CatcherNotes/StdyQs

 

The Catcher in the Rye  Some opening questions:

á          Why does this book continue its hold on some people?

á          Is Holden still a relevant character in todayÕs culture?  (Is the novel still  relevant, or is it outdated?)

á          WhatÕs with all of HoldenÕs digressions?  Can we challenge ourselves to make sense out of as many as possible?

(Remember, for the novelist, everything is purposeful.)

 

 

 Frame:  The NarratorÕs Present (1950)

 The NarratorÕs Past:  Flashback(1949, before Christmas)

 

 

Ch. 1

2-14

15-24

                  25

26

PRESENT

SAT 

afternoon and night

SUN

morning, afternoon, and night

MON

morning and afternoon

PRESENT

California

Rest home

Pencey>NYC

NYC

NYC

California

Rest home

              

 

 

 

Chapter 1:  Key Points

HoldenÕs Character

á          HoldenÕs Sensitivity saying good-bye

o         Òchucking the football aroundÓ (4)

á          HoldenÕs Disillusionment

o         D.B. Sold himself to Hollywood

á          Holden hates the movies. 

o         Why might someone hate the movies?

á          Pencey

o         The headmaster is a Òphony slobÓ  (3)

o         On Selma Thurmer:  Òshe didnÕt give you a lot of horse manure about what great guy her father wasÓ (3)

o         ÒPencey was full of crooksÓ (4)

o         He smokes:  ÒIÕm quite a heavy smokerÓ (5)

                       ¥ Was out in California after almost having tuberculosis

o         Comes from a wealthy home

á          Goes to Prep school

á          Comments on the Spencers answering their own door (6)

o         Tall

á          grew six and a half inches last year

 

 

Ch. 2

á          Holden is a Òman-childÓ

o         He looks old (tall, gray hair on the right side)

o         He occasionally acts younger than he is (acts 13, or 12)

á          His note to Mr. Spencer suggests a nice-guy drop-out.

á          He cares about innocent ducks; heÕs very distractable (and will likely be throughout the narration)

 

 

 

Ch. 3

 

 

 

Ch. 4

 

 

Ch. 5

 

 

Ch. 6

 

 

 

Ch. 7

 

 

Ch. 8

 

 

                 

 

Ch 9 KEY POINTS

 

 

Chs 10-11 KEY POINTS

 

 

 

Ch 12 KEY POINTS

 

 

 

Ch 13 KEY POINTS

 

á          Holden is lonely and depressed

o         the walk back to the hotel--41 blocks

o         The hunting cap goes on (ÒI didnÕt give a damn how it lookedÓ [88].)

o         Holden thinks heÕs a coward, or Òpartly yellowÓ

á          ÒI think maybe IÕm just partly yellow an partly the type that doesnÕt give much of a damn if they lose their glovesÉI never seem to have anything that if I lost it IÕd care too muchÓ (89)

o         ÒI almost wished I was deadÓ (90).

á          Holden is sensitive and innocent

o         He respects the girlÕs ÒStop.Ó (See page 92)

o         the violin (93)

 

á          Encounter with Sunny

o         Òyoung as hell,Ó HoldenÕs age

o         ÒSexy was about the last thing I was feeling. I felt much more depressed than sexyÓ (95)

o         The green dress (96)

 

 

 

Ch 14 KEY POINTS

¥          Holden is depressed and ÒtalksÓ to Allie

o         apologizes for B.B. gun trip (99)

¥      Christianity/Religion

¥      Holden is Òsort of an atheistÓ; has trouble praying

¥      criticizes the Disciples

¥      Favorite character:  the lunatic who cuts himself (99)

 

¥      Holden hits the bottom--Maurice and Sunny

¥      gets punched over five dollars--Why doesnÕt Holden just give in? (103)

¥      Cries

¥      has violent thoughts

¥      Imagines being shot, then shooting Maurice, then being saved byÉJane.

¥      considers suicide (104)

 

 

 

Ch 15 KEY POINTS

¥      A New Day:  Holden makes contact

Р   (Ònot in the moodÓ for Jane) makes a date with Sally Hayes

Why does Holden choose to call Sally over Jane?

Р   meets nuns, talks literature

¥     Romeo and Juliet--Mercutio is HoldenÕs favorite

¥     An interesting contact with Catholicism

 

¥      Info on HoldenÕs parents

Р   dad is wealthy

Р   mom hasnÕt Òfelt too healthyÓ since AllieÕs death

 

¥      Holden speaks on status and suitcases

Р   ÒItÕs really hard to be roommates with people if your suitcases are better than theirsÓ (109)

á    ÒGoddam money. It always ends up making you blue as hellÓ (113)

 

 

 

 

Ch 16 Key Points:  Holden feels less depressed

á         Holden continues thinking about the nuns

á         ÒThatÕs what I liked about those nuns.  You could tellÉthey never went anywhere swanky for lunchÓ (114).

á         Holden wants to buy a record for Phoebe, ÒLittle Shirley BeansÓ (Estelle Fletcher, 1929?)

á          Òabout a little kid that wouldnÕt go out of the house  because two of her front teeth were out and she was ashamed toÓ (114).

á         The title of the book is introduced--Holden sees the little boy singing the song (115)

á         the song, ÒComin' through the RyeÓ introduces the title but the boy sings the words differently

á         Walking in the street, beside the curb; Òcars zoomed by, brakes screechedÉparents paid no attentionÓ

á          ÒIt made me feel not so depressed any more.Ó

á         Holden feels less depressed

á         Finally, Holden calls Jane! (But her mother answers and he hangs up.) (116)

á         Holden hates actors.  (He hates plays less than movies.) (117)ÒThey never act like people.  They just think they do.Ó

á         Holden looks for Phoebe and meets some nice kids.

á          ÒGod, I love it when a kidÕs nice and polite when you tighten their skate for them or somethingÓ (119).

á         Holden remembers the safety of the Museum of Natural History and takes out his hunting hat

á         Òthe only nice, dry, cozy place in the worldÓ (120)

á          ÒThe best thing, though, in that museum was that everything always stayed right where it was.  NobodyÕd moveÉNobodyÕd be different.  The only thing that would be different would be youÓ (121).

á         Holden walks there but at the end of the chapter, he doesnÕt feel like going in.

 

 

Ch 17 Key Points:  HoldenÕs Date with Sally

¥             (First, Harris Macklin, the whistler

o          ÒSo I donÕt know about boresÉ(M)abye theyÕre secretly all terrific whistlers or something.  Who the hell knows?  Not meÓ (124).)

¥                 Holden says he loves Sally in the cab.

o          ÒIt was a lie, of course, but the thing is, I meant it when I said it.  IÕm crazy.  I swear to God I amÓ (125)

o         The date:

¥          A play with the Lunts at the Biltmore

o         about Òfive hundred thousand years in the life of this one old coupleÓ(125)

o         SallyÕs phony conversation with George during intermission and after the play

¥             Ice Skating at Radio City Music Hall

¥             HoldenÕs Confession to Sally at the Restaurant by the Skating Rink

o     Holden shares his problem, his frustrations, with Sally (130-131; 133)

o      ÒHey, SallyÉDid you ever get fed up?Ó

o     Sally:  Ò ÔDonÕt shout, please.Õ  Which was very funny, because I wasnÕt even shoutingÓ (130)

¤    ÒIÕm in bad shape.  IÕm in lousy shapeÓ (130)

¥             Holden has an idea to Òget the hell out of here.Ó

o         Go to New England and Òlive somewhere with a brook and allÉand later on, we could get marriedÓ (132)

¤          ÒStop screaming at me please.Ó

¤          Sally says wait; to Holden, waiting would be entirely different.

á           ÒWeÕd have to go downstairs in elevators with suitcases and stuffÉIt wouldnÕt be the same at allÓ (133)

á          The date ends with ÒYou give me a royal pain in the assÓ and a noisy laugh.

á           ÒThe terrible part, though, is that I meant it when I asked herÉI swear to God IÕm a madmanÓ (134)

 

 

 

Ch 18 Key Points

¥          Holden again calls Jane (to ask her dancing)--no answer.

¥          Al Pike and Bob Robinson

¤           ÒThe trouble with girls isÉif they like a boyÉtheyÕll say he has an inferiority complex (if heÕs a bastard), and if they donÕt like him, theyÕll say heÕs conceited (even if heÕs a nice guy) (136).

¥          Calls Carl Luce (theyÕll meet at the Wicker Bar at 10:00 p.m.

¥          On three others in his phone book:  Jane, his fatherÕs office, and Mr. Antolini

¥          The kettle-drum player (Jesus wouldÕve liked him)

¤           Òhe never looks bored when heÕs doing itÓ (138).

¥                 What to make of the plot of the movie Holden sees (138-139)

¤          Alec has two personalities

¤           ÒAll I can say is, donÕt see it if you donÕt want to puke all over yourselfÓ  (139).

¤          The phony woman sitting beside Holden--crying at the movie, being mean to her kid

¥          D.B. was in the Army, Òlanded on D-Day and allÓ

¤          He hated the Army and the war

 

 

19 Key Points:  Holden Meets Carl Luce at the Wicker Bar

 

 

 

Ch 20 Key Points

 

 

Ch 21 Key Points:  Holden Sneaks Home, Sees Phoebe in first of Three Chapters

 

 

 

                       Coming Through the Rye, by Robert Burns

                       O, Jenny's a' weet, poor body;

                       Jenny's seldom dry;

                       She draiglet a' her petticoatie

                       Coming thro' the rye.

 

                       Chorus:

                       Coming thro' the rye, poor body,

                       Coming thro' the rye,

                       She draiglet a' her petticoatie

                       Coming thro' the rye.

 

                       Gin a body meet a body

                       Coming thro' the rye,

                       Gin a body kiss a body -

                       Need a body cry?

 

                       Gin a body meet a body

                       Coming thro' the glen,

                       Gin a body kiss a body -

                       Need the warld ken?

 

 

Chapter 22 Key Points

 

 

 

Chapter 23 Key Points

 

 

 

Chapter 24 Key Points:  Holden Visits Mr. Antolini

 

 

Chapter 25 Key Points

 

 

 

Chapter 26 Key Points

 

 

 

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