REALICIDE YOUTH RECORDS

SUGARSPLASH

Robert Inhuman interviews Amber Evans, October 2006

 

Robert Inhuman: What was your initial motivation in becoming a model and has it changed over time? Also, is there an online biography of your career that you would most recommend for anyone interested in learning your history?

 

Amber Evans: In 1998, I was approached by some friends who had just started modeling for what was then a brand new website, Foxes.com They were scouting new models for the producer/photographer, Woody, and I was interested, so I called him, we did our first shoot, and the rest, as they say, is history. 

 

My only authorized bios are on my site and on my MySpace page, but I understand that I am widely exploited on the web.  I even have a Wikipedia entry.  Also my pictures are pirated and used for thousands of purposes; escort ads, dating sites, even the cover of a vinyl album.

 

How are variables such as location, clothing, etc. chosen for shoots and

who directs/curates your projects?

 

It's funny how far we've come in this regard.  When I first started shooting for Foxes, it was just me and Woody, out in the desert with a reflector.  Now it's a huge production.  We have an assistant, a make-up artist, all this lighting equipment... but you can see how the quality of the sites and photography have evolved over time, so it is well worth it.

 

We are always searching for new locations, primarily luxury homes in which to shoot.  I choose and purchase my own wardrobe, but sometimes we have requests from fans, and Woody helps me out with his suggestions.

 

What is your favorite aspect of your career and are there specific

projects that have been most rewarding?

 

I started when I was so young, so it's fun to look back and see how I, personally, have changed and grown over time.  I like to think I'm getting better with age... or maybe it's just the new lighting :)

 

I like my fans.  They are so loyal... it wasn't until I started putting up my wardrobe and photos for auction on our auction site, Babeway.com, that I realized how many fans I have, not just all over the US, but all over the world.  I've sent stuff to England, South Africa, Germany... it's crazy!

 

How important is a balance between reality and illusion in your work? As

an artist and sexual icon how do factors of illusion come into consideration

for projects ie. photo technique, body language, etc?

 

Aside from the standard considerations of posing, I'm just me, even when I shoot.  Woody and I have worked together for over 8 years now, so we are extremely comfortable with one another.  It just flows, we work very quickly once the set is ready, and it's fun.

 

Have you met opposition from people opposed to your work; if so what is

your reaction or statement for people who object? Is justification to these

people important to you or not?

 

Surprisingly, not really... In my daily life, I'm just a normal girl... I don't live the life of a porn star/sexual icon.  What opposition I have faced comes in the form of a random email, and I choose to not respond to such attacks.  They are coming from people who don't know me as a person at all, and those people who feel the need to lash out at people they don't know for superficial reasons clearly have their own issues to deal with.  I find it best not to engage such people in any form of conversation.

 

Most fans are familiar with your still photographic media, have you

worked in other media? Why or why not; which is most satisfying or

appealing?

 

I have not worked in any other media... I like what I do, and so do my fans.  I'm happy with the finished product, and I've just never had the desire to take it any further.

 

For more information and samples of Amber’s extensive photo collections:

www.amberevans.com

 

(CIDE index)

Hosted by www.Geocities.ws

1 1