music

In 1989 I started the project Epitaph, together with Daniel Wangler
The same year Epitaph released two songs on the "Koraktor" compillation.

In 1990 I started the solo project called Ono Sendai.

1991: Ono Sendai and Epitaph, released "Nuclear peace and blue mesc".

"Its some kind of synthersizer trash, experimental and tense, and very good." radioprogram Bommen.

Nuclear peace and blue mesc, "is satanically incredible and it strikes us with terror. It is an individual music undercurrent of the nightmarish picture under the title - life. Your music creates the unkown and undefined world, it hands down this distressing mood." Mariasz Organisciak, Poland.

"I was totally indulging myself in the world of sensuality." Eiko Naito, Japan.

In august 1991 I had the opportunity to play with Tetsuo Furudate at Tajima preformance art festival. We also did two studio sessions, which were recorded. The first 7 th september, Oyama on base, Furudate on guitar, and I played keyboards and voice. The second session was together with Masashi Kitamura, and Furdate.

1992 (june) Played together with Jens Sontag from Rabit Force live at Sergels Torg.

1993-4 The birthprocess of the almost transparent blue project began. The final result of this process has not yet been released. The goal was to understand and detourn dance music. The project has generated about 9 hours of music, of which maybe 90 minutes will be released in the future.

In the midle of the nineties, Su-En Butoh dance group used Ono-Sendai matterial for their show.

1998 The anarchist magazine brand relases a 100 year aniversary compillation cd. I release almost transparent blue stuff under the name distorted blue.

1999: The formation of the project with working titles [scilent hand] and [disturbed communication].

2000 I had again the oportunity to play with Tetsuo Furudate, this time in Sweden at Lydmar hotel, at the J-Way event. On stage were also Dror Feiler, and Arima Sumihisa.