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A Charred Memory

Pennsylvania is an excellent home for anyone who likes forever cresting little hills, and finding in the valleys between tokens of an earlier time. There isn't a single barn, I think, which has been repainted in under twenty years, so they are no longer shining red, but mottled with grey where the paint has peeled off � and that is a sufficient representation of the general mustiness. There is one scene especially, which seems to me to embody the feeling that Pennsylvania is used-up, worn-out, and swiftly becoming a dream: along a country road, adjacent to the river, there is a collection of fields, bare for the most part, or covered with short scraggy weeds. In the center of these fields, right beside the track so it can't be missed, is a farmhouse and a barn. All their floors stare at the sky: burnt-out relics of an earlier fire. Apparently, the house had some historic significance, since the local historical society got a restraining order when the owners attempted to rebuild the farm. In any case, the result is an untouched wreck, surrounded by fallow fields. This scene is to the county, I believe, what the crack is to the Liberty Bell � a symbol of former stress, preserved.

It is the sort of place I should like to walk to, and sit near, every day. Unlike most ruins, whose remote age make them seem not quite human, like part of nature � just another collection of rock and trees � the farmhouse, by its relative familiarity, arouses my imagination. Folk, I feel, don't just know, were born and lived and died here not so long ago; but all that now records their existence is a charred structure in a dead landscape. It has the same effect on me as an ancient tombstone, mossy, crumbling hinting obscurely at people I can't help imagining � causing me to wonder whose feet stood where I stand and looked back at the house? Only the sun did not shine in their eyes, but was blocked by a glittering weather vain. What sweet aromas of wind mingled with ripe fresh-picked corn, floated to set nostrils quivering � like mine at the memory? Who slept in the shade of tall corn-stalks, beside the fields where I now feel the wind rushing mercilessly over the barren ground. Bleak house � grey fields! The memory of lives played out on a sunnier day lingers still.

In the Winter the scene is even more desolate, when the black buildings rise like burnt stumps, alone in a white plane. Or in the Fall mornings, when fog from the river rolls heavily over the fields parting ever and again, to reveal a ghostly glimpse of sooty, wind-worn brick, or a stark tree swaying inside a window.

The house has new inhabitants now � trees and birds and rabbits have claimed it for their own. Vines creep up the walls, accomplishing more effectively the demolition than the court-restrained bull-dozer ever could; and tree branches stir where candles used to burn in farmhouse windows. Down by the river, a rail-road brings its noisy trains rumbling past, but no children run out to wave, only rabbits shy and hide in the charred enclosure, and birds are momentarily drowned out.

I like to think that what most people consider ghosts are just memories inherent in a place. I like to imagine that if I sat near the old farmhouse long enough, eventually my own vagrant fancy would twine with these memories � that my imagination would be guided down paths of what once was, or might have been. Then I see in my mind, a place where the trees were thicker and the fields cultivated � another place, it seems, but it's only another time � and I like to imagine that once, this was the country-side and not the wilderness.

©Copyright, 2004, Robert Quiller


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