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Stan Kraychik is a hairdresser who
lives and works in Boston at Clips Salon, a pricey beauty
parlor owned by his aristocratic friend, Nicole. He enters
this career after finding that he is uncomfortable with his
first choice, counseling psychology. As a hairdresser he has
as much access to people and their problems and is, in his
own witty, neurotic manner, there for them more than he
would have been as a therapist. He decides, as he says, to
"shrink 'em at the sink."
This series is true first person
stuff. Michaels reveals to the reader only what Stan knows
and thinks and Stan's views on nearly everything are
delightfully crazy making. Because of the intensity of the
first person, we in the audience see the world through the
independent, self-doubting, stubborn, shifting and somewhat
addled brain of a man who is always searching for answers,
whether to the identity of a murderer or to his own desires
for love and fullfillment. Stan is persistent, annoying,
desireable, sensual, clever, sly, observant, empathetic,
romantic, jealous and wholey loveable. Stan's friends adore
him in spite of his foibles, which are many and they put up
with his disregard for their advice and his myopic refusal
to see life from any point of view but his own.
Of course, this myopia is most
frustrating to the reader who quickly gets caught up in
Stan's various romantic escapades including one fairly long
term relationship and one series long tentative involvement.
This last is the most exasperating because Stan can never
quite figure out what is going on in spite of broad hints
from friends. His native paranoia asserts itself and his
neurotic insecurities prevent him from taking action to move
this potentially torrid relationship off the dime.
Furthermore, the writer leaves us
in the last book with a hairdresser's cliffhanger, a juicy
bit of gossip about the object of Stan's desires. We yearn
to see Stan and his potential flame work it out, but
Michaels seems to have chosen to leave us guessing.
The mysteries are intriguing.
complex and suspenseful. Stan gets himself into and out of
dangerous situations usually with some bodily harm. His
irritating, dogged, Columbo-like pursuit of the villain
frequently places him in danger, and his refusal to follow
established criminal hunting procedure and precautions makes
him an anathema to the police department, pariticularly to
one tall dark and handsome detective. But Stan is Stan and
he tells his stories with wit and honesty as he knows them,
never apologizing for his behavior, and tenacious in his
determination to do things his way.
Last but not least, the sex is fun
and tantalizing. Stan is a attractive to a variety of men
and a creative lover who even goes to some extremes,
especially when in a fit of jealous rage over a presumed
dalliance the part of his companion, Rafik, a ballet dancer
with numerous potential lovers of both sexes at his
disposal.
Hopefully someday soon Stan will
drive us all crazy again. There have been no new releases
since Dead as A Doornail in 1998, darn it.
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