1. GREAT performance today. You're chemistry with Elaine was excellent, and the whole thing between you and Jonathan went very well.
2. Where were your glasses?
3. Don't wait until you open the window seat to say the word "body." It shows that you are expecting a body to be there. Remember, the audience doesn't know it is there yet. Just say the line as it comes, and open the window seat when you get there. You are looking for your chapter, not a body.
4. Lose the slap on the table on the phrase "quke a kick." It just doesn't seem to fit.
5. Be more excited on the "basterd" line. Pull Elaine away from the table.
1. I liked what you did with the glasses on the kiss, but don't forget to put them back on afterwards.
2. Look over your script.
3. The scene with kicking Gibbs out was great. Keep the intensity.
4. Any time you take off your jacket, hang it up.
1. Today went very well for you. You captured the speeding up the pace thing perfectly. I also noticed that alot of people followed your lead when you sped up. You have to set the pace. Keep it going!
2. The only note I have for you has to do with articulation. It's good that you are talking faster, but we still have to be able to understand you. I didn't have a problem often, but it did come up. Make sure that you seperate your words.
1. I don't have much to say on you. The scenes went well with Elaine. Memorization became a bit of an issue, but you knew most of it. You know the scenes well enough to fake it. If you don't know a line, make one up. Just keep it within the scope of the scene, and you'll be fine.
2. Don't be afraid to ride people's heels with the dialoge. This comedy is built for speed. Use pauses wisely and rarely.