;.cR. Shlomo / Digitalized Musical Index of Ben-Zion's musical indx
;.l1,6,60,66,1,0,1,70,192,2,15,20,25,30,35,40,127,1,0,
;.l2,10,100,193,2,15,20,25,127,10,0,
;.l3,10,75,192,2,15,20,25,127,15,0,
;.l4,15,75,192,2,20,25,127,20,0,
;.l5,10,75,192,2,25,35,127,10,0,
;.l6,2,124,192,2,42,50,60,70,80,90,127,2,2,
;.l7,1,125,193,2,10,15,20,25,127,1,2,
=SH_DMIND
This will be a sketch for a digitalized musical index, taken from BenZion's musical index in Za.
I'll sketch both an alphabetic (key-dependent) version, and adigitalized (non-key-dependent) version.      
MY SYSTEM:

I'm trying to stick to ASCII, which means I can't use underlines.
So (within a 1-octave range) if a note is higher than the preceedingone I say nothing; if it's lower I PREFIX it with a >
However, it would be safer to say that, if a note rises above theinitial octave, insert a < sign, even if the jump is less than loctave.
That is always needed in numeric notation; in numeric notation, the >sign is only needed if the drop goes below the tonic, ie below theinitially given octave.


So <  and > are used in multiples for jumps of 1 octave or more.
IN ALPHABETIC, THE SCALE IS, AS IN GRAPHIC NOTATION, STATED AT THEOUTSET, AND ASSUMED THEREAFTER, UNLESS CONTRA-DICTED.
So in Alphabetic, that means that if I start by saying that F and Care sharp (or better, that there are 2 sharps, or better yet, that thekey is D major), then each time those letters appear thereafter, it'sunderstood that the sharps are what's meant.

The digital scale is defined as 12-tone, taking the tonic as 0.  Thelast two notes are designated Y and Z .
So in digital notation, the > symbol is only needed for drops belowthe tonic.


# is sharp  (This should be understood, but better to put it in)
^ is flat   (ditto)
% is natural (when it occurs as an exception to the key) 
An upper case is 1 beat
A lower case is 1/2 beat
Wrapped in parentheses (   ) is 1/2 beat
Wrapped in brackets [    ]   is 1 beat
An upper case followed by 2, 3 , or 4 , has that number of beats
& is a dotted note; add half the value of the note.
/ is a bar line
I'll start by specifying Time (where I may use 4/4 for Common) andgiving key in terms of sharps and flats, since I don't know from MajorMinor.  Tonic will have to be clearly defined before going to thenumerized version.
If the first note is lower than the tonic, I'll prefix it with a >  r= rest; treated on same time-value schema as notes


.p

l6

*Ad Heinoh Azorunu Rachamecho	/Za#19 	/S 	[`aD HeNoH `aZoRuNO RaChaMIKho ]     }	 

// Common / 2 # / D Major / (F is sharp and C is sharp) 
\ aA>f ga g(gg) /f>eaa> F F /
NUMERICIZED:  TAKING D AS TONIC, AND RE-INVENTING THE 12-TONE SCALE:
D MAJOR:  D=0, (D#=1),  E=2, (F=3) F#=4 G=5, (G#=6), A=7, (A#=8), B=9, (C=Y), C#=Z

So we get for Za#19: 

// Common / 2 # / D Major \ aA>f ga g(gg) /f>eaa> F F /
                            
    a   A > f#   g a   g  (gg)   / f#>e  a a   F#  F#
   (7),[7],(4), [5,7],[5,(5-5)] / [4,2],[7,7] [4],[4]
-----------------------
.p

*Ata Echad	/Za#31	/S
COMMON (4/4) / 1 sharp / F is sharp / G major

ALPHABETIC:
	
>(b) E (e)> (df) E / [bis] / (f) F (e) F G


.p
l7
NOTE                           

TEMPLATE:
A / A#=B^ / C / C#=D^ / D / D#=E^ / E / F / F#=G^ / G / G#=A^ / A / A#=B^ / B / C / C#=D^ / D / D#=E^ / E / F / F#=G^ / G /G#

KEY OF G MAJOR:

X..................................................G=0/(G#=1)./A=2/(A#=3)./B=4/C=5/(C#=6)./D=7/(D#=8)./.E=9/(F=Y)/F#=Z
CM: C=0, (C#=1), D=2, (D#=3), E=4, F=5, F#=6, G=7, G#=8, A=9, A#=Y, B=Z    
DM: D=0, (D#=1), E=2, (F=3) F#=4, G=5, (G#=6), A=7, (A#=8), B=9, (C=Y, C#=Z
               
FM:                    F=0,(G^=1),G=2,(A^=3),A=4, B^=5,(B=6), C=7, (D^=8), D=9, (E^=Y), E=Z
GM:                         G=0, (G#=1), A=2, (A#=3), B=4, (C=5),C#=6 , D=7, (D#=8), E=9, F=Y, F#=Z
AM:                                      A=0, (A#=1), B=2, (C=3), C#=4, D=5, E=6, (E#=7), (F=8), F#=9, (G=Y), G#=Z
Dm? D=0, (E^=1), E=2,  F=3,(G^=4),G=5, (A^=6), A=7, (B^=8), B=9, (C=Y),D^=Z
.p

L1

*David Melech Yisrael	/Za#41	/S	[ DaViD MeLeKh YiSRAeL ]
F is sharp.
March
E sounds like tonic; E Minor I reckon
Common Time.
March
 e E e  E >B / e  E f# g>f#  E / & >D d   D >A / 

Taking G as tonic, which it ain't:
(9)9(9) 9 4  / (9)9(Z) (<0Z) 9 / &  7 (7) 7 2 / 
G=0, (G#=1), A=2, (A#=3), B=4, (C#=5),C#=6 , D=7, (D#=8), E=9, F=Y,F#=Z

---------------
*Eloko Dileih #2  /Za#13	/S1	[ ALoKoA DI LeH ]
SCORED AS KEY OF C, but A Minor, I reckon:
Waltz

 (aa)  /  E  >C& >a / E >C& >a / F >E >D / E C& a                                           
Taking C as tonic, which it ain't:
< (99) / <4   0& >9 / 4  0& >9 / 5  4  2   4 0& >9 

C=0, (C#=1), D=2, (D#=3), E=4, F=5, F#=6, G=7, G#=8, A=9, A#=Y, B=Z   

-----------------
*Ein K'eilokeinu #4	/Za#28	/S
1 Flat - B is flat
Allegro
G is tonic, I reckon.  Key of G Minor, I reckon.
COMMON TIME 4/4
Allegro
  d  D >c de F / [bis]
Taking F as tonic, which it ain't:
>(9) 9  8 9Z <0

F=0,(G^=1),G=2,(A^=3),A=4, B^=5,(B=6), C=7, (D^=8), D=9, (E^=Y), E=Z


-----------------
*Eliyahu HaNavi #1	/Za#45	/S	[ ALiYaHU Ha-NavIA ]
 1 Sharp; F is Sharp.
E sounds like tonic.  E Minor, I reckon.
4/4
Allegro

> ((bb)) / <ee ee a >G > ((f#f#)) / > ee ee <a >G >f# / 
Taking G as tonic, which it ain't:
> ((44)) / <99 99 2 >0 > ((ZZ  )) / > 99 99 <2 >0 >Z  /
G=0, (G#=1), A=2, (A#=3), B=4, (C#=5),C#=6 , D=7, (D#=8), E=9, F=Y,F#=Z

----------------------

*Eliyahu HaNavi #2	/Za/#46	/S	
2 sharps, F & C are sharp
B sounds like tonic; B Minor I reckon.
4/4 
Allegro


> ((f#f#))< /  g>b   bb   bg-g   ((>f#>e)) / [rpt preceding bar]
Taking D for tonic, which it ain't:
  ((44))  < / (5>9) (99) (9(5-5)  ((>4>2 )) / [rpt preceding bar]
D=0, (D#=1), E=2, (F=3) F#=4, G=5, (G#=6), A=7, (A#=8), B=9, (C=Y,C#=Z


--------------------------------------------------
*Eishes Chayil	/Za#12	/S1
KEY OF F; B is flat.
I dunno; F sounds like tonic; but the closing chord is D minor.
4/4 Moderato

 ab^ ab^ C >B^ / >A2  >G2 /  ga > ga  B^ >A / 
Taking F for tonic:
(45)(45) 7 >5 /  >4-4  2-2/ (24)>(24) 5   4
F=0,(G^=1),G=2,(A^=3),A=4, B^=5,(B=6), C=7, (D^=8), D=9, (E^=Y), E=Z

--------------------------------------------------------
*Gam ki Elech #3	/Za#32	/S 
D Major; F and C are sharp
2/4
Really does seem to be D major.
March

d   D d   /  D >A / [bis]

(0) 0 (0) /  0 >7

-------------------------------------------

*Good Shabbos	/Za#2	/S
NO ACCIDENTALS, BUT A SOUNDS LIKE TONIC.
A minor, I reckon:
3/4 
Adagio

 d / D E >D / >(aa) A& a  / >G C B / (aa) A& d /
Taking A as tonic, which I reckon is IS:
(5)/ 5 6 >5 / >(00) 0& (0)  >Y 3 2 / (00) 0& 5

Taking it as key of A, with lots of natural's:
A=0, (A#=1), B=2, (C=3), C#=4, D=5, E=6, (E#=7), (F=8), F#=9, (G=Y),G#=Z

--------------------------
*HaKol Yoducho	/Za#21	/S	[ Ha-KoL YoDUKho ]
1 Flat; B is flat; but Tonic sounds like D
D MINOR I ASSUME
3/4
Moderato
> a / D3  / F2 F / >D3  / > A (aa) / D2 D
> 7 / 000 / 33 3 / >000 / > 7 (77) / 00 0
Dm? D=0, (E^=1), E=2,  F=3,(G^=4),G=5, (A^=6), A=7, (B^=8), B=9,(C=Y),D^=Z
                          
---------------------------------


*Horachamon Hu Yizakeinu	/Za#37	/S	[ HoRaChaMaN HoUYiZaKeNU ]
SCORED 2 SHARPS; F AND C ARE SHARP:
COMMON TIME:
Allegro moderato
D sounds like tonic.
D Major I reckon; though closing chord is Bm

  (b) ((dd)) (d)((dd))  de>  d>b	[bis]
< (9) ((00)) (0)((00)) (01) (0>9)	[bis]

---------------------------------

*Hinei (K)eil Y'shu'osi	/Za#38	/S	[ HiNeH {(k=E}iL YShU`oTI ]
1 Sharp, F is sharp
E minor, I reckon:
Common Time; Adagio 

B >A >G >E / A4 / B >A >G >E / G4 / G >E >D >B      

----------------

*(K)eil Adon	/Za#22	/S	[ {k=A}L ADON ]
1 sharp:
Common Time; Allegro 
A minor, I reckon:

e E >d G >F# / A2 >E2 / e E >d G >F# / >E4

-----------------


*Ki V'Sheim Kod'sheicho	Za#26	/S	[ KI B-SheM KoDSheKho ] 

1 sharp, 4/4; Moderato
E minor?

E E E F# / G g>a E2  A B C / >B >A >G >G# /
                  /
---------------------------

*(K)oh Riboin Olam	/Za#33	/S	[ {k=Y}aH RiBON `oLaM ]
1 sharp, 3/4; Waltz 
E minor, I reckon.

> b>a B E / >C2 E / B3 + /B3 / b>a B E / 

---------------

*L'choh Dodi (#2Za 3/4)	/Za#8	/S1
D Major, 3/4; Waltz
 
> d / F#& >e   f#g / A >G >F# / F#& >e  f#g /

 (0)/ 4&  (2) (45) / 7  5  4  / 4&  (2) (45)
 DM: D=0, (D#=1), E=2, (F=3) F#=4, G=5, (G#=6), A=7, (A#=8), B=9,(C=Y, C#=Z

---------------------------------

*L'chu N'ran'noh	/Za#3	/S	[ LKhU NRaNaNoH ]       
2 sharps, D Major; Maesto; 3/4
3/4
 d / > a& ((a)) D E / F#3    / A >G F# / >E& (e) / >A E F#                                
(0)/ >(7&)((7)) 0 2 / 4-4-4 /  7  5 4  /  2& (2) / >7 2 4  

DM: D=0, (D#=1), E=2, (F=3) F#=4, G=5, (G#=6), A=7, (A#=8), B=9, (C=Y,C#=Z
                                         
------------------------------

*L'Dor VoDor Nagid God'lecho	/Za#27	/S	[ L-DOR Vo-DOR NaGIDGaDLeKho ]
3 sharps, 3/4

(e) / E F# G# / A3 / >E F# G# / A3
---------------------------

*L'Mikdosheich Tuv #1	/Za/#14	/S	[ L-MiKDoSheKh Tov ]
No accidentals:Moderato; 4/4
4/4
cd e>c >B B / bc d>b >A a c / cd e>c >B B / ... 
                                                <!c>b >a>e F F ...
----------------------------

*L'Mikdosheich Tuv #2	/Za#29	/S
1 flat 2/4; Allegro
 
f ((ff)) ff / f ((ff)) ff / r ((ff)) >ef

------------------                                  

*L'Mikdosheich Tuv #3	/Za#34	/S
2 sharps, 3/4

> bb / G& f# E / F#2 >bb / G& f# E / 

--------------

*LaY'hudim Hoysoh Oroh	/Za#39	/S	[ La-YHUDIM Ho-YoToH AORoH ]Havdalah
2 sharps, 4/4; Allegro

b F# >d >ef#  G / >e f# >d ef# G 

------------------

*Lo Seivoshi #2	/Za#9	/S1	[ LoA TevOShI ]
1 flat, 4/4; Allegro

dd >cc >A& c / dd >cc >A& c / ff >ee >dd >c&((c))

------------------------


*M'lei'im Ziv	/Za#44	/S
2 sharps , Common; Allegro
B minor??

> ((b)) / b D d e((>d>c#)) D / >b D d e ((>dc#)) d /
-------------

*Mim'koimcho #3 (3/4)	/Za#23	/S
1 flat, 3/4
D minor?

> A2 d / F2 >D / G >F G / >F3 / >A2 D a&((>g)) >F G /

--------------------

*Mizmor L'Dovid (Hovu L'H'')	/Za#7	/S1	[ MiZmOR L-DaVID (HovU L-'' ) ] 
1 sharp, but D is sharped as an accidental / Common; Moderatp
This is a standard at Modi'in erev Shabbat, where it sounds like a 
Scottish dirge.  
If however it is rendered, not just moderato, but stately andemphatic, -- as in one recording by R. Shlomo which I noted, but don'tat the moment recall -- it does regain the appropriate majesticquality.  

1 sharp, but D is sharped as an accidental / Common

D#2 E >C / D#& >c B2 / d#d# ee >cc / D#4

------------------------ 

*Moshe V'Aharon	/Za#6	/S	[ MoSheH V-AHaRoN ]

1 sharp, Moderato ad lib, 3/4
Ben-Zion takes a phrase from the introduction as his index:
ral = ralentado, gr = grupetto

e (ee) ee e&(ral). ((e)) / ((e>(gr)d#>c(gr)>b)) ((>aa)) A(ral.) ((de))
                              
but one might more easily take the start of the theme:

B E F# / G2-g >((ef#)) ((g))g& >E G / F#3

------------------

*Niggun Rikud (Shabbos Dance)	/Za#1	/S
1 sharp, allegro con brio, Common

f# ((f#f#)) f#f# f#f# f#((f#f#)) / f# ((gg)) >f#g af# D# / d# ((d#d#))d#d# d#((d#d#)) d#d# /
                                            
---------------------------

*Nishmas Kol Chai	/Za#18	/S	[ NiShMaT KoL ChaI ]
1 flat, Adagio Rubato, 3/4

((d))d& D E / >c#&-C#-c# (((>aaaa))) / 
                                       

---------------------

*Om'dot Hayu Rag'leinu	/Za#17	/S	[ `oMDOT HaYU RaGLINU ]
                              
3 sharps; Andante Rubato; Common

c#e ee F# >E / F# >E >B&(&) ((b)) / ee ee F# E /

----------------------

*Racheim B'Chasdecho (#Za2)	/Za#15	/S1	 
     
1 flat; 3/4; D Minor?

de / F2 >ef / G2 >fg / A# -/-A2 >de / F2 >ef /

-----------------------------

*Shiru L'H'' Shir Chodesh	/Za#4	/S	[ ShIrU L-H'' ShiRChaDaSh ]
2 sharps; Common; Allegro; D Major

 f# F > e   g>f# F# / [Bis]

(0) 0 >(2) (5 4) 4  / [Bis]

D=0, (D#=1), E=2, (F=3) F#=4, G=5, (G#=6), A=7, (A#=8), B=9, (C=Y,C#=Z

--------------------

*Shochein 'Ad	/Za#20	/S	[ ShOKheN `aD ]
1 flat; 3/4; D minor?

d>c D2 / d>c D E / F3 / D3 /

-----------
1 flat; 4/4; Moderato; D mimor?
*Sholom Aleichem	/Za#11	/S	[ ShaLOM `aLeIKeM ]
                               
> a / ((d))d&I D ((e))e& e>d / F2 >D2 / D D ee e>c# / 

----------------------
*Shuvoh H'' #1(Za)	/Za#30	/S  
3 sharps; 3/4; 

C#3 / D2 D / E3-/-E3 / >C#2-c# c# 
               
------------------

*Shuvoh H'' #2(Za)	/Za#36	/S
                  
3 sharps; Common; Allegro; A Major

 a  A  b  >A >F# / G4 / >f# F# f# F# >D / E4

(0) 0 (2)  0 >9  / Y4 /	>(9)9 (9)	9   5 / 6-6-6-6
A=0, (A#=1), B=2, (C=3), C#=4, D=5, E=6, (E#=7), (F=8), F#=9, (G=Y),G#=Z
----------------

*Siman Tov UMazal Tov #1  /Za#42	/S//Wed  [ siMaN tOv V-MaZeL tOv ]
1 sharp; 2/4; Moderato; G Major

 bc   b&((b)) /  bc  b&((b)) /  b>a   >ga  / G2
(45) (4&((4)) / (45)(4&((4)) / (4>2) (>02) / 0-0
(I've added > signs in the digital for convenience)

G=0, (G#=1), A=2, (A#=3), B=4, (C=5),C#=6 , D=7, (D#=8), E=9, F=Y,F#=Z

----------------------                                           

*Siman Tov UMazal Tov #2	/Za#43	/S//Wed
                                   
1 sharp; 2/4; allego; A Minor?

((dd)) e-e e / ee E / [Bis]
-----------------------

*V'Eineinu Sir'enoh #2`	/Za#24	/S	[ V-`eINeINU TiReAnoH #2 ]
                              
1 Flat; 3/4; D minor?
{ = outside Ben-Zion's index phrase}

a / A F& f / F D& d / D B2-{/-B2-b b /

-------------

*Yiboneh HaMikdosh #1	/Za#16	/S	[ Y-BoNeH Ha-MiQDoSh ]

1 flat; Common; Allegro; D minor?

f >D F f >e>d >C / cf >ef D D /  

-------------

*Yism'chu B'Malchus'cho #1	/Za#10	/S	[ YiSMChU B-MaLKhUTKho ]

No accidentals; 4/4; Allegro

> a a&((a)) ab C / ee e&((e)) >d>c >bc / >A a&((a)) ad c&c / 
                                                             

----------------
*Yism'chu B'Malchus'cho #2 	/Za#25	/S	 

1 flat; 4/4; Allegro

d D d d >C / A G F E / d D d D >c&((c))

----------------

*Yism'chu HaShomayim	/Za#5	/S	[ YiSMChU Ha-ShaMoYIM ]

2 sharps; 4/4; Moderato ad lib.

Ben-Zion indexes it with a hazzanut introduction, viz:

((def#g)) >((f#))(((ee))) (((e)))((e&))-E&(ral) e / >de f#g >f#eD&(ral) d /
But more familiar would be the theme:

>((a)) / A D E  / F#2 (ral.)-f# a / A >G  >F# /     E3         / 
        >A E F# / G2-       -g  g / G >F# >E  / >de F#2 (ral.) /

---------------------

*Yisrael Nosha' BaH''	/Za#40	/S	[ YiSRAeL NOSha` B-'' ]
1 sharp; 4/4; G Major

>e   G  g  G >E / A A >G2  / > e  G   g  G >E / 
>(9) 0 (0) 0 >9 / 2 2  02  / >(9)	0  (0) 0 >9 /
G=0/(G#=1)./A= /(A#=3)./B=4/C=5/(C#=6)./D=7/(D#=8)./.E=9/(F=Y)/F#=Z

































