AUDIO TAPES, PUBLISHED:
	This information should be included in updated form in thevarious input of teachings from these tapes; and distributedthrough =sh_songs.  Non-transcribed songs should be found in mytranscriptions in =sh_samut.



Pini Dunner, A Maleva Malka with SC, c 1995    Also CD (?)
Pini Dunner, SC:  A Melava Malka in Notting Hill.     Copyright1995. circle-C circle-P, by NOAM  547 Jerusalem:  02-375994; 02651-1704	.  Recorded live Notting Hill Synagogue London, MotziShabbos 16 Jan 1993.  Mixed, editted & produced by Pini Dunner. Apparently in conjunction with Jerusalem Star.
includes story:  Moishele Gut Shabbos
SIDE A:  Al Tiroh, Mikamocho, Ve'enenu, Crakover Niggun, SimchaLe'artzecha.  SIDE B:  Lema'an / Tov Lehodos , Keil Odon, MoisheleGut Shabbos, BeSHem H'' , Veyeseyu Kol        
	
EVALUATION:  A solid honest tape.  About 37 minutes per side. Live backup band that only occasionally intrudes, and is notshlocked up with electronic afterthoughts.  Live audience producea more chaim feel that studio recordings, even SF.  Some short butgood teachings.  The version of Moishele Gut Shabbos is apparentlywhat Ben-Zion transcribed in his Shlomo Shabbos songbook; one getsa few touches which he editted out; he includes a contemporarypostscript that is not on the tape as published.
                     
INPUT =sh_n547
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In the Palace of the King, Vanguard, CV 79102 c 1965 Vanguard
Translations with liner notes.  1299 Ocean Ave., Santa Monica, CA
Also CD

-----------------------

Carlebach Classics, Aderet 206, 1983, Aderet, 1402 46 St.,Brooklyn; 212--436-6131
                                     
------------------------

SC Live in Concert for the Jews of Russia, 
NCSY Toronto Tel: 416--782-4428
Recorded Bnei Torah Shul, Toronto, Rosh Hodesh Kislvev 5748
[apparently produced by Jerusalem Star]
Includes stories:  Moishele the Ganif and The Poor Couple
            
I have input these teachings as =sh84kirh

---------------                                 

HZ106 (previously listed, I think)

------------------

Shlomo Carlebach Live in England, 1988, House of Menorah, 36Eldridge St., NY NY  212--925-7572 / Menorah 7000
About 35 minutes/side                       

INPUT = SH_M7000	

EVALUATION:  The Mixed in background music sounds like SergeantPepper's Plastic Hurdy Gurdy; at its best it sounds like theThreepenny Dixieland Band.

CONTENTS:
SIDE A:
1:  Adir Hu: P124	(with hazzanut, cadenza)
*2:  Teaching:  Sukkot
3. Mimkomocho = Mimkomocho #2 P92
*4:  Teaching: Children and Sukkot
5.  Eliyahu HaNavi (Za46 = Eliayahu HaNavi #2)
6.  Haneshoma Loch :  P131
7.  Valla'enu:  NOT YET LISTED
8.  Ata Bercanto  NOT YET LISTED (Standard)
9.  Borchi Nafshi?:  LIST:  
	Probably an exceptional rendition
10. Me'eleym Zev:  Za#44
SIDE B:
1.  Esa Eina: P57
2.  HaRachamon: P123
	(Interesting instrumental intro)
	2nd run-though is double-time
	I'd not heard it before; untypical; apparently dropped
*3.  Chaskele (Story)
l2
This is Chatzkele L'Kovod Shabbos; it is an interestingversion because the introduction sets it from a book by RebBer Shelosh(?) of AUSHBITIZIN, about 150 years ago,recounting how he came to take Reb SHLOMO LECHSHONOVER ?? AShis teacher.  I think Yael retold this story, but withoutmuch of that setting; but I've not checked that.
l1
4.  Ahser Boro:  P139
l2
But P139 is scored in Common time, which would seem to be amistake; this is Cut time.       
l1
5.  Kol Odoh -- NOT LISTED (Standard)
6.  Od Yishoma:  P140b = Od Yishoma #2

--------------------
CD:  SC: Shlvocin Asader (?), 1992, Aderet; Tel: 718--438-6498
                                                          
-----------------------

CD: Jerusalem Star:  The Very Best of SC, Volumes I and II
(It's my impression that this is just a CD version of theirpreviously released tapes; but maybe their CD version is somethingelse, and this is newly-released material.                
CD:  Shabbos with Shlomo
                                          
CD:  Live in Concert -- Menorah             
---------------

ES-107, Shlomo Carlebach & the Children of Jewish Song;Distributed by House of Menorah Inc. New York NY 10002
Copyright 1993 circle C circle P Aderet Music, 1215 39 St.Brooklyn NY 11281; Tel: 1-800-733-6174; 718-438-8498.
ABOUT 20 MINUTES PER SIDE.
NO TEACHINGS.
SIDE A:  
l7
Vehayu (Friday Eve Prayer);
	CAN'T FIND TRANSCRIBED.
	Text:  Chorous is L'cha dodi, but not P64 nor Za#8)
Shomrim (Passover Hagadah);
	Hazzanut introduction; P126=Shomrim Hafked L'ircha
	Shom'rim Hafked L'ircha /P126 /F  [ ShOMRIM HaFQeD L-IR-Kha ]
	  
Mimkomcha (Sabbath Prayer),
	P92=Mimkomcha #2; short hazzanut cadenza. 
	Mimkomcha #2 	/P92	/S      
Yossis (Friday Eve Prayer);
	P71=Yasis Alayich 
	Yasis Alayich 	/P71	/S1	[ Hebrew text n/a ]
Gam Ki Elech (Pslam 23:4); 
	p58=Gam Ki Elech
	Gam ki Elech  /P58	/W//S 	[ GaM KI ELeKh ] Psalm 23;    	  
Mi Mitzion (Daily Prayer).
	DON'T FIND LISTED
SIDE B:  
Hisorir (Friday eve prayer) [brief cadenza];  P68=Hitor'ri
	Hito'ri 	/P68	/W	[ HiT`ORRI ]	
Ani Ma'amim (Daily Prayer),  P22=Ani Maamim
	Ani Ma'amin 	/P22	/W	[ ANI MaAMIN ]	 
Ufros (Friday Eve Prayer),  P74=Ufros Alenu
	Ufros Alenu 	/P74	/S1	[ V-FROS `aLeINU ]    
Sim Shalom (daily prayer)  P43a=Sim Shalom
	[this singing holds some of the richness of his mature singing], 
	Sim Shalom 	/P43a	/W	[ SIM ShaLOM ]	 
Eshes Chayil  P76=Eshet Chayil
	[this singing holds a poignancy, appropriate with his young voice]
	Eshet Hayil 	/P76	/S1	[ ASheT ChaYiL ]	 
	*Eishes Chayil	/Za#12	/S1
l1
Date and place of recording not given; cover photo of R. Shlomo asa young man, with young children. 
	
EVALUATION:  
	I think this holds some important "hazanut cadenzas" (I don'tknow how better to term them, those black-note improvised runsthat will challenge a good transcriber, and are not included intranscriptions).
	My first impression was that it sounds so smooth andprofessional it could be on one of those Lawrence Welk-style modern-orthodox motzi Shabbos programs on Israel Channel 1. Evidently a professional boys' choir and studio musicians,recorded in a studio.
	In a sense, the path not taken. [Note 1] 

FILE OFF TO NOTE 1 re: ES-107
                                                
	I'd class this as a commercial tape, which ought to beregulated as a business matter; I'd class the Pini Dunner MalevaMalka as a teaching which was produced and distributedcommerically, and ought to be distributable within reason withinthe chevre to those who can't afford to buy it.  Of suchteachings, I'd impute no commercial blame to those who transferand extend licenses for production/distribution; the more so asthe Carlebach Foundation does not seem equipped nor prepared to doso; neither in terms of capital, equipment, nor personnel.

.p
Sweetest Friends -- The Final Sessions, double tape, $17 (NIS 45JPost)  Digital Audio.
INPUT = sh940531                

from Carlebach Foundation, Tel: POB 2543, Jerusalem 91025; Tel:02-345264   
produced by the Carlebach Foundation, distributed by the JerusalemPost Books (POB 81, Jerusalem 91000, VISA, Mastercharge
Album notes state:  that All proceeds go to the Foundation
`proceeds' is not defined.
Recorded with a large back-up band at Yellow Submarine Studios,Talpiot, May 31, 1994.  Liner notes state that R. Shlomo hadplanned to dedicate the recording to Israeli soldiers MIA; thatnight was 12 years since the capture of Zachary Baumel, still MIA,20 Sivan 5742.            
The 2nd cassette, Shuvah, is explicitly and consistently on thattheme, and in my opinion ought to have been packaged and theproceeds directed accordingly.   I think that was what hadpreviously been released in late 95 as "Shuva", but it was notadequatedly packaged, distributed, & promoted.  I noted 2/96 thata package of Shuva (primarily Hebrew packaging) held this Vol. 2of Sweetest Friends.

Contents:
	Noteworthy selections indicated with an asterisk.
The band is ok; there doesn't seem to be too much dubbed in.
TAPE 1, "THE GIFT OF SHABBOS"  About 20 minutes per side
SIDE A:  
	*Opening remarks
	Eliyahu HaNavi, 
	Dovid Melech, 
	*Shrei Shabbos, 
l2
This was a selection by R. Ben-Zion Gold in the HarvardHillel songbook ca. 70s; I'd not heard it since.  I recallthe Yiddish text with the alternate phrase 'geshriet(hoyach).'  I think R. Shlomo notes it as Karliner; I'llrecheck on transcription.  
	One might also sing it softly with contained intensity,expression, as the text does, the passionate andindominatable religiosity of an old man trying to awakenyounger generations.
l1
	Yism'chu, (with *remarks appending it to the preceeding.)
	Ayn Kelo(k)ena, 
l2
    Liner notes: "Ein Kelo(k)eynu was composed [as a niggun,without the text] in New York and poularized as a weddingniggun at weddings at Reb Shlomo's shule.  The words wereadded much later, at a simcha on Moshav Me'or MO\odi'in."
l1
	Am M'kadsahi; (tune new to me)
SIDE B:  
	Asher Boro, 
	Ahavas Olam, 
	Hodu LaSHEM, 
	*V'sham Nahir, 
l2
Apparently an old niggun.  With remarks chanted to music.
l1
	Yiboneh HaMikdash, 
	"The Gift of Shabbos"
l2
	Some chanted remarks, but nothing dazzling.   
TAPE 1 SIDE B is the weakest of the 4 sides, but , V'shanNahir is exceptional.
l1
TAPE 2, SHUVA:   ABOUT 27 MINUTES PER SIDE
SIDE A:
	U'Vnay Osah                          
l3
Liner notes: composed Motzi Shabbat Tu B'Av 1993 atModi'in, during Kiddush Lavana. 
Tzur Yisrael, introduced by *teaching for MIAs
l1
	V'tov B'eincho -- 
l3
, a tune, or mix, new to me
l1
	Od Yishama
l3
Introduced by remarks about Zaharia Baumel
*Niggun  -- new to me
l1
	D'vei Haser
l3
Liner notes: R. Shlomo said "It's one of the greatestsongs I had the privlege to write.  We have to recordit."
L1
TAPE 2, SHUVA, SIDE B:
	V'ilechu B'cha  -- 
l3
D'vei Haser:  Notes indicate that R. Shlomo's first 2songs wer Esa Enai and Haneshoma Lach; that V'YitechuB'cha may be the 3rd song he composed.
I'd not heard it before.
l1
	* Olam Haba:  A BShT story.  (Not a song nor niggun)
l3
Introduced with a teaching.  It should be transcribed intoto, to show how R. Shlomo, following the pattern of R.Nachman, could set his stories in nested contexts toillustrate a homiletic point.
l1
	Shamor v'Zachor
	Shuva
                          

EVALUATION,  R. Shlomo was a teacher; his best tapes seem to bethose with the chevre at Modi'in, and (as the liner notes suggest)he did not find studio settings inherently inspirational.  Thisrecording used musicians associated with the Jerusalem chevre. It's a good general introduction to R. Shlomo, but not anexceptional tape.                 

No other specific liner notes given.

There is also a brief "A message from Shlomo", but no source isgiven and it seems quite editted; there are a number of phrasesthat don't seem typical of him.  It may have been an exceptionallast statement; or it may be largely editorial additions:
l2
 
"I have never sat down to compose a song.  Songs came to meat great moments.  When I heard the music of heaven or thesounds of hell, or when I felt the deep silence, whenever myheart was broken, or whenever my soul was uplifted.  There istill the cry of war -- heaven and earth still tremble at thesound of the 6 million broken strings.

Yet, there is a soft murmur coming down from the Holy Wall,the beautiful people of the world are singing a song of loveand peace.

I hope that my melodies are part of this great song.  I hopemy friends, that you will keep singing these melodies untilour voices will be enough to reach heaven, or maybe 'till ourvoices will be soft enough, so we can hear the angels joinin.

There is a little tear in every song.  Don't wipe if off.  Itis my gift to you. There's a little in every note. Dance it'till we all dance we all dance together on the streets ofJerusalem.

Wish you "the best"                  Love,                "

l1
.p
  

DH 548: Carlebach in Jerusalem: 
  Copyright 1995:  Circle-C, Circle-P
                                                             
NOAM PRODUCTIONS, JERUSALEM:  Tel: 02-374-944
No address listed.
Great Synagogue of Jerusalem (?)
Tape seems to include songs from several occasions.
Strong singing, strong songs, backup or dubbed band withtrombone(!) and male chorous
Listings in Hebrew; minimal English translation.
SIDE A:  (1) Al Eleh; (2) Nachamu; (3) Eliahu HaNavi; (4) VaAniBCHSDKH; (5)MimK'Mocho
SIDE B:  (6) Boee V'Shalom [=L'cha Dodi]; (7) Cracow Niggun; (8)The Blind Chazan Niggun; (9) The Blind Chazan story (English);(10) V'Yetayu Kol;

-----------
Other tapes by NOAM:
Malaki Elyon (Hebrew)

------------

Natanel Shur remarks that there are nearly 50 kinds of R. ShlomoCassettes.  
                                                       
.p
Tora Times:  a monthly audio magazine of Songs, Stories andStudies, featuring R. Shlomo Carlebach.  
One year subscription, $72; Torah Times, 63 W. 38 St. Suite 1201,New York NY 10018; Tel: 212--580-2320.  Apparently not in generalbeing distributed in stores, at least not in Israel.   No linernotes.   I've only found Vol. III on sale here, (and that bychance; some guy showed up with a suitcase of 'em) for $25; reckonthat included hand-delivery (surface, not air). 
Requested info, listings, and tapes; no reply received to date3/96.


Vol. III:  Elul & Tishri.  Copyright 1994, circle C circle P TorahTimes
III(l)A: Elul; III(2)B: Rosh HaShana; III(2)A: 10 Days of Awe;III(2)B: Sukkot/ Simchat Torah.
ABOUT 30 MIN. PER SIDE
EVALUATION:
L2
Evidently this is a set of teachings he dictated in studio,not a compilation from tapes.  There is good material here,especially as he gets into the swing of it; and it may bemore focussed on a systematic exposition of the basics thanhis live teachintgs, but the spirit is lacklustre compared tohis live teachings.
It's shlocked up with a Mixed-in underlay of instant music: even a Hammond organ.  Like doing hell in a 4-star cocktailbar.   The good news is that nobody editted it; there's evena bit of off-key singing in the background.
The teachings must be detatched from that background.
l1
TAPE 1 SIDE A:	ELUL
1. Nusach -- Traditional Nusach for Piyut L'Hai Olamiim
2. Teaching -- Good, clear, but without spirit.
3. V'Ani T'filati -- P62, I think
4.  Short teaching
5.  Niggun -- standard Nusach.
TAPE 1 SIDE B:  ROSH HASHANA
1.  Very good teachings, but must be detatched from the backgroundshlock music.
*2.	Niggun that I'd not heard -- words are V'ani T'filati, butdifferent tune.
*3.  Niggun of Reb Levi Berditchev.  TRANSCRIBE.
'

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