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Discs Needless to say for such a high profile deejay there are lots and lots of different albums out there, most of which overlap. Super Boss and Version Galore are two of the best out there containing alot of U-Roys first successes. Wear You to The Ball in particular was massive and seems to be everywere, including Virgin's FrontLine compilation. After having quitened down during the mid-Seventies U-Roy returned with a much more commercial album Dread In A Babylon featuring photos of himself lugging on a ganja pipe. This set is almost identical to Big Youth's Dread Locks Dread, using the same rythms and same natty dready lyrics - both were produced by "phony" Prince Tony Other Stuff, such is his stature he has survived as a recording artist , touring frequently as well as laying down new material.
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U-Roy
Where to begin? U-Roy, whilst not being the first deejay, was certainly responsible for elevating its status to something of an art form. Prior to U-Roy and his rival Dennis Alcapone, Deejaying had primarily belonged in the dance, not the recording studios of Kingston.
U-Roys hard won success was down to the fact that the deejay really stamped his presence all over a tune, rather than interject here and there.
U-Roys style of delivery spawned an industry, many other talented deejays who followed in his wake built on the style he pioneered, either supplanting his jive-talk with "cultural" lyrics, or slackness ( sexually explicit material, General Echo's 12 inches of pleasure etc.).
Together with Big Youth, U-Roy in my humble opinion really demonstrates the true potential of deejaying.