Discs

Screaming Target 1973 : Jah Youth's debut album features a strong set but is compromised by the mix which seperates vocals from the rythm, one per speaker which gets really frustrating to listen to - my advice flip to mono whilst checking it out..

Hit The Road Jack, 1976?

Natty Cultural Dread - contains some excellent toasts, particularly Wolf in Sheeps Clothing and Jim Squashy but also some pretty abysmal attempts at singing - particularly Touch Me In the Morning -eeuch! Every Nigger is a Star is ok - I think it was a pretty big hit at the time

Dread Locks Dread released 1979? was the first Big Youth album I heard and I reckon in some ways its the best , even though those in the know reckon its too commercial - including Youth himself , but check out the wicked instrumentals with some American dude playing a mean harp

Negusa Negasa , released sometime in the eighties dont know much about this album except that it supposedly contains an excellent afro-beat workout which sounds worth checking out

Every Day Skank, an excellent Trojan compilation of some of the best of Big Youth, Cool Breeze is a wicked workout over the Stop That Train rythm

Blood & Fire compilation - I think its called Everyday Skank looks like the business - maybe a bit exhuasting to listen to in one go

Other Bits & Pieces Jah Youth briefly features in Rockers as himself getting out of a rather fly vehicle testament to his success at the time. Check out a recent interview he gave in Roots fanzine - he comes over a bit high handed. For UK residents check him out at the Essential Festival in London sometime in July - as I said the man doesn't tour often

 

 

Big Youth

Renowned "cultural toaster" Augustus Buchanan AKA Big Youth, rose to prominence in the early Seventies, following hard on the heels of the Deejay Daddy, U-Roy.

What set Jah Youth apart from his peers in the early seventies was his unapolagetic rasta stance; sporting locks and using "conscious" lyrics over the toughest rythms of the day.

His style on the mic was, and is second to none, a sort of laid back delivery incorporating chanting, moaning and screeching delivered with impeccable timing.

Jah Youth was 'THE' deejay in Jamaica during the mid-Seventies, doing great work with the 'Roots Radics' band. Many of his hits were self-produced and appeared on his own Agustus Buchanan label: - lets face it you were anybody in the music scene in Jamaica you had to have your own label.

These days I think Jah Youth still lives in Jamaica, doing the occasional tour:- well worth seeing him in action, if you get the chance. I saw him do a wicked set in London a few years ago, he is returning this July at the 'Essential Festival'.

 

 

 

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