Necropolis[1]
J.S. Squires
April 03, 2006
April 04, 2006
Had night’s eyes finally slipped
Beneath their royal sheeting,
That a lone soul wandered the city
In search of morning’s bliss?
Where had it gone, this summer sun,
That the heat remained without
A guiding star to steer the rout?
Instead, the soul wandered on
With a physicality to his mind
That led him onward, unheeding,
The sound of some rhythmic pound
That symbolized something unknown.
There, he paused to see the world
With ears to the thumping sound,
And to see if the skies truly moved
To some celestial choirs song,
Or whether winds sang natural
Because of the rotation and the sun,
Skewed axis pivoting the seasons
In a cycle of physical disorder
Only penned in complex pinions
To seem less entropic, more ordered.
There, breaching, he saw the city
From an his abode in the sky,
Not ethereal or even romantic,
Simply concrete and mundane,
He felt his home a kingdom
Only when he was lost from it,
Or it from him—a prison he loved
Only because it was to him familiar!.
There, sprawling before him was
Necropolis, the city of his livelihood,
A place of both the damned sinner
And the supposed pious saint,
He found both dissolved and moot,
Since the blurred lines ate them both.
Like some urban ant colony, they trudged
Up and down the hills of their nest,
Wandering with not but idleness
In their sunken, skeletal chests.
He, of course, wondered on truth
Since he had dodged their mudging
As nothing but the grinding gears
Of their lives awaiting a resolution:
Such as can be found after the piecing
Point of a knife or crushing sound
Of a hollow point into empty skull.
He swore his mind loved them all
For being likened to his goodly soul,
But then he didn’t know his soul good
When all the others seem like his
Only sickened and distant gray.
“Where they sweet inside their docile
Shells, as even gray flowers bloom in hell
With every silent gushing of the liquid
Fires, rising in their silent heated towers?”
“No, but I had not heard a sweet sound
In weeks, not since the morning birds
Drowned beneath the rebar wings rising
High into some foreign azure sky where
There simple beats were banned and
Their songs crushed beneath mechanical
Weight.”
But, did they sing where he was not
Or did they stop singing world wide?
“Somewhere, science had a epidemic
Of dying song birds on its tongue” he
Thought widely the sky was gray everywhere
But that he was not one to tell either.
Ploddingly, he meander passionless
Into his home, the city of
“Wherefore, you visiting man, do you come?”
A spirit appeared to his right, small and bright,
“What do you mean? I live on the hill?”
He responded, annoyed by the spirits mind
“Impossible, for this is the place of sand
And its walls a prison of lost times,
Where the populations morns its life
As being every progressing slower!”
Quickly, the soul sought higher ground,
Fearing that he had found some abyssal
Slave sent to drag him into a new hell
“Who are you, creature, that you sing
These abstract and unrealistic words?”
The beast recognized his face,
Recognizing some new flaw in his mind
And cackled like some devouring crow,
“Ah, I do know you after all, young soul,
As the poet lost up on the hill, a simple mind,
With not but the knowledge of his own
Amateur rhymes and mundane mind!
The masses think you confused, you know,
That you think you’re a genius or god
Makes me agree with their accusation!”
What could the soul do but furrow
His brow and shrug his pained shoulders
“I would not disagree that I am confused,
Spirit, for I see ghosts and worlds forgot
As being today more important to the rout!”
He then took a seat on a hollow bench,
With the tags and paints of tribal spray
Arching over the former boring wood.
“Besides, I live on the hill, this my home,
Regardless of what the masses say!”
The spirit sat quick on the bench its dark form,
Wrapping its blighted wings under arms,
As perhaps a man might a brief case,
When his hands are filled with cellular phone.
It began a new sickly song to sing,
Something forgotten and something idle,
That dripped like clotted blood, slow
And entropic as Hell’s frozen
Am the Lethean Muse. We saw you lost
Amongst the dead souls of Necropolis,
Seeping the marrow of the broken bones!”
“Oh you abyssal muse, my lips don’t suckle
As the gray former factories of life.
I have no need for those relics, I have my own,
Wings to mend, that lift me from on low,
And beat back the musk of dying men.
Your withered wings wreak of former ghosts
That wished to live beyond their eyes,
And found only eternity’s limited demise!”
“Oh, how many young souls seek eternity”
It spoke to him with drained lips
Covering the hidden incisors point,
“Suckle at gray Lethean’s breast and drown,
In the gray light of life gone past!
Control yourself, you’ve sought death,
Now lick her secreted joys, forever
Caste in the sepulcher of suicidal grace!
Already your mind grows bane just beneath
The skull and above your liquid brain,
Blood boils around a cancerous death
Awaiting you to rest your idle pen
And accept your lustrating organ:
Not your infected me, you lost fool,
But the violence of your muscular hand!
Seek the blood ribbons inside your chest,
And accept nefarious halos instead of grace!”
But not even Comus could sting his skin,
With a mind all gray in complexion,
There was a thick nature to his persona.
“Sorry, Muse, The world has spun around
A need to personify evils, we not simply say
You represent forgetfulness and unknown,
Neither important to a lost narrator
In a city surrounded by the sleeping living
Who all wished they where in glory!
Little do their dreams see the broken place
Of their home as is wanes. I have seen
The doom of the planet in the skies,
Represented by the great red sun
Consuming all matter on earth. When,
then, do I get to live past my death?
Don’t you see, celestial angel, a song
Is only as long as the lungs that sing.
Eternity is limited to the earth and man,
For what good is God’s reign if your winged
Sister Cleo is burned on the cross, with
Hegel and Yeats, and Xenophon, clear
Back to Hesiod forever in the hells of
Abyssal black flames and damnation!
No, you forgotten disciple, no theory,
Not platonic form, not metaphysical
Personification, can breathe
Life back into the fires emblazoning me!
I see Urania tossed from her carriage,
All the flaming horses pulling the blind
Bard and heavens drown in boiling water.
Would you have me sing to Apollo
Or should I turn to Melpomene,
Perhaps her drunken lover Dionysus
Would sing my soul into existence,
When his eyes have melted in flames,
And her breasts have cooked crimson!
No, muse, I know what the balefire holds,
For Necropolis is a divine shore to see
All those the boatmen feeds to Cerberus—
How fat has he grown on honey cake,
Started when he fed Socrates thrice
To the each mouth of the frozen Satan”
The Lethean Muse opened its wings to fly,
But the narrating soul held fast
To the bloody talons long feared.
“Is Oblivion fleeing when it should reign?
Did you not come and seduce my dreams,
To bring my eyes to bare on setting suns,
Perhaps, bastard sister, you miss Kleos,
Should I sing your nemesis into life?
Maybe you would prefer to bare some
Other religions dark children with you?
Should I invoke Loki to dance
On Herod’s table? Or would you have
Set suckle at your dry bosoms, his
Twin heads not longer entangled with
A rectal view of enteritis’ coils cured
By a new oral fixation far less messy.
The winged glory finally had enough,
“You vulgar, feral worm! You mulled
Hate! Your husband of…” she sought,
But dropped whatever insult she had,
For he smiled at her. “Smile, wretch,
And know that no blind mass will eat
The fodder your dying mind produces!
I tried to save you from Necropolis,
And lull you into the glory ‘n the Abyss,
But you would have your soul digested,
And discarded by the horrible creatures
You loath so much. Avarice is thy name;
Poet not longer. You should hang on
A tree for a millennium and know true pain
For that was all the fire received! You
Speak of dreams as if they were coins!”
Confused, the mortal stood and walked
The skeletal bridge away from the harpy,
Sated by his attack on oblivion’s minion.
Would the creature again attack the living
With fears of unknown and dreams of the dying
When only the dead could know death.
Instead, the sadden soul ate his victory
And went on about his journey in misery.
Angry skies roared above his body. Rain
Fell from the Nimbi, “vengeful for poor
Lethean birds that best were crushed quick.
“Would I expect less if I was shot to death,
But some unknown bastard with split tongue?
No, let the heavens roar their outrage,
For I see them as the vengeful brothers
Of some small girls hurt pride. Hurl
Lightening, Storm thunder, rage heaven
For man looks at you as a nuisance
When once he held you in reverence.
I could not pray to your angry obesity
Even if you fell down and swelled my vision,
For the world no longer sees your mystic
Waiting to breach and ruin parading
Days of their organized pleasures about
The ruins of their money making schemes.
Let me sing briefly your lost days,
For like the Geat king, you should die in
Both your lofty form and your glory.
Song of the Nimbi
Slumbering Titan’s,
Anachronistic,
You bobble on path
Till trapped tears fall
O’er the spinning world
Where once Christ had sang
You down ‘n fiery reign
On his sinning minions
To cleanse his throne room.
Now, he sleeps in peace,
While your past creeps on
Till, longingly, tears
Fall and smother men
Again in your will
Heedless of any other.
Weeping giants, crash down on my mind,
And suffocate me in your incorporeal
Form, that I, too, might know submission
to an honest, greater genius than my
Own wretched, and often beaten, mindset!
No new world opens before my lost eyes,
Only the tall walls of Necropolis
And its slouching denizens
And their meandering digressions. Mindless
They wander without wonder into days
Until the years finally open like maw
And draw their blood into gay puddle,
With not but the sliding slopes to mark
The blood rush onto the hell of death!
Consume me in a new glory, and they’ll
See what once was your lost vestige.
That only the solemn secular marks
Of a rotating storm or angry eye screams
Down lightening and chaos with mighty
Winds…but I lost myself” there, he turned
And saw two lone orbs gathering nightlight,
High below the sky, the ethereal orbs
Gazed off into the distant city scene,
Where they focused on twin waxen wings
Of some Icarean gleam, a lone fluttering
Paradigm That might have been a moth or,
The remnants of a glorious insect,
Once magnificent, now forever lost.
The mirrored soul waved a quiet gesture
As the soul returned a quiet gesture waved.
Forcibly, a narrative voice struck him,
And he called up to the wings of twin seeing orbs,
“I am traveling about Necropolis
With only vagrant winds my flags fleeting guide,
Do you see some thing ghostly concrete
In which I too may perch and breathe subtle?
But only the sound of falling worlds echoed
From the higher celestial grounds, twin wings
Of the paradigm rose forever away leaving
Only the traces of some narrative voice
As the echo of there past and present play.
The mover made his way far from the past,
And walked into a realm of forests and
Starlight, where the moon hid its sleepy face
Beneath the waving crowns of mystic nymphs.
There, oh to stay there, he saw himself quieted
By a dreamy reflection in a puddle
That Blind Milton saw Eve in “
The soft word danced upon his worldly tongue.
“Where are their plainer words to call my dreams
That poetry or written words made complicate
A sorrowful journey for you, Heaven made
Real, oh how I know it honest and true,
For no desert god knew better the plush love
Of thou hidden retreat, thy nightly winds
Royal where only the past consciousness
Could, like Xenophon, make himself loved!
No the future doctors error the past logos
To try and ruin all those pleasures made
Sweeter by an absent hands idle play,
That German hordes and tall Norwegian
Pirates knew all those great trees were tall Gods
Worth thinking of as stoic warriors,
Then the force and violence of blood on
On some barren, treeless sandy floor!
Guilefully, the rain began to poor downward,
And the puddle rippled, the soul’s face drowned
And the narrating soul lost his sense profound
Within the abyssal pools sensuous nature.
“No, no, not Narcissus lovely complex,
But some deeper, primordial wonton fate
Where before man nature was violently
Disposed in a natural hierarchy
With large teeth and large gullets perfect
To consume without the sense of despair.
No, for it is in even the dumb eyes of dogs
That I see the pain and suffering loss,
That I see within my dreaming demise daily.
Would that the puddle were not but water,
Or perhaps if some greater hand created
An equal soul from the cascading tempest,
I too might find hope in the nimbi tears,
And the violent puddles tormentors’ naïve
Onslaught! Like fallen stars in meteor showers,
Do I press my treaded dreams in your hands.”
He couldn’t explain the way rains pathetic
Nature reminded him of sorrow ‘n worlds,
But he knew that it fell with a spirit
That was best left within his sunken brow,
Only that it caused grief to drip salty
From those blue stones abstract even ‘t him.
With a rush to clean his wandering mind,
The doleful soul ran with eyes closed tight
To see what part of the city opened.
To the north, he found a new sense to feel:
A yawning structure of steel teeth opened
Over the water and a large creature raised
High a horn out of the sunken Nimbi. He
Has lost all track of time, for he had not seen
Them fall down around his pursuing self
Ambushed, they summoned again the toll
Of some doom inspiring bell, and a voice
As apocalyptic in sorrowful sound
That he thought hell and him at last found
To swallow and take to his final rest,
With the worm and dirt of his birth place!
“Come sound, rise you Coleridgian ship!
I will against your struggle, to rig your game,
And swallow the bone dies from your hallow
Boney hand! Come, then, you doleful symbols
And let us see which one is better at life:
You, the lost conscious mind on wander,
Or my physical form ailing in its spiral
Down into the doom it knows is eternity!
I have bested the winged whore you sent ‘fore
Now you send a skeletal ship with ghosts?
Would that they were pirates or demons that
I might with some gauge de-create ‘r silence,
With the menace of man’s modern powers
Of destruction and retaliation.
No longer do we fear damnation,
For we have invented the glass making
Fires that turn times sand inside out, all blown
Into bits that which was from bits first blown!
Like primordial sand inside modern glass,
We wish for abominations to kill outright,
Enemies as clear-cut as ghosts and goblins,
That genocide does plate over ice,
And becomes the first holy war
Sanctioned on all fronts! Come Mars,
Come Ares, Come Crom, come any
Pious warrior to my side, Let us seek
Those hounds of war, and cut loose their
Necks, that we might drink their fire
And seep the very souls from their eyes!”
But a sorrowful boat pulled from the fog,
Carefully guided away from shore,
By a man and his mindful crew.
The soul watched the passion and the fear,
As the boat went beneath his unseen chest,
All the steel beams bending into heaven,
Without a glancing look from the captain
Or his lumbering tugboat.
“Happy boat,
I fear I spoke to soon, for what a lil’ vessel
Provoke my immediate hatred, I do not know,
But accept my apologize for that absent
It was unfounded and full of rancor reserved
For another less noble of a stoic boat!
The narrator, tired of his own pretensions,
Wandered away from the skeletal form,
And approached where he thought he lived,
But there were no building on this street,
Only an image of a burning red rose, risen
Above the concrete street, a dying sort
Of rose reserved for the poetic and elite;
He thought he saw himself in the rose,
But it bled some sorrowful tears for another
Poet ignored by the polis which wept
On his death, only to forget the price paid:
To die with so many unanswered prayers
On both his and the narrators gray lips.
“Oh rose, what would you say if I asked
If you thought I, too, was made for bliss?
Would you prick me with your warm blood,
Usher me into some type of acceptance—
No, not some crowd crying for your death,
Heedless of the words on every breath.
I do not wish for adoration, but rather
Some form of confirmation, a type of
Penned verse for or against my own mind
Some one to turn the light on and run
Or even some type of spilt ink for me
Even if all they do is spit and disagree.
O’ rose, oh bleeding rose o’ the concrete,
Would you bow down and gravel
As I do, as my sunken wings drag limp
On the dirty barren floor of your kingdom?
Let me be a martyr for the uncouth,
The disenfranchised, or whoever will
Post me on their cross with warped nails
And hang their weight upon my arms.
We know, you floral monolith, I stand
Alone with only god my lost judge…”
And the image shimmered and left him,
With not but a haunting sensation of a
Smile as proof the uprooted plant existed
In anything but his detached mind!
Again, the rain let up and some dark eye
Rose from beneath the floating Nimbi sky—
Watchful for transgressions of dumb men
With air and wind within their hollow breast.
Some soft present forced aside this perception,
For his breast was full of air and unrest
As well as some distant feeling known by
Those theist to be called intimate love.
His sexual object wasn’t God’s limp wrist,
But the subtle skin of and even greater soul:
A women, his love, in which he burns in all
Hells worth driving his godlike jealousy
When her angelic eyes were cast t’ another!
But she whispered inside his vapid heart:
“Believe that you are more that you dream,
For the world is not all razors and reams
Of glass spun against your thinning skin!”
Inward, he sought to again hear her sing
Some inspiring tune, a battle canter to ride
Against anything that time threw in tide!
Where was her voice, though, his ears tore
To hear a sound that wasn’t dross next to her.
“Why bother to continue my journey
When I alone hear the cathartic bleeding?”
Beating wings sung the glory of her voice,
“You write, my love, because that’s what you do!
Best to ask why deer rush onto fueled death,
Or question the very nature of fire’s
Conflagration of the poor’s abode
When all they have are hollow bags of dust
Spread unto the musical world of greed!
Before your heart even fluttered f’r me
Quick language proved your succubus
Dragging you into your present day world!”
He answered with a clutching left arm grasp:
“But, sweet star, you found paradisio
Within these hollow bone wreaths relics!
You made me the dreamer of your dreams
And the wanton desires for other breasts
Burned away in the sanction of our flames,
For no love could burn the way yours does,
And, even if I were to fall ‘n the shores
But an Asteroidea—all feet pointless—
I would gravitate towards your lithe gleam
With my soft star the death and joy of me!”
Satisfied with his subtle confessions,
And motivated by passions revamping,
He looked to navigate with stars five pointes.
Dull the sky fell beneath their lofty might
Casting even the dreary moon in light.
Their it hung static in the sky, clear
Insipid with only blind, watchful eyes.
The narrator followed its sunken crawl
Down into the bowels of the city. There,
In its lowest point, he saw the abode
He would forever call his home. Two steps
Past the town, the Centre road crawled up
Past the snowed Olympian fields,
And near the home of the supposed heather
Of Armageddon’s most notorious,
The place of the deads’ final painful rest.
Here, he walked until one final guest sprung
Upon his weary step. Long the shadow crawled
Just under every exhausted breathe,
And the creature dug talons into his lungs,
Borrowing right under his left rib, pain,
Only horrible and unromantic pain,
Suffered to pull him down to his knees.
Looking over his broken shoulder, there
The winged creature sat with bloody nape
And wings spread like a doomed flag
under the gunfire of rebellious siege!
O’ wandering traveler, how is your home?
For was this not the place of your birth?”
Some life fell from between his cracking teeth,
“no, leach, I was born on the quick
Southwestern winds made from noble,
Thought impoverished, roots and dropped
On my own from the cradle to the grave.”
The beast stretched its unburden wings,
“oh? How noble is poverty to the poor made
Rich by some pursuit they try not to exploit!
Shouldn’t you be painting plates of poems
With small ‘tygers’ moot meows, poet?”
The poet, struggling under the creatures girth,
Fell to his stomach flat, with blood for his back,
“Money is nothing to this poet, but I can’t
Speak for the other creatures by the same name
They may make their mistakes as they wish
But, the moot tiger roars inside my mind
At least one or twice every lunar month,
And I heed it’s bitter bite for fear it might
Never return to distract my laboring body.
As to painting plates, I work in dirt under
Apollo’s watchful praise through the year.”
“Ah, noble farmer are we?” it bit into his head
With a sharpen beak as violent as night to day
“I am no farmer, nor am I truly a poet, for
Thought I pen words upon white pages,
I have nothing really but words to say, and
The talent inside my lucid gaze is lost
With the turning of sand over the ages.
Let the epochs fall down their chained hell,
And they’ll see for whom the pendulum
Fell! They may see it is me chained to the
Bloody, rodent infested pyres, charred
Skin spread ever thin over warn red bones.
“Melodramatic as ever,”
The creature consumed his poignant eyes,
“you will be digested and forgotten quickly,
As not but another imitator of past genius,
A worthless ghost lost in its own praise!”
With a standing jump, the narrator gripped
The beast on the Mahanaim mount,
And struggled with the winged monster
Until, with all the glorious force ‘f a monster,
It reached down and severed the ligament in
His tightened leg. Blood shot forth in force,
And the good soul fell to his knee, but gripped
Tight the winged monsters throat.
“I will release you, creature, and you will
Leave, or I will again struggle with your form
Until I have chocked the immortal life from
Your celestial wings, and crushed your hollow breast,
Beneath the warn talons of my corporeal
Hands!” and the beast knew it was true,
For no strength had he felt like the empowered
Youth bent on his destructive course!
“Careful, man, for no substance cleans
The blood of a celestial from your hand!
Forever, will all gods curse you as unholy
And you will fall into some moral hole,
Where you will be forever trapped by a
God more powerful than all the artificial
Constructs of other dead men. Soon, your mind
Will wander until it has turned thy very
Hand against your chest, and pulled the life,
That only light boasting of warming heat,
From this they home known as Necropolis
“I do not fear my own mind, for it is skewed,
But the world that bore it into this realm.
Instead, I release you because I am the light,
That lives inside the sinking cities dark
Times, full of nothing but blood and pleasure,
And hedonistic, voyeuristic desires!
I release you, not because of your idle threat,
But because I can release you from death.
Let them mark that down as my vice:
I care too much about the paradigms and
Shadows of my own designs to let them
Hurt those that could not hope to stop
The vile horrors inside my sleeping
Consciousness. Now, fly bird from your perch,
And never seek to haunt my memory again,
Or I will turn your form into decay, burn
Your heart and consume it as my past,
The wretched construct of darkness past,
And the fallen steps of some worthless
Mentality I tried to blend into vivid life.
Would you try and haunt me, vile time specter,
And tell me of the scars on my broken hands?
Do you see them, how they emblazon suffering
Which every other human has felt first?
My eyes haunt my vision with blighted cities,
The decay of all things social I know,
Though I wouldn’t know them any other way.
Another threat, another scar, another death,
What are these to someone vagrant like me?
These circus creatures of my simple mind
Perform and consume any dream called hope
That only the inferno inside my chest
proves real enough to burn me with passion;
like some lonely lamp on barren porch,
I am haunted by winged horrors and dooms
That others snuff with a wave ‘f avarice,
Or snort from a white-dotted mirror too
Distorted with social acceptance’s blur,
That they can’t see the black puss of darken eyes!
Heap spiritual aliments upon me, that
I too may slumber to things sublime;
Drain hope of physical rest forever
That I may forget that it even was!”
The liquid strife ran fleeting from his mouth,
What once was yellowed turned deathly crimson,
And the good soul know another prison
Known by its vibrant colors as living
When the world’s spindle caste dulling grays.
Aghast, the creature vomited bile down
Upon the floor with great glee escaping
From its own unsuspected torturer.
Finally, the creature fled from the rancor
Of the good soul’s reeling, bleeding head.
And the moon began to sink beneath Sun’s
Hateful rays, pummeling and crushing,
Nighttime shades into ugly, sopping grays,
The time when all good narrators sleep
Beneath the distant guise ’f pastoral sheep,
And sneak beneath Poseidon’s cannibal son
Until the good wafers are consumed,
And the guileful worms have fled in wool,
To live again, cowards, lest they die.
[1] This poem is written in Radzian rhyme. Though it seems blank verse and free form, it follows a loose meter, with both internal and natural rhyme.