- speak with a single voice, each
reinforcing the other. Despite the appearance of variety, there is no real
dissent, no alternative source of facts or ideas accessible to the great mass
of people that might allow them to form opinions at odds with those of the
media masters. They are presented with a single view of the world -- a world in
which every voice proclaims the equality of the races, the inerrant nature of
the Jewish "Holocaust" tale, the wickedness of attempting to halt the
flood of non-White aliens pouring across our borders, the danger of permitting
citizens to keep and bear arms, the moral equivalence of all sexual
orientations, and the desirability of a "pluralistic," cosmopolitan
society rather than a homogeneous one. It is a view of the world designed by
the media masters to suit their own ends -- and the pressure to conform to that
view is overwhelming. People adapt their opinions to it, vote in accord with
it, and shape their lives to fit it.
And
who are these all-powerful masters of the media? As we shall see, to a very
large extent they are Jews. It isn't simply a matter of the media being
controlled by profit-hungry capitalists, some of whom happen to be Jews. If
that were the case, the ethnicity of the media masters would reflect, at least
approximately, the ratio of rich Gentiles to rich Jews. The preponderance of
Jews in the media is so overwhelming, however, that we are obliged to assume
that it is due to more than mere happenstance.
Electronic
News & Entertainment Media
Continuing
government deregulation of the telecommunications industry has resulted, not in
the touted increased competition, but rather in an accelerating wave of
corporate mergers and acquisitions that have produced a handful of
multi-billion-dollar media conglomerates. The largest of these conglomerates
are rapidly growing even bigger by consuming their competition, almost tripling
in size during the 1990s. Whenever you watch television, whether from a local
broadcasting station or via a cable or a satellite dish; whenever you see a
feature film in a theater or at home; whenever you listen to the radio or to
recorded music; whenever you read a newspaper, book, or magazine -- it is very
likely that the information or entertainment you receive was produced and/or
distributed by one of these megamedia companies.
The
largest media conglomerate today is AOL-Time Warner, created when AOL bought
Time Warner for $160 billion in 2000. The merger brought together Steve Case, a
Gentile, as chairman of AOL-TW, and Time Warner chairman Gerald Levin, a Jew,
as the CEO. Although AOL-TW isn't (yet) run entirely by Jews, the effect of
this blend of leadership between a White capitalist whose biggest concern is
money and a racially conscious Jew will be gradually to increase the Jewish
influence within AOL. Steve Case won't complain when Gerald Levin begins hiring
mostly Jews to fill key positions beneath him because Case's own profits won't
be affected. After Case dies or retires, the Jews will have complete control at
AOL.
Before
the merger, AOL was the largest Internet service provider in America, and it
will now be used as an online platform for the Jewish content from Time Warner.
Time Warner, Inc., with 1997 revenues of more than $13 billion, was the second
largest of the international media leviathans when it was bought by AOL. Levin,
chairman and CEO of Time Warner, had bought Turner Broadcasting Systems in 1996
from Ted Turner, who had been one of the few Gentile entrepreneurs in the media
business. Ted Turner, as the company president, became the number three man at
AOL-TW, after Case and Levin.
When
Ted Turner, the Gentile media maverick, made a bid to buy CBS in 1985, there
was panic in media boardrooms across the nation. Turner had made a fortune in
advertising and then had built a successful cable-TV news network, CNN, with
over 70 million subscribers. Although Turner employed a number of Jews in key
executive positions in CNN and had never taken public positions contrary to
Jewish interests, he is a man with a large ego and a strong personality and was
regarded by Chairman William Paley and the other Jews at CBS as uncontrollable:
a loose cannon who might at some time in the future turn against them.
Furthermore, Jewish newsman Daniel Schorr, who had worked for Turner, publicly
charged that his former boss held a personal dislike for Jews.
To
block Turner's bid, CBS executives invited billionaire Jewish theater, hotel,
insurance, and cigarette magnate Laurence Tischto launch a "friendly"
takeover of the company, and from 1986 until 1995 Tisch was the chairman and
CEO of CBS, removing any threat of non-Jewish influence there. Subsequent
efforts by Turner to acquire a major network were obstructed by Levin's Time
Warner, which owns nearly 20 percent of CBS stock and has veto power over major
deals. When his fellow Jew Sumner Redstone offered to buy CBS for $34.8 billion
in 1999, Levin had no objection.
Thus,
despite being an innovator and garnering headlines, Turner never commanded the
"connections" necessary for being a true media master. He finally
decided if you can't lick 'em, join 'em, and he sold out to Levin. Ted Turner
is in one respect a reflection of Steve Case. Both of these White men are
capitalists with no discernible degree of racial consciousness or
responsibility. In July 2001, AOL Time Warner announced that yet another Jew,
Walter Isaacson, formerly the editorial director of Time, Inc., will become the
new chairman and CEO of CNN News Group, which oversees the news empire that Ted
Turner built.
Time
Warner's subsidiary HBO is the country's largest pay-TV cable network. Until
the purchase in May 1998 of PolyGram by Edgar Bronfman, Jr., Warner Music was
America's largest record company, with 50 labels, the biggest of which is
Warner Brothers Records. Warner Music was an early promoter of "gangsta
rap." Through its involvement with Interscope Records (prior to
Interscope's acquisition by MCA), it helped to popularize a genre whose graphic
lyrics explicitly urge Blacks to commit acts of violence against Whites.
In
addition to cable and music, Time Warner is heavily involved in the production
of feature films (Warner Brothers Studio, Castle Rock Entertainment, and New
Line Cinema) and in publishing. Time Warner's publishing division (editor-in-chief
Norman Pearlstine, a Jew) is the largest magazine publisher in the country
(Time, Sports Illustrated, People, Fortune).
The
second-largest media conglomerate today, with 1997 revenues of $23 billion, is
the Walt Disney Company. Its chairman and CEO, Michael Eisner, is a Jew. The
Disney empire, headed by a man described by one media analyst as "a
control freak," includes several television production companies (Walt
Disney Television, Touchstone Television, Buena Vista Television) and cable networks
with more than 100 million subscribers altogether.
As
for feature films, the Walt Disney Motion Pictures Group, under Walt Disney
Studios, headed by Joseph E. Roth (also a Jew), includes Walt Disney Pictures,
Touchstone Pictures, Hollywood Pictures, and Caravan Pictures. Roth founded
Caravan Pictures in January 1993, and it is now headed by his fellow Jew Roger
Birnbaum. Disney also owns Miramax Films, run by the Weinstein brothers, Bob
and Harvey, who have produced such ultra-raunchy movies as The Crying Game,
Priest, and Kids.
When
the Disney Company was run by the Gentile Disney family, prior to its takeover
by Eisner in 1984, it epitomized
wholesome, family entertainment. While it still holds the rights to Snow White,
the company under Eisner has expanded into the production of a great deal of
so-called "adult" material. In August 1995, Eisner acquired Capital
Cities/ABC, Inc., which owns the ABC Television Network, which in turn owns ten
TV stations outright in such big markets as New York, Chicago, Philadelphia,
Los Angeles, San Francisco, and Houston. In addition, it has 225 affiliated
stations in the United States and is part owner of several European TV
companies. ABC's cable subsidiary, ESPN, is headed by president and CEO Steven
Bornstein, who is a Jew. The corporation also has a controlling share of
Lifetime Television and A & E Television Networks cable companies, with 67
million subscribers each. ABC Radio Network owns 26 AM and FM stations, again
in major cities such as New York, Washington, and Los Angeles, and has over
3,400 affiliates.
Although
primarily a telecommunications company, Capital Cities/ABC earned over $1
billion in publishing in 1997. It owns seven daily newspapers, Fairchild
Publications (Women's Wear Daily), Chilton Publications (automotive manuals),
and the Diversified Publishing Group.
Number
three on the list, with 1997 revenues of just over $13 billion, is Viacom,
Inc., headed by Sumner Redstone (born Murray Rothstein). Viacom, which produces
and distributes TV programs for the three largest networks, owns 13 television
stations and 12 radio stations. It produces feature films through Paramount
Pictures, headed by Jewess Sherry Lansing. Redstone acquired CBS following the
December 1999 stockholders' votes at CBS and Viacom.
Working
for Redstone as CBS's chief executive is a Jew named Melvin A. Karmazin. He is
the boss and biggest individual
shareholder of the company that owns the CBS Television Network, 14
major-market TV stations, 160 radio stations, the Country Music Television and
the Nashville Network cable channels, and a large number of outdoor advertising
assets.
Viacom's
publishing division includes Simon & Schuster, Scribner, The Free Press,
and Pocket Books. It distributes videos through over 4,000 Blockbuster stores.
It is also involved in satellite broadcasting, theme parks, and video games.
Viacom's
chief claim to fame, however, is as the world's largest provider of cable
programming, through its Showtime, MTV, Nickelodeon, and other networks. Since
1989 MTV and Nickelodeon have acquired larger and larger shares of the juvenile
television audience. The first quarter of 2001 was the 16th consecutive quarter
in which MTV was rated as the #1 cable network for viewers between the ages of
12 and 24. Redstone, who actually owns 76 per cent of the shares of Viacom, has
offered Beavis and Butthead as teen role models and currently is the largest
single purveyor of race-mixing propaganda to White teenagers and sub-teens in
America and in Europe. MTV Networks plans to acquire The Music Factory (TMF)
from the Dutch media and marketing group Wegener. TMF distributes music to
almost 10 million homes in Holland and Belgium. MTV is expanding its presence
in Europe through new channels, including MTV Dance (Britain) and MTV Live
(Scandinavia). MTV Italy is active through Cecchi Gori Communications. MTV
pumps its racially mixed rock and rap videos into 210 million homes in 71
countries and is the dominant cultural influence on White teenagers around the
world.
Nickelodeon,
with about 65 million subscribers, has by far the largest share of the
four-to-11-year-old TV audience in America and also is expanding rapidly into
Europe. Most of its shows do not yet display the blatant degeneracy that is
MTV's trademark, but Redstone is gradually nudging the fare presented to his
kiddie viewers toward the same poison purveyed by MTV. As of early 2001,
Nickelodeon was continuing a nine-year streak as the top cable network for
children and younger teenagers.
Another
Jewish media mogul is Edgar Bronfman, Jr. He headed Seagram Company, Ltd., the
liquor giant, until its recent merger with Vivendi. His father, Edgar Bronfman,
Sr., is president of the World Jewish Congress. Seagram owned Universal Studios
and Interscope Records, the foremost promoter of "gangsta rap." These
companies now belong to Vivendi Universal.
Bronfman
became the biggest man in the record business in May 1998 when he also acquired
control of PolyGram, the European record giant, by paying $10.6 billion to the
Dutch electronics manufacturer Philips. With the revenue from PolyGram added to
that from MCA and Universal, Bronfman became master of the fourth largest media
empire, with annual revenues around $12 billion. One especially unfortunate
aspect of the PolyGram acquisition was that it gave Bronfman control of the
world's largest producer of classical music CDs: PolyGram owns the Deutsche
Grammophon, Decca-London, and Philips record companies.
In
June 2000, the Bronfman family sold Seagram to Vivendi, a French utilities
company led by gentile Jean-Marie Messier. The combined company, Vivendi
Universal, will retain Edgar Bronfman, Jr., as the vice chairman of the new
company, and he will continue to be in charge of its entertainment division.
The strategy for this merger seems to mirror that of AOL-Time Warner: infect
and wait. Vivendi Universal will pay off the debts it assumed in the merger by
selling Seagram's alcohol business, retaining its media empire.
With
two of the top four media conglomerates in the hands of Jews, and with Jews in
executive charge of the remaining two, it is difficult to believe that such an
overwhelming degree of control came about without a deliberate, concerted
effort on their part.
What
about the other big media companies?
Rupert
Murdoch's News Corporation, which owns Fox Television Network, 20th Century Fox
Films, and Fox 2000, is the fifth largest megamedia corporation in the country,
with 1997 revenues of over $11 billion. It is the only other media company that
comes even close to the top four. Murdoch is a Gentile Australian, but Peter
Chernin, who is president and CEO of Fox Group, which includes all of News
Corporation's film, television, and publishing operations in the United States,
is a Jew. Under Chernin, as president of 20th Century Fox, is Laura Ziskin, a
Jewess who formerly headed Fox 2000. Jew Peter Roth works under Chernin as
president of Fox Entertainment. News Corporation also owns the New York Post
and TV Guide, and they are published under Chernin's supervision. Murdoch told
Newsweek magazine (July 12, 1999) that he would probably elevate Chernin to CEO
of News Corporation, rather than allow the company to fall into the hands of
his own children, none of whom are younger than their late twenties. It is hard
to imagine a Jew giving a major media corporation to a Gentile underling when
he has children waiting in the wings. For his part, Chernin was quite candid:
"I get to control movies seen all over the world. . . . What could be more
fun?"
Most
of the television and movie production companies that are not owned by the
largest corporations are also controlled by Jews. For example, New World
Entertainment, proclaimed by one media analyst as "the premier independent
TV program producer in the United States," is owned by Ronald Perelman, a
Jew who also owns Revlon cosmetics and who offered a job to Monica Lewinsky
when Bill Clinton was trying to keep her quiet.
The
best known of the smaller media companies, DreamWorks SKG, is a strictly kosher
affair. DreamWorks was formed in 1994 amid great media hype by recording
industry mogul David Geffen, former Disney Pictures chairman Jeffrey
Katzenberg, and film director Steven Spielberg, all three of whom are Jews. The
company produces movies, animated films, television programs, and recorded
music. Considering the cash and connections that Geffen, Katzenberg, and
Spielberg have, DreamWorks may soon be in the same league as the big four.
It
is well known that Jews have controlled most of the production and distribution
of films since shortly after the
inception of the movie industry in the early decades of the 20th century. When
Walt Disney died in 1966, the last barrier to the total Jewish domination of
Hollywood was gone, and Jews were able to grab ownership of the company that Walt
built. Since then they have had everything their way in the movie industry.
Films
produced by just the four largest motion picture companies mentioned above --
Disney, Warner Brothers, Paramount (Viacom), and Universal (Seagram) --
accounted for two-thirds of the total box-office receipts for the year 1997.
The
big three in television network broadcasting used to be ABC, CBS, and NBC. With
the consolidation of the media empires, these three are no longer independent
entities. While they were independent, however, each was controlled by a Jew
since its inception: ABC by Leonard Goldenson; NBC first by David Sarnoff and
then by his son Robert; and CBS first by William Paley and then by Laurence
Tisch. Over periods of several decades these networks were staffed from top to
bottom with Jews, and the essential Jewishness of network television did not
change when the networks were absorbed by other corporations. The Jewish
presence in television news remains particularly strong.
NBC
provides a good example of this. The executives at NBC recently were shuffled
among the key positions. Andrew Lack, who had been chief of the network's news
division, ascended to become its president and chief operations officer. Neal
Shapiro, who had been producing Dateline NBC, moved into Lack's old job. Jeff
Zucker, who had been producing the Today show, was promoted to NBC
entertainment president (a job that apparently was created for him), and
Jonathan Wald moved into Zucker's old spot after shoving aside Michael Bass,
who had been filling in for Zucker with Today. Some time ago, Wald became the
producer of the NBC Nightly News, taking the position from Jeff Gralnick. When
Wald moved to Today, Steve Capus took over as Tom Brokaw's producer. It is not
known at this time whether Capus is a Jew or not, but everyone else is.
A
similar preponderance of Jews exists in the news divisions of the other
networks. For example, in February 2000, Al Ortiz moved to head the
"Special Events" coverage at CBS, making gentile Jim Murphy the
executive producer of The CBS Evening News with Dan Rather -- and the only
exception that we know of to an otherwise solidly Jewish cadre of television
news producers. The new CBS Early Show, which replaced CBS This Morning, had an
internal shakeup in which three producers were fired, ostensibly for not being
"aggressive" enough. One wonders whether they were also not Jewish
enough. The shakeup did not, however, affect the outgoing executive producer Al
Berman, who transferred to a new job as a program developer, and Steve Friedman
has become the executive producer of the Early Show.
Paul
Friedman is still the executive producer of ABC World News Tonight with Peter
Jennings. Rick Kaplan, once an executive at ABC, moved to CNN in 1997, where he
became the president of CNN/USA.
The
Print Media
After
television news, daily newspapers are the most influential information medium
in America. Sixty million of them are sold (and presumably read) each day.
These millions are divided among some 1483 different publications (this figure
is for February 2000). One might conclude that the sheer number of different
newspapers across America would provide a safeguard against minority control
and distortion. Alas, such is not the case. There is less independence, less
competition, and much less representation of majority interests than a casual
observer would think.
In
1945, four out of five American newspapers were independently owned and
published by local people with close ties to their communities. Those days,
however, are gone. Most of the independent newspapers were bought out or driven
out of business by the mid-1970s. Today most "local" newspapers are
owned by a rather small number of large companies controlled by executives who
live and work hundreds or even thousands of miles away.
Today
less than 20 percent of the country's 1483 papers are independently owned; the
rest belong to multi-newspaper chains. Only 104 of the total number have
circulations of more than 100,000. Only a handful are large enough to maintain
independent reporting staffs outside their own communities; the rest must
depend on these few for all of their national and international news.
The
Associated Press, which sells content to newspapers, is currently under the
control of its Jewish managing editor,
Michael Silverman, who directs the day-to-day news reporting and supervises the
editorial departments. Silverman had directed the AP's national news as
assistant managing editor since 1992. He was promoted to his current job in
2000. Silverman reports to Jonathan Wolman, also a Jew, who is executive editor
for the AP.
In
only 47 cities in America are there more than one daily newspaper, and
competition is frequently nominal even among them, as between morning and
afternoon editions under the same ownership. Examples of this are the Mobile,
Alabama, morning Register and afternoon Press-Register; and the Syracuse, New
York, morning Post-Standard and afternoon Herald-Journal -- all owned by the
Jewish Newhouse brothers through their holding company, Advance Publications.
The
Newhouse media empire provides an example of more than the lack of real
competition among America's daily newspapers: it also illustrates the
insatiable appetite Jews have shown for all the organs of opinion control on
which they could fasten their grip. The Newhouses own 30 daily newspapers,
including several large and important ones, such as the Cleveland Plain Dealer,
the Newark Star-Ledger, and the New Orleans Times-Picayune; Newhouse
Broadcasting, consisting of 12 television broadcasting stations and 87 cable-TV
systems, including some of the country's largest cable networks; the Sunday
supplement Parade, with a circulation of more than 22 million copies per week;
some two dozen major magazines, including the New Yorker, Vogue, Mademoiselle,
Glamour, Vanity Fair, Bride's, Gentlemen's
Quarterly, Self, House & Garden, and all the other magazines of the wholly
owned Conde Nast group.
This
Jewish media empire was founded by the late Samuel Newhouse, an immigrant from
Russia. When he died in 1979 at the age of 84, he bequeathed media holdings
worth an estimated $1.3 billion to his two sons, Samuel and Donald. With a
number of further acquisitions, the net worth of Advance Publications has grown
to more than $8 billion today.
The
gobbling up of so many newspapers by the Newhouse family was in large degree
made possible by the fact that newspapers are not supported by their
subscribers, but by their advertisers. It is advertising revenue -- not the
small change collected from a newspaper's readers -- that largely pays the
editor's salary and yields the owner's profit.
Whenever
the large advertisers in a city choose to favor one newspaper over another with
their business, the favored
newspaper will flourish while its competitor dies. Since the beginning of the
last century, when Jewish mercantile power in America became a dominant
economic force, there has been a steady rise in the number of American
newspapers in Jewish hands, accompanied by a steady decline in the number of
competing Gentile newspapers -- primarily as a result of selective advertising
policies by Jewish merchants.
Furthermore,
even those newspapers still under Gentile ownership and management are so
thoroughly dependent upon Jewish advertising revenue that their editorial and
news reporting policies are largely constrained by Jewish likes and dislikes.
It holds true in the newspaper business as elsewhere that he who pays the piper
calls the tune.
Three
Jewish Newspapers
The
suppression of competition and the establishment of local monopolies on the
dissemination of news and opinion have characterized the rise of Jewish control
over America's newspapers. The resulting ability of the Jews to use the press
as an unopposed instrument of Jewish policy could hardly be better illustrated
than by the examples of the nation's three most prestigious and influential
newspapers: the New York Times, the Wall Street Journal, and the Washington
Post. These three, dominating America's financial and political capitals, are
the newspapers that set the trends and the guidelines for nearly all the
others. They are the ones that decide what is news and what isn't, at the
national and international levels. They originate the news; the others merely
copy it. And all three newspapers are in Jewish hands.
The
New York Times, with a September 1999 circulation of 1,086,000, is the
unofficial social, fashion, entertainment,
political, and cultural guide of the nation. It tells America's "smart
set" which books to buy and which films to see; which
opinions are in style at the moment; which politicians, educators, spiritual
leaders, artists, and businessmen are the real comers. And for a few decades in
the 19th century it was a genuinely American newspaper.
The
New York Times was founded in 1851 by two Gentiles, Henry J. Raymond and George
Jones. After their deaths, it was purchased in 1896 from Jones's estate by a
wealthy Jewish publisher, Adolph Ochs. His great-great-grandson, Arthur
Sulzberger, Jr., is the paper's current publisher and the chairman of the New
York Times Co. The executive editor is Joseph Lelyveld, also a Jew (he is a
rabbi's son).
The
Sulzberger family also owns, through the New York Times Co., 33 other
newspapers, including the Boston Globe, purchased in June 1993 for $1.1
billion; twelve magazines, including McCall's and Family Circle with
circulations of more than 5 million each; seven radio and TV broadcasting
stations; a cable-TV system; and three book publishing companies. The New York
Times News Service transmits news stories, features, and photographs from the
New York Times by wire to 506 other newspapers, news agencies, and magazines.
Of
similar national importance is the Washington Post, which, by establishing its
"leaks" throughout government agencies in Washington, has an inside
track on news involving the Federal government.
The
Washington Post, like the New York Times, had a non-Jewish origin. It was
established in 1877 by Stilson Hutchins,
purchased from him in 1905 by John R. McLean, and later inherited by Edward B.
McLean. In June 1933, however, at the
height of the Great Depression, the newspaper was forced into bankruptcy. It
was purchased at a bankruptcy auction by Eugene Meyer, a Jewish financier and
former partner of the infamous Bernard Baruch, industry czar in America during
the First World War.
The
Washington Post is now run by Katherine Meyer Graham, Eugene Meyer's daughter.
She is the principal stockholder and the board chairman of the Washington Post
Co. In 1979 she appointed her son Donald publisher of the paper. He now also
holds the posts of president and CEO of the Washington Post Co. The newspaper
has a daily circulation of 763,000, and its Sunday edition sells 1.1 million
copies.
The
Washington Post Co. has a number of other media holdings in newspapers (the
Gazette Newspapers, including 11 military publications); in television (WDIV in
Detroit, KPRC in Houston, WPLG in Miami, WKMG in Orlando, KSAT in San Antonio,
WJXT in Jacksonville); and in magazines, most notably the nation's number-two
weekly newsmagazine, Newsweek. The Washington Post Company's various television
ventures reach a total of about 7 million homes, and its cable TV service,
Cable One, has 635,000 subscribers.
In
a joint venture with the New York Times, the Post publishes the International Herald
Tribune, the most widely distributed English-language daily in the world.
The
Wall Street Journal, which sells 1.8 million copies each weekday, is the
nation's largest-circulation daily newspaper. It is owned by Dow Jones &
Company, Inc., a New York corporation that also publishes 24 other daily
newspapers and the weekly financial tabloid Barron's, among other things. The
chairman and CEO of Dow Jones is Peter R. Kann, who is a Jew. Kann also holds
the posts of chairman and publisher of the Wall Street Journal.
Most
of New York's other major newspapers are in no better hands than the New York
Times and the Wall Street Journal. In January 1993 the New York Daily News was
bought from the estate of the late Jewish media mogul Robert Maxwell (born
Ludvik Hoch) by Jewish real-estate developer Mortimer B. Zuckerman. The Village
Voice is the personal property of Leonard Stern, the billionaire Jewish owner
of the Hartz Mountain pet supply firm. And, as mentioned above, the New York
Post is owned by News Corporation under the Jew Peter Chernin.
News
Magazines
The
story is pretty much the same for other media as it is for television, radio,
films, music, and newspapers. Consider, for example, newsmagazines. There are
only three of any importance published in the United States: Time, Newsweek,
and U.S. News & World Report.
Time,
with a weekly circulation of 4.1 million, is published by a subsidiary of Time
Warner Communications, the new media conglomerate formed by the 1989 merger of
Time, Inc., with Warner Communications. The CEO of Time Warner Communications,
as mentioned above, is Gerald Levin, a Jew.
Newsweek,
as mentioned above, is published by the Washington Post Company, under the
Jewess Katherine Meyer Graham. Its weekly circulation is 3.1 million.
U.S.
News & World Report, with a weekly circulation of 2.2 million, is owned and
published by the aforementioned Mortimer B. Zuckerman, who also has taken the
position of editor-in-chief of the magazine for himself. Zuckerman also owns
the Atlantic Monthly and New York's tabloid newspaper, the Daily News, which is
the sixth-largest paper in the country.
Our
Responsibility
Those
are the facts of media control in America. Anyone willing to spend a few hours
in a large library looking into current editions of yearbooks on the radio and
television industries and into directories of newspapers and magazines; into
registers of corporations and their officers, such as those published by
Standard and Poors and by Dun and Bradstreet; and into standard biographical
reference works can verify their accuracy. They are undeniable, and when
confronted with them Jewish spokesmen customarily will use evasive tactics.
"Ted Turner isn't a Jew!" they will announce triumphantly, as if that
settled the issue. If pressed further they will accuse the confronter of
"anti-Semitism" for even raising the subject. It is fear of this
accusation that keeps many persons who know the facts silent.
But
we must not remain silent on this most important of issues! The Jewish control
of the American mass media is the single most important fact of life, not just
in America, but in the whole world today. There is nothing -- plague, famine,
economic collapse, even nuclear war -- more dangerous to the future of our
people.
Jewish
media control determines the foreign policy of the United States and permits
Jewish interests rather than American interests to decide questions of war and
peace. Without Jewish media control, there would have been no Persian Gulf war,
for example. There would have been no NATO massacre of Serb civilians. There
would be no continued beating of the drums for another war against Iraq.
By
permitting the Jews to control our news and entertainment media we are doing
more than merely giving them a decisive influence on our political system and
virtual control of our government; we also are giving them control of the minds
and souls of our children, whose attitudes and ideas are shaped more by Jewish
television and Jewish films than by parents, schools, or any other influence.
We
must oppose the further spreading of this poison among our people, and we must
break the power of those who are spreading it. It would be intolerable for such
power to be in the hands of any alien minority, with values and interests
different from our own. But to permit the Jews, with their 3,000-year history
of nation-wrecking, from ancient Egypt to Russia, to hold such power over us is
tantamount to race suicide. Indeed, the fact that so many White Americans today
are so filled with a sense of racial guilt and self-hatred that they actively
seek the death of their own race is a deliberate consequence of Jewish media
control.
Once
we have absorbed and understood the fact of Jewish media control, it is our
inescapable responsibility to do whatever is necessary to break that control.
We must shrink from nothing in combating this evil power that has fastened its
deadly grip on our people and is injecting its lethal poison into their minds
and souls. If we fail to destroy it, it certainly will destroy our race.
Let
us begin now to acquire knowledge and to take action toward this necessary end.
[Owners,
managers and corporate relationships change from time to time, of course. All
of the names and other data in this report have been checked carefully and are
accurate as of July 2001.]
[© 2001 National Vanguard Books - Box 330 - Hillsboro - WV 24946 - USA]