Their first single 'Beat the Devil' was similar in style to Cabaret Voltaire, and caught the attention of Illuminated Records. The debut album caused controversy with the title 'If I Kissed Her, I'd Have To Kill Her First' leading to claims of misogyny. The response from leading member Edward Beer only made matters worse; 'Oh, maybe sexually I like them, but I don't like having them around that much. They just get on my nerves'.
A minor hit followed with 'Movin', an updated version of the Brass Construction song, which also featured new recruit, Lee, who added female vocals to the track.
By the late 80's and early 90's, the emergence of Acid House saw 400 Blows heading in a more dance orientated direction, and releasing singles like 'Champion' on Warrior Records.
Band member Anthony Thorpe would later find solo success under the guise of the Moody Boyz, as well as performing remixing duties for the K.L.F.
One song that may have reached a wider audience is "Black and White Mix Up," a 1983 track that features remix work from the dub-obsessed Mad Professor, which was featured on an Andy Weatherall compilation of mid-'80s underground alternative dance, titled 'Nine O'Clock Drop'.
IF YOU LIKE THESE, YOU'LL LIKE 400 BLOWS: Throbbing Gristle, Cabaret Voltaire,
A Certain Ratio, The KLF, Gaye Bykers On Acid, The Shamen.
'If I Kissed Her I'd Have to Kill Her' (1985)
'The Good Clean English Fist' (1985)
'Look' (1986)
'Yesterday, Today. Tomorrow, Forever' - Compilation (1986)
'New Lords On the Block' (1989)
All of the above are albums only: I will post more info if and when I can find it, but if anyone wants to help me out . . .
email: [email protected]