;.cR. Shlomo / Noam 547 / Teachings from tape Dunner, Meleva Malka
;.l1,6,60,66,1,0,10,75,192,2,15,20,25,30,35,127,10,0,
;.l2,15,75,192,2,20,25,127,15,0,
;.l3,20,75,192,2,25,127,20,0,
=SH_N547
TRANSCRIPTION OF TEACHINGS FROM COMMERCIAL TAPE NOAM 547
TRANSCRIPTION:  2 PASSES (sa)

All legal copyrights reserved to same.

Pini Dunner, A Maleva Malka with SC, c 1995    Also CD (?)
Pini Dunner, SC:  A Melava Malka in Notting Hill.     Copyright1995. circle-C circle-P, by NOAM  547 Jerusalem:  02-375994; 02651-1704	.  Recorded live Notting Hill Synagogue London, MotziShabbos 16 Jan 1993.  Mixed, editted & produced by Pini Dunner. Apparently in conjunction with Jerusalem Star.
includes story:  Moishele Gut Shabbos


SIDE A:  
Al Tiroh, 
	NOT P10; TRANSCRIBED BELOW= NOAM 547  Dunner/Notting Hill/ 93
Mikamocho, 
	P90     NOAM 547  Dunner/Notting Hill/ 93
Ve'enenu, 
 V'eineinu Sir'enoh #2 = Za#24  NOAM 547  Dunner/Notting Hill/ 93
Crakover Niggun, 
	TRANSCRIBED BELOW  NOAM 547  Dunner/Notting Hill/ 93
Simcha Le'artzecha.   
	?? Cf/ P129   NOAM 547  Dunner/Notting Hill/ 93
SIDE B:  
Lema'an /   P106 NOAM 547  Dunner/Notting Hill/ 93
Tov Lehodos ,   P88  NOAM 547  Dunner/Notting Hill/ 93
Keil Odon,      Za#22  NOAM 547  Dunner/Notting Hill/ 93
Moishele Gut Shabbos, 
   {Niggun:  Good Shabbos=Za#2}  NOAM 547  Dunner/Notting Hill/ 93
BeSHem H'' , 	TRANSCRIBED BELOW NOAM 547  Dunner/Notting Hill/ 93
Veyeseyu Kol  TRANSCRIBED BELOW  NOAM 547  Dunner/Notting Hill/ 93   
	
EVALUATION:  A solid honest tape.  Live audience produce a morechaim {as in: mayim chaim} feel that studio recordings, (includingSF, tho that was better than eg Jerusalem Star's "Best of Shlomo"series).  Apparently this concert came at the conclusion of aShabbat which R. Shlomo had spent with the group.
	About 37 minutes per side.  Live backup band that onlyoccasionally intrudes, and is not shlocked up with electronicafterthoughts.    Some short but good teachings.  The version ofMoishele Gut Shabbos is a variant of that in Ben-Zion Solomon'sShlomo Shabbos, B-Z's also includes a modern postscript not onthis tape as released.
.p
SIDE A:

1) Al Tiroh	[ AL TIRA ]	 	
	7.10
                     
NOT AL TIRA=P10
CALL IT AL TIRA=N547


3/4 : Waltz tempo:  Maybe MM=100, but at 1 beat per measure, a"grand waltz" (as R. Zalman says)  tempo.

G2 C / E^2 C / F D F /E^3 / G2 C / gf E^ D / C-/-C 
                                                               

---------------------------------------------------------------

2) Mimkomocho	MiMQoMoKhO	 
	Mimkomocha No. 2 =P92
(Time:? 6.35)
With a rather dazzling hazzanut cadenza

---------------------------------------------------------------

3) Teaching:  Introduction to V'einu:

Ok my friends, did I tell you my dream?  Tell you now. 
?You know when? Messhiach's coming?  Have you ever seen those oldmovies, the Austrian Kaiser's coming down, with the Rebbitzin,with Mrs. Kaiser, and Johann Schtrauss [pronounced sic, with adash a shmaltz] begins to sing a waltz, and mamash, all begin todance -- Meshiach's coming -- And Adom and Chava will make peace - because Adom and Chava have not made peace yet, hundred percent. They haven't fixed with?? [or up??]  evrything.
	So gevalt just imagine it -- Avrom and Sorah -- Yitzak andRivka -- the heilige _____ Jakov Rochel and Leah -- Moishele andZippora -- Aaron haCohen -- all the tzadikim, all the gdolim arecoming -- ___________ Chava??  -- and Dovid haMelech -- heiligesuisse David haMelech  -- gevalt -- bless you and me it?? {or:I??} should be there -- playing a waltz -- 
	And -- and?? this is my deepest dream -- bless me it shouldhappen -- Suddenly David haMelech calls me over and says:  Hey,Shloime -[laughter] -- wouldn't you like to play a waltz?  So Iwould say:  Heilige suisse Zeide -- don't [know if you??] you knowthat my father -- before my father passed away -- for years he didresearch in our family -- we mamash are descendents of DavidhaMelch -- 18 branches.   
	So I would say:  Heilige Zeide David HaMelech:  you know howlong I was waiting for you? -- to ask me to sing a melody --  

{Whistles): Ve'enu  

3) Ve'enenu -- V`ININU	  
V'eineinu Sir'enoh #2 = Za#24

-----------------------------------------------------------------
                                              
4) Krakover Niggun
	APPARENTLY NOT TRANSCRIBED


RELATIVE NOTES:  ON AN F-ALTO, AS IF IT WERE A C-SOPRANO;

Slow 4/4	Maybe MM=30   (half-time)
Actually almost each whole note is preceded by a grace note (atthe same note)                                               
(xyz) = triplet, l beat

G ((a))A A A / ((g))G ((a))A A A / G A B C / D C> B A
D F >E D / [bis] D A >G >F / >E G F E / D F E D / C  ral.(ede) D2 

Then: double-time, maybe MM=120 (120 beats per minute)

G c&(b) aA / gG c&(b) aA / G c&(b) >aA  D / >cc ((b>a))b A

----------------------------------------------------------------

5) Simchat L'artzecha
With hazzanut
Simcha L'artzecha	SiMChaH L-ARTzeKha	 
After a long, slow, beautiful gion - meditation -- [from which allthe well-intentioned accompanists should be stripped out-- R.Shlomo would never, in the old days, turn anyone away from playingin his band, since that way they could get in for free] it becomes
 =P129-Simcha L'Artsecha


----------------------------------------------- A 
					
6) Music background (dubbed in), familiar: a^& a / g f e^ g / F
L2

{TYPIST'S COMMMENT: Sounds like the Aish HaTora cheerleadersdoing their best on a rainy day.  Everyone always tried toshlock up R. Shlomo, and his teachings were pure like water.
l3
Who needs the sacharine and artificial band-Aidflavours? }
L1

I don't think I mentioned to you friends that I -- at the holyWall -- you know there's -- like a commerical time, when everybodycomes .  But then there's a real time -- late at night.  Late atnight -- only the real ones coming(?)  -- one, two,  3 in themorning -- 4 in the morning -- it's more than real --  _________ and I and my chevre in Yerushelayim, always go to the holy Wall at2, 3 in the morning -- 
	One time I was there, about 3 in the morning, and I see a Yidsaying Tehillim -- watch him a little bit -- this Yid is for real-- 
	So at a certain point when you're finished -- I guess, one_____ peruk T'hillim -- I walk up to him and I say, my suisse Yid,my Toira Yid, where are you from?  
	He says to me, `You know, I just arrived today from Russia.' 
This was about 10 years ago [ie, ca. 1983 ].  He says, do you knowhow much I paid for my ticket -- 10 years Siberia.
	So I said to him:  My heilige Yid, my Toira yid, how did youmanage?  How did you manage to do 10 years in Siberia?
	He says, `You know, because I didn't stop singing.'  
	And suddenly I had this flash.  I remember when I was alittle boy, I was asking my father:  Where are the songs of theBeis HaMikdash?  It can't be that we forgot all the niggunim! [R.Shlomo gives this the intensity a child would have, on the vergeof tears at something unacceptable. ] I remember whenever I askedmy father this, he was crying so much.  My father, don't youremember at least one note?  
	So I said to this yiddele:  If there are niggunim that keptyou going in Siberia 10 years, it was not ordinary niggunim.  Isaid to him, by any chance, do you know the niggunim of the BeisHaMikdash.
	Suddenly he had big tears in his eyes.  Then he put his holyarm around me, he says, let me tell you.  My Zeide, my Alte Zeide,my Alte Alte Zeide, my Alte Alte Alte Zeide -- from the time ofthe Baal Shem Tov on, they were all hassidim, emes hassidim.  Emeshassidim.   -- And I want you to know what my Zeide told me.  Heheard from his Zeide, he heard from his Zeide.  That the  heiligeBaal Shem Tov said:  That the nusaf of Rosh HaShona--Yom Kippur --it's the only thing which we still remember from the BeisHaMikdash.  {HEBREW}.  {Blessing of the cohenim??} 
	So since that time I'm sure _______ had  the privilege ofsinging -- and every concert sing a little bit of Rosh HaShana-YomKippur -- because -- that is the greatest privilege.

[Singing ends on a hazzanut coda] 
[a whistled postscript, quiet]
Quite a rich tape.  And that was just side A.
.p
------------------------------------------------------------------
N.B.:  About 10 years ago R. Joshua Witt mentioned to me, inpassing, then when he transcribed teachings of R. ShlomoCarlebach, he editted minimally -- just taking out a fewmamash's,etc.  I'm beginning to glimpse what he meant.
                                 sa, HaOn, Rosh Hodesh Adar 1996
----------------------------------------------------------------
.p
SIDE B PROOFED.
SIDE B:

1) Le'ma'an	L-Ma`aN AChI	        
L'Ma`an Achai=P106

/ Tov Lehodos	tOv L-HoDOT	 
Tov L'Hodot=P88

Hazanut cadenza.
---------------------------------------------------------------
2) Keil Adon --  (K)eL ADON -- 
Keil Adon = Za#22

.p
{530}
MOISHELE GOOD SHABBOS

This occurs in Za, pp3-5.  I'd guess Ben-Zion drew from anothersource, or maybe several.   Ben-Zion seems to have minimally editted it.

You know when the Germans took over Austria, my father was theChief Rabbi in Baden bei Wein -- {it's the?} outskirts of Vienna.
	And at that time, a Jew could not walk on the street.  Theonly time it was not dangerous yet was before eight o'clock.  
	So the shul was the very top of my house, so we had minyan inour house on Shabbos.  The minyan would begin at 6, and there wasknocking on the door, and people would slip in fast, or(?) maybedaven -- the windows were shut. 
	One Shabbos morning -- {strumming guitar, chanting} --there's a knock on the door -- opened the door -- and there's ayiddele standing there --- little beard -- long peyes.  Looks likea prince.  He's not afraid of anything in the world.   And this iswhat he's saying: 
	{Niggun:  Good Shabbos=Za#2}
	And he walked into the house.  And he didn't stop singing.  
	Then he turned to me 
l2
[N.B.: R. Shlomo was a young boy at this time {CHECK AGE}] 
l1
and he says, und(?) wie azoy ruft man dich [Yiddish: and _____ howare you [familiar form] called ].  What's your name?  And I didn'twant to stop the melody, so I answered in the same melody, `Ichheiss Shlomo, und wie azoy ruft Ihr euch'
	And he turned around and he said, {sings it strongly andloud, to the Niggun } `My name {ich heiss (?) or: is?}  Moishele,Good Shabbos Good Shabbos' {Niggun): Good Shabbos good shabbosgood shabbos.'  My brother?? _______ {called? told?} him, MoisheleGood Shabbos
	And he began to daven.  And I don't want to say anything bad,but the hazzan, he wanted to get it(?) fast, ______ it's?really(?)  dangerous -- he davens fast.  
	Middle of nishmas, you're not supposed to talk, even if youhalf to {AUDIENCE: double-take and soft laughter} 
	So Moishele -- (Chevre -- I wish you would save the tears ___telling the story -- )  -- Moishele stops in the middle ofnishmas.  And he says to the hazan, you know, the prayers aresupposed to go up, but the way you daven they go down.
	So the hazan says:  I don't know any better.  Moishele says,Ok, I daven.
	I want you to know, when I looked at the clock -- suddenly____ eight ____Until Meshiach is coming, I will never hear such anishmas again.  (Keep it really soft _____ )  Moishele began tosing {Sings nishmat to nusach of 'Good Shabbos':  Nishamas kolchai ... SHEM hu  Elo(k)enu ... [Siddur, Shabbat Shacharit, nishma]                                       
	Moshe davened the whole davening.  Late??  He davened Musaf. Almost the same niggun.   When he spoke -- it's always the sameniggun.  
	To make it very short:  After the davening was over, Moisheletold us --   because you don't go in the streets, and you don'tknow what's going on --   he says, my picture is on almost everystreet-corner, and it says, {German(?) Der grosste Feind?? desFeuhrer's??  Moishe Heschel (?) -- was enough to _____ and ahundred thousand German marks on his head.  
	What was he doing?  I don't want to say anything bad:  Inthose days, nebbuch, they grabbed Yidden on the streets and theynever came home.  In the meantime their wife and their children,they had nothing to eat.   Moishele was up all night, carryingfood to people.  
	One day he was caught, and they hit him over the head with some ______  .  So he says, [since then] I'm only operating atnight.  He says, I'll come back Wednesday night, maybe four in themorning.
	My brother and I were waiting for him.   Four o'clock in themorning -- and he says, I'll knock 7 times, l'kovod Shabbos -- 
	Wednesday night ... couldn't sleep all night -- exactly fouro'clock, tThere were 7 knocks on the door.  He walked in and hesaid {sings:  Good Shabbos} 
	Now I saw him one more time -- another night.  And mamash_____ to knows .  I just sort of  -- in those few minutes when --was a Rebbe (?) .  Was a strong Brislover(?)  hossid.  Despite(?)he was an Apter einikel {I follow Za4  here }      Was the firsttime I heard about Reb Nachman.  
	And before he left, he stood by the door -- I'll never forget-- and maybe I'm a Jew because of that -- he took my brother andme by the hand -- and he began singing, and he says -- I want youto remember it all your life -- _____________ {sings:  Oy {or:ve?} Tsur Yisrael ... Oy  kumaho b'ezras Yisrael {I follow thetext on Za4} ...}
    
	I want you to know, my beautiful friends --  If(?) I'veever(?)  had the privilege of giving the message of Shabbos to alot of people -- there's no niggun who's(?) like this one --??except even?? {or: yidden?} after Shabbos .  If you ever meetfriends, if you ever meet people wish you a Good Shabbos onWednesday, then you know they are the people who knew Moishele'smelody.  {Sings}.  

	You know, my beautiful friends -- ok, I bless you -- wheneveryou put your children to sleep --{if someone?} asked me, how doyou feel when you put your children to sleep -- I say, how doesthe Cohen Gadol feel when he walks into the Holy of Holiest -- children are the holy of holiest.  
--------------------------------------------

4) Beshem H''
 
c F g> F / c E^ f E^ / c D^ d^ D^  e^f C2 / 
                          
Hazanut cadenza
--------------------------                     

			                   

5) Teaching (chanted):   
You know my beautiful friends, our biggest dream .  You know whywe count after the moon and not after the sun -- because the sundoesn't know our dreams -- only the moon.  And do you know that weare dreaming:  One day... let it be tomorrow -- all(?) peoples(??)from all the four corners of the world will be in Yerushelyaim.                                               
	But this is not the end of the dream.  There is another endto the dream.  One day ... tomorrow(??) the whole world ... willcome(?) to Yerushelyaim -- the whole world -- I bless you and meto be there -- our children -- ___________

Veyasayu Kol 	V-YATIU - 

g G g (f#gaf#) [bis] 
g G g (f#gaf#) / gg gg [D C.]

----------------
.p
POSTSCRIPT TEACHING:
This is mixed as an underlay with singing in the background, whichmakes transcription a bit more difficult.

_____  this motzi Shabbos, we haven't mentioned the heilige BaalShem.  The heilige Reb Dovid Leker??  is on his way to the BaalShem for Yom Kippur:  the most crazy -- the horse died, the wheelcame off -- he's 2 kilometer out of Mezribush and it's mamash____. _______  ?? He sees these people standing on the highway andthey say?? , Rebbe, could you please daven with us, we have 9yidden here in a little shteibele, we need one more yid for aminyan.  He says, 
l2
{R. Shlomo's voice sounds a bit like R. Joshua Witt when ahalf-dozen kids need different things simultaneously, anengaged couple are discussing a wedding, a visiting rabbi issitting in the armchair discussing a very advanced point, ,and a half-dozen Holy Beggars (this writer included) havejust stopped by 5 minutes before Shabbat, with no pressingengagements elsewhere}
l1

`I'm 2 kilometer from Mezribush, I have to be by the Baal ShemTov, it's crazy -- '  ----- he didn't bother, he just kept ongoing.
	He arrived in Mezribush, the heilige Baal Shem  ___ didn'ttalk to him.   He was so broken, he needs to know what he did.Finally Hoshanna Rabba  he breaks down, he says, Rebbe, why didn'tyou talk to me.  He [the Baal Shem Tov] says, do you know that youonly came to the world to daven with those 9 yidden.

	You know friends:  I don't know: you and me here, we weresinging together, davening together, mamash:  maybe G-d -- shouldbe peace in Yerushelayim, peace in the world, and we should have alichtige Welt { enlightened world [in the mystical, notsecularized, sense of 'enlightened] (sa)}, ______ Welt, suisseWelt { sweet World).  I don't know who is here who had to davenwith us, with _________.  I just bless you and me, that if youdid, you should be part of the fixing [tikkun] of our neshama. And I bless you tonight, have a gevalt Maleva Malka.

	Everybody knows:  David HaMelech:  You eat Maleva Malka, youwash, you eat Maleva Malka, David HaMelech himself is praying youup.
	There's a story:  A yid was sentenced to Siberia, and hisbest friend went to the heilige SHINOVER .  He says,  I'm at theend, my best friend is sentenced to Siberia for a lifetime.  He[the SHINOVER REBBE ] says:  if you can swear to me that whateverI tell your friend he'll do, I get him out.  
	He came out from Siberia, went straight to the heiligeShinover.  [sic; but this seems misspoken; it doesn't fit into thenarrative ] He thought, who knows what the Rebbe  will tell me,but anything in the world, I'll do it.  Heilige Shinover says tohim, I want you to swear to me, that motzi Shabbos you'll wash,and eat Maleva Malka.  He says, Rebbe, {in a soft voice, as if itwere a great secret} that's all there is to it?  He [the Shinover]says, I want you to know, I promised David haMelech that you willeat Maleva Malka every motzi Shabbos; and the heilige suisse DavidhaMelech himself will get you out of Siberia.  
	`Suisse Rebbe, I don't understand; it's not -- inpreportion.'  I'm eating motzi Shabbos Maleva Malka, and DavidHaMelch {mini-pause, as if to say, he didn't just send a Mastersergeant} gets me out of Siberia?
l3
[N.B.:  The Greeks cared very much for preportion -- Iguess they learned that from Pythagoras -- did quitewell with it, as one can see; but apparently they didn'tknow what to do next (sa)]

[OK, here's a piece of my point about editting:
Anyone who thinks this line should be editted into 'If Ieat Maleva Malka on Motzi Shabbos, will David HaMelchget me out of Siberia?' should drive down to the 7-11and buy a carton of pasteurized homogenized low-fatmilk. (sa)]
l1
He [the Shinover] says, don't you understand: Dovid Malka(?) 
l3
{N.B.: This term is clearly the essence of theShinover's teaching; someone who knows the subject mustcheck it; King David is the king of Meshiach?} 
l1
Moshiach; Dovid HaMelch looks at every yid with Mashiach's eyes.  
	We always think, a Jew has to do, who knows what.  And DavidHaMelech -- the smallest thing [ie, mitzva? ] a yid  ever does --so precious.  So precious.  I want to bless you and me, we shouldhave a little bit Meshiach's eyes.  For ourselves -- bless G_d(??)  -- somebody else -- the smallest thing.  So precious
l2
[I think the point here is:  to hold oneself to a highstandard, but to give great value to the smallest mitzva doneby somebody else. -sa]     

               
END TEACHING
END TRANSCRIPTION OF TAPE, SIDE B 
{A bit more music of the group singing.}
SIDE B PROOFED; SIDE A NOT YET PROOFED.