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Kolkata And Beyond

A right handed batsman whose fluidity of stroke-play temporarily attempts to put even Tendulkar's shot-making in the shade. An off-spinner who is barely out of his teens already showing signs of a hunger for spinning greatness. A team coming back from a Test and three fourths down to win the series. A team that's been through a lot more than just losses on cricket fields. A series that was decided in the last session of a final exhausting, draining day. You could be forgiven if you thought you were dreaming.

Australia was at full strength, unlike the last time they had come to Indian shores. Except for the brilliantly aggressive Brett Lee. A fitter Warne, a probing McGrath, an incisive Gillespie, the consistent swing of Fleming, the variety of Miller. Slater's daring, the brilliance of Ponting, the silken smoothness of a resurgent Mark Waugh, the bristling aggression of Gilchrist and the strong, assured man at the helm. The one possible weakness at the top of the order was the Queenslander built like a tank, Matthew Hayden. He didn't possess the soft hands and the quick, light footwork that are so essential on the spinning pitches of the subcontinent, we thought. All logical, rational conclusions.

The South Africans had caused India much embarrassment on the same pitches. Our batting had failed us miserably then. We were bound to falter again, the opponents were a lot tougher. After Mumbai and after two and a half days in Kolkata, cricket's unpredictability was best left hidden in aphorisms. In Indian cricket, you could be forgiven if you'd forgotten how to dream.

And then, seemingly out of nowhere, came Laxman. A lot of us had cried ourselves hoarse for him to be played in the middle order. His opening stints had made him a diffident young man. There was a prayer on his lips almost every ball when we played Pakistan two years back at the Kotla. There was that mercurial 167 at the SCG, but, there was just that.

Selectorial whims had cast him in the Ranji King mould. Such moulds are rarely broken. But when they are, they carry with them powerful forces. Forces that can strengthen a man and humble his opponents.

How much Waugh's defensive field placing helped him in that first innings in Kolkata we shall never know. It was the last few scoring strokes he made in that 59 that set the tone for that monumental second innings knock. On such fine threads are cricketing histories woven.

For a day and a half, Laxman dominated the Australian attack like no one had in recent times. For a day and a half, his expression never changed. A Lara or a Tendulkar innings would be more flashy. The dominance more overt. Good length balls would be lofted into the deep, short balls would disappear into the crowd. But, this was more subtle. When McGrath and Gillespie pitched just short of a length, he glided on to the back foot. His body arched back just a bit, the ball was gently coaxed through the covers. It was almost as if he didn't want to ruffle the Kolkata air a lot. When Warne threw those hugely spinning leg-breaks up, he took a few light steps down the track, and caressed them through the offside.

That fourth day at the Eden Gardens, a surgeon's scalpel couldn't have been surer in method. Such was Laxman's use of his hands. Such artistry inspires. Dravid, who was beginning to look like he'd never score a run again off Gillespie and McGrath, finally blossomed. Suddenly, he was off-driving McGrath off the back foot. He had seen consummate ease at the other end. He was forced to look outward. Sometimes, that is good for men who dwell on matters a lot.

Harbhajan is another who had been almost cast away. First, there were doubts raised about his action. Then, about his temperament. In the latter half of the first day and then on the crucial fifth, the only questions that were asked were of the Australian batsmen. Running in like some eagle that had just swooped down on its prey, his body seemed to twist first one way, then the other. But importantly, when the ball started on its path down the pitch, the seam was always perfectly positioned. It was almost as if the raised arms and the twist and the turn were just signals of intent. They didn't affect his control over the dynamics of the cricket ball as much as we had doubted. The line he maintained was the key to his consistent success, the bounce that he got from the high action his biggest weapon.

Tendulkar was perfection in Mumbai. Not since Gavaskar in Bangalore on that square turner of a pitch in '87 have we seen such complete assurance. Generally, Sachin shows outward signs of a hyperactive mind. He tugs at every possible piece of clothing. He flexes his toes, he wipes away the sweat from his brow lest it clouds his vision. At the Wankhade, he did all this, but there was a definite, tangible calm to his movements. There was an unruffled inevitability to his run-making that made watching him seem like meditation. His hundred in Chennai wasn't as assured, but he must have been glad to make a winning hundred after such a long time.

It wasn't just these four. There was Das at the top of the order. His footwork remained crisp and decisive. His only problem is the short ball, which he must learn to avoid rather than play. He is the best opener we have had in a while. And, more importantly perhaps, he looks the type who won't let success get to him. Such men are needed at the top.

Ramesh looked good in patches. However, the captain and he need to work hard on their outside the off stump play. There is the complete absence of footwork and a horizontal bat. These are not part of a Test batsman's armoury. These are habits that need to be discarded.

Zaheer has all the essentials in a fast bowler's makeup. A fast bouncer, a good swinging yorker, very good control. He needs to work on getting more movement from the ball. Admittedly, these pitches aren't conducive to seam movement. But, he should add that vital ingredient to his bowling. Otherwise, good batsmen will just play him out.

Dighe showed a lot of character in that fighting knock in Chennai. He has a few problems keeping up to spin, but those stumping chances were fairly tough ones. Especially, that Mark Waugh one in the first innings.

A series that was turned around by extraordinary performances of two men.

There were a couple of equally extraordinary ones from the opposition. Matthew Hayden was sure of feet and hand and seemed to be unstoppable once in full flight. It was interesting that two men who have been acclaimed run gatherers in domestic cricket proved to be pivotal contributors to such an enthralling series.

Surely, no one can doubt their temperaments and abilities now. Hayden, remarkably, seemed Australia's best player of spin. His success was his instinct to look for runs.

Gillespie's efforts with the ball were just as good as Harbhajan's. Except, being a fast bowler he couldn't produce as many lengthy spells. And, more Indian batsmen played longer innings than their Aussie counterparts. That really was the key. That was the difference between the teams.

A brilliant comeback by a team that's known to cave in to pressure. A Test series that twisted first one way, then turned the other. Three individuals from whom little was expected producing stunning performances. We have heard it so many times that we can't be bothered enough to listen – Cricket is a funny old game. We have witnessed events that have lent new truth to an old adage. Maybe, it is time we listened more.

Krishna Kumar

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