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Examine Cunningham’s claim that patriotism in the late eighteenth century ‘was not a unanimous declaration of national unity.’

 

Great Britain was not the least important eighteenth century invention. The Act of Union (1707) abolished the Scottish Parliament by agreement, united the governments of England and Scotland at Westminster, and established the Union Jack.

As can be seen in the quotation above, the ‘national unity’ referred to in the title was only possible after the invention of the United Kingdom in 1707. However, it is not the question of the unity of England, Scotland and Wales that Cunningham is most concerned with. It was not only the British nation which was being invented at this time. The very conceptual structure of nationhood itself was in the process of being engendered. As B. Anderson says:

[the nation] is imagined as sovereign because the concept was born in an age in which Enlightenment and Revolution were destroying the legitimacy of the divinely ordained hierarchical dynastic realm.

Cunningham’s perspective is from that of a self identified ‘socialist historian’. With this in mind, it is necessary to examine Cunningham’s claim, with the intention of exposing the evidence, for or against, the thesis that patriotism was an ideology of British national unity of the socio-economic classes.

In opposition to Cunningham’s claim, L. Colley says:

The growing involvement in politics of men and women from the middling and working classes that characterised British society at this time [the eighteenth century] was expressed as much if not more in support for the nation state, as it was in opposition to the men who governed it.

In other words she is casting doubt upon the findings of Marxist historians such as E. Hobsbawm and E. P. Thompson that eighteenth century plebeian and bourgeois politics was characterised by social protest. Colley’s main argument is that during the eighteenth century war and religion were the main factors in creating a British national consciousness. That is, a series of wars with France led to a national identity fused by opposition to the foreign and alien Other of France. This she argues went hand in hand with Welsh, English and Scottish Protestantism also enabling a sense of British national unity as opposed to the French enemies Catholicism. This sense of commonality of interests between the social classes became useful to the ruling class in an age which increasingly needed the support of the poor to act as cannon fodder in the wars with France. Colley estimates that 20% of adult males were involved in the war by the end of the century, clearly indicating the voluntary enthusiasm for the needs of the nation state to the degree of preparedness to sacrifice life and limb in its defence. The thing she argues that held the British together was a sense of national superiority over the French, running through to the poorest in society. Through this perceptual lens the labouring classes could console themselves that although they were clearly worse of than their own aristocratic class they were better of than their French equivalents who were the slaves of peasanthood compared to their status as freeborn Englishmen and that their material circumstances were far superior in their diet and clothing, for example one popular perception of superiority was their possesion of leather footwear as opposed to the wooden shod feet of the continental unfortunates. H. Perkin also takes this line of patriotism acting as a social adhesive when he says that "as long as the Great French Wars lasted, patriotism reinforced paternalism to hold overt class conflict in check."

This form of nationalism can be interpreted as a form of false consciousness in Marxist terms or as Anderson puts it an ‘imagined community’:

[The nation] is imagined as a community, because, regardless of the actual inequality and exploitation that may prevail in each, the nation is always conceived as a deep, horizontal comradeship.

Therefore, it may have been in the ruling class’ interests to propagate what would later be understood as the ideology of nationalism in a time when it needed the labouring classes support. The use of national iconography was as essential then as at any other time. M. Dresser traces the origins of the ubiquitous Britannia back to the second century and she was certainly used as a symbol of national pride in the eighteenth century. However, John Bull was the quintessential eighteenth century national icon, invented during the century and used extensively through it, he can be seen in many differing forms as a symbolic representation of the idealised embodiment of the British male character. In this J. Surel argues he was a character of "contradictory virtues" both supportive of the establishment and critical of "those institutions whose defence he nevertheless assured."

Similar to the character of John Bull the concepts of nationalism and patriotism were constantly changing and realigning ones during the eighteenth century. Nevertheless in opposition to Colley’s assertions that the national consciousness was essentially supportive of the existing state order K. Wilson says that:

It was in fact oppositional politics and patriotism that first formulated and retailed across a broad social spectrum the notions of political subjectivity and rights that justified extra-parliamentary partition in the political process and accordingly were appropriated by both radical and loyalist political cultures in the later decades of the century.

This ‘natural’ home for the language of patriotism in the radical and oppositional camps is also convincingly put by Cunningham:

To oppose the ‘corrupt’ government of a Walpole, or the ‘tyranny’ of a George III was to withhold loyalty to the state as it existed while proclaiming a ‘patriotic’ intention of restoring it to its ancient purity. One person’s patriot was another’s traitor, and patriotism itself was subject to constant definition and redefinition.

Wilson illustrates the patriotic self identity claimed by mid-eighteenth century bourgeois radical politician John Wilkes with the print below. As she says:

Wilkes is identified with virtue and greatness, Britannia and the new nationalist icon, Shakespeare, both symbolising the national spirit and superiority in politics, arms and arts against the foreign, feminine and corrupt elements who would betray their country’s honour.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Figure 1 malice and fortitude (1768) "Wilkes withstands the forces of national corruption"

Not only are the political enemies of the Wilkite camp portrayed as dangerously foreign and unpatriotic they are also identified as inferior in their femininity (sic) to his manly British character. This use of patriotic imagery was clearly directed against the "corrupt" existing state order and in favour of the forces of opposition who sought to preserve not the existing order of things but to protect the natural rights of the British. This concept of patriotism was one which relied upon a reading of history which harked back to a golden era of guaranteed freedoms and natural rights within a paternalistic structure to underwrite them. Through this lens the radical can be seen as the patriotic defender of British national custom against the corrupt existing order. Cunningham argues that throughout the century this was a growing trend as can be seen in the quotation below:

Patriotism became more radical as the century progressed. We can trace the shift in Samuel Johnson’s usage of the word. In the 1755 edition of his Dictionary he described a patriot quite straightforwardly as ‘One whose ruling passion is the love of his country’. To this in 1773 he added ’ironically for a factious disturber of the government’. In 1774 he was trying to reclaim the title of patriot for his friends in his Southwark election pamphlet, The Patriot, but in the following year he gave up the struggle and produced the most famous definition in the English language: patriotism was ‘the last refuge of a scoundrel’.

However, these forces of radical patriotic opposition were not a continuos or united front. They were split by continuos changes in the political and economic scene. This was especially true of the effect of foreign war. As Wilson says for example:

The American war was, in the words of one of its historians, "Britain’s only clear defeat in the long contest with France which began with the Revolution of 1688 and ended at Waterloo." As such, it was an immensely important episode in domestic politics that magnified the ideological divisions in the nation and transected religious, partisan and socioeconomic groupings.

This "important episode" Wilson claims split the radical allegiance of artisans and merchants because the merchants economic advantage lay with siding with the Government while the artisans sided with the Americans’ bid for freedom. The radicals in support of the Americans could still claim the patriotic identity because of their support for ‘traditional’ radical patriotic values.

C. Emsley argues that the British Government was to attempt to turn this around with the dawning of the French Revolution. The radical societies such as the London Corresponding Society were to grow rapidly with the impetus from the French Revolution. This foreign source of radical ideas was seized upon by a grateful Government as Emsley says:

British propaganda stressed that this was a new kind of war against "An enemy of a new kind … who fights not merely to subdue States, but to dissolve society"

This allowed the establishment to claim the patriotic and nationalist clothes from the radicals after a century when patriotism’s usual residence was in the opposition camp.

In conclusion, with the constant battle for ownership of the badge of patriotism outlined above it seems proven that this ‘was not a unanimous declaration of national unity’. In fact it seems quite the reverse as the forces of opposition had possession of the label for most of the century. That patriotism could be claimed by those who opposed the existing order in itself denies the hypothesis of national unity. Colley’s assertions that this was marginal activity not supported by the majority appears questionable as the Government could not rest the public perception of what it meant to be patriotic from the radicals until radicals themselves aligned with a hated foreign enemy.

 

Bibliography

B. Anderson, Imagined Communities: reflections on the origins and spread of nationalism, second edition, London, Verso, 1991

L. Colley, Britons: Forging the Nation 1707-1837, london, Yale University Press, 1992

History Workshop, a journal of socialist historians, issue 12, Autumn 1981

Journal of British Studies, No. 31, 1992

K. Marx and F. Engels, The German Ideology, London, Lawrence and Wihart, 1965

M. Mellor, Breaking the Boundaries: Towards a Feminist Green Socialism, London, Virago, 1992

Journal of British Studies, No. 31, 1992

Ed. M. Philp, The French Revolution and British Popular Politics, Cambridge, Cambridge university Press, 1991

R. Porter, English Society in the Eighteenth Century, revised edition, London, Penguin, 1990

Ed. R. Samuel, Patriotism: The Making and Unmaking of British National Identity, Vol. 3 National Fictions, London, Routledge, 1989

K. Wilson, the Sense of the People: Politics, Culture and Imperialism in England, 1715-1785, Cambridge, Cambridge University Press, 1998

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