Be Bop Deluxe
Band members Related acts
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- Paul Avron - bass (1974)
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- The Dukes (Charlie Tumahai)
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Rating: *** (3 stars) Title: Axe Victim Company: Harvest Catalog: SHVL 823 Year: 1974 Grade (cover/record): VG/VG Comments: UK pressing; gatefold sleeve; price written in ink on back cover Available: 1 Price: $25.00
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Following the release of a pair of late-'60s albums with the Yorkshire, England-based Gentle Revolution and a 1971 solo album ("Northern Dream"), singer/guitarist Bill Nelson recruited a backup band to support live performances. Originally called Flagship, the fastidious Nelson quickly dissolved the line up, recruiting bass player Bob Bryan, drummer Nicholas Chatterton Dew and guitarist Ian Parkin for a full scale band. Already a fan of Nelson's solo work, BBC DJ John Peel became an early booster of Be Bop Deluxe. With support from Peel the band signed with EMI's Harvest subsidiary. Interestingly, having recording several demo tapes, Nelson and company were told to gain some live experience prior to recording any additional material. The ever eccentric Nelson responded to the suggestion by cooking up an extremely strange stage act. With its emphasis on makeup, outlandish costumes and stage theatrics, the band's mix of slam-bam rock and glam moves initially recalled The New York Dolls. |
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Rating: ** (2 stars) Title: Futurama Company: Harvest Catalog: ST-11478 Year: 1975 Grade (cover/record): -- Comments: -- Available: -- Price: $ --
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With the revamped line up in place (admittedly a far more talented ensemble), 1975
"Futurama" featured a substantially modified sound. The combination of the new line up and producer Roy Thomas Baker provided Nelson with considerable flexibility. Unfortunately, he seemed unable to decided what role he wanted to play - guitar hero, pop star (there are some great Nelson solos here), heavy metal ace, or a cutting edge experimentalist. As a result, in the end the album seemed muddy and ill-focused. Adding to the band's problems, in the middle of recording sessions keyboardist Clarke found himself unable to terminate his contractual relationship with Mother's Pride, forcing Nelson, Fox and Tumahai to complete the album as a trio. While the set has a couple of moments ("Maid In Heaven" and "Sister Seagull" were wonderful slices of commercial pop), overall it's a disappointment. "Futurama" track listing: 1.) Stage Whispers (Bill Nelson) 2.) Love With the Madman (Bill Nelson) 3.) Maid in Heaven (Bill Nelson) 4.) Sister Seagull (Bill Nelson) 5.) Sound Track (Bill Nelson) 6.) Music in Dreamland (Bill Nelson) 7.) Jean Cocteau (Bill Nelson) 8.) Between the Worlds (Bill Nelson) 9.) Swan Song (Bill Nelson) |
Rating: Title: Sunburst Finish Company: Harvest Catalog: ST-11478 Year: 1976 Grade (cover/record): VG+/VG+ Comments: Available: 1 Price: $20.00
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Co-produced by Nelson and John Leckie,1976's
"Sunburst Finish" was probably their most accomplished and consistent release. With keyboardist Andrew Clark finally a full time member, the set featured a fuller sound. To his credit, Nelson found a balance between progressive moves, guitar hero and mainstream appeal. In fact, exemplified by the ballads "Heavenly Homes" and "Crying To the Sky" (the latter sporting one of his pettiest guitar solos), much of the album underscored Nelson's oft overlooked ability to craft highly commercial material. Elsewhere, released as a single the cha-cha "Ships In the Night" even provided the band with an unexpected UK hit. In support of the album Nelson and company undertook their first American tour . Backed by the tour and strong reviews, the album reached #96, providing the band with their initial taste of domestic success |
Rating: *** (3 stars) Title: Modern Music Company: Harvest Catalog: SN 16026 Year: 1977 Grade (cover/record): VG+/VG+ Comments: reissue Available: 1 Price: $8.00
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Continuing their collaboration with producer John Leckie,
"Modern Music" stood as the band's most consistent set (bet you could have guessed that looking at the tie and suit album cover). Overlooking an odd fascination with offbeat, sci-fi landscapes ("Twilight Capers", "Honeymoon On Mars" and "Dance of the Uncle Sam Humanoids"), the collection sported a first-rate blend of guitar rock ("Bring Back the Spark") and more melodic endeavors ("Orphans of Babylon", "Twilight Capers" and "Kiss of Life" - the latter would have made an amazing single). With strong reviews from the critics and support from a second American tour, the collection reached #88. It also marked a turning point for Nelson, who
subsequently embarked on what became a prolific, but increasingly idosyncic recording career. |
Rating: *** (3 stars) Title: Live! In the Air Age Company: Harvest Catalog: SKBB-11666 Year: 1978 Grade (cover/record): VG/VG+ Comments: double LP; gatefold sleeve; white vinyl Available: 1 Price: $15.00
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The following year saw the release of "Live! In the Air
Age". Recorded during a 1977 English tour, the collection showcased a pleasant cross section of material drawn from the band's four studio sets. Surprisingly tight and focused, material such as "Ships In the Night" and "Blazing Apostles" should have alleviated the notion that Nelson and company couldn't be commercial. Elsewhere the album included two previously unreleased efforts: "Mill Street Junction" and the bluesy "Piece of Mine". Personal favorites; the jazzy "Adventures In a Yorkshire Landscape" and Nelson's guitar workout on the eight minute "Stand". The album was originally released on white vinyl (use to dry our laser turntable crazy) with a bonus three track 12" EP. Supporting the collection Be-Bop returned to the States for a third tour; this time as a headliner. Ironically, although their stage act included some of the era's most elaborate lights and special effects, critics panned most of the tour pointing out the band seemed to be playing with little enthusiasm; certainly less than earlier tours when they opened for the likes of Blue Oyster Cult and the Patti Smith Group. (Great idea for an album cover.) Their biggest seller, the set reached #65. |
Rating: **** (4 stars) Title: Drastic Plastic Company: Harvest Catalog: SW-11750 Year: 1978 Grade (cover/record): VG/VG+ Comments: Available: 1 Price: $8.00
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1978's "Drastic
Plastic" offered an interesting change of pace. While previously releases showcased Nelson's unique guitar stylings and his
ongoing fascination with sci-fi, "Plastic" exhibited a strong and surprisingly melodic synthesizer base. Moreover, the set proved even more commercial than earlier releases; material such as "Electric Language", "Surreal Real Estate" and "Panic In My World" exhibiting a knack for penning radio-friendly material Nelson had seldom displayed. Unfortunately, while the sudden change in direction drew critical approval, listeners remained unconvinced, the set faltering at #95. To our ears, it may be the band's most
consistent and enjoyable offering. (A promotional version was also pressed on white vinyl.) Six months after the album's release, claiming he didn't want the group to become institutionalized, Nelson abruptly terminated Be-Bop. |
Rating: *** (3 stars) Title: The Best of ... and the Rest of Be-Bop Deluxe Company: Harvest Catalog: SKBO-11870 Year: 1979 Grade (cover/record): -- Comments: -- Available: -- Price: $ --
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Having invested considerable time and effort in the band, in the wake of Nelson's decision to call it quits, Harvest quickly released a posthumous "best of" set entitled
"The Best of ... and the Rest of Be-Bop
Deluxe". A 22 track compilation, in addition to pulling together the band's better known efforts, the set included several outtakes from the previous "Plastic" sessions. It's probably the set for the curious and uncommited fan to invest it. |