Three Poems from "Revelation"

 

1. The Second Horseman

The red horse dawns on the appointed day.

Silence juts an arachnid face beneath the steps,

jaws and arms weaving a muffled cocoon

where the cries are stilled, the daughter

of destitution silent.

 

The crowd congregates for prayer at the end of the street.

When the letter explodes in the enemy's hand,

they invade a child's sleep and kick

the breath from her toy of desire.

 

Profit and loss gauge corporate recrudescence

the corporation lens recording our self-deceit

and transmitting its unholy bidding

to the margins that define righteousness.

A cancerous hand registers defiant despair.

 

The red horse wakes the cicada from its seven-year sleep.

Water pocks dirt in a rainless desert,

as jungle fires raise suicide tribes

who pray to Coca-Cola and ITT.

The house of the wind crumbles in chemical decay.

 

When the red horse rider greets the night

seeking fleshly light., political palms

itch for his grammar of the ultimate word.

The crowd trembles and grows meek.

The red horse is a oneness for which the many seek.

 

2. The Third Horseman

 

"A day's wages for a quart of corn, and a

day's wages for three quarts of barley, but

do not tamper with the oil or the wine."

-- Rev. 6:6

 

When the third horseman comes to town,

we spit and cough blood.

The fields are deep, dark and plowed,

but we did not sow this year.

 

He says to grow factories in the fields,

and to burn the jungle.

"Take out the oil and the ore,

and you will be rich like the North."

 

When the third horseman comes to town,

the horse neighed with disdain

at the holes in our lungs.

The women who sew all day crawl along

the walls of the streets at night

with dead eyes.

 

He has a lean and handsome face.

The young girls dream of him in our embrace.

His lips fill a hunger between their legs.

 

Heaven's gate hears his prayer.

He is pure and good, hard and without mercy.

He loves revenge and destroys good and bad.

He is not like us, but we can be like him,

Like Rambo and Clint Eastwood with a gun.

 

3. Temple of the Apocalypse

 

"The greatness of man even in his lust,

to have known how to extract from it a

wonderful code, and to have drawn from

it a picture of benevolence." -- Pascal, aphorism 402

 

The pale rider carves thin bones

Into masks of sorrow.

Old men do not argue with math

When children and their games vanish.

The village is dying with blood in its

Guts and prayer in its hand.

 

In the Temple of the Apocalypse,

The corporate evangelist walks with angels.

He reads prophecy and weighs each verse

Against the balance sheet. The code

He unlocks is a virus in death's economy.

 

The old men swat flies and rock in the sun.

They do not know the equation of finality,

and they will be judged for blindness that sees

Only village ghosts on the old paths.

 

This discourse

with oblivion is impotent with rage.

For biology is certainty. The pale horse

will dig out the eucharistic offering

from our chests,

compare need with resource,

and plot the final body count.

 

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