Hum Paanch is making a comeback on ZEE TV after a gap
of five years. Looks like this is the comeback season on Indian Television.
After the second successful innings of KBC and the pending launch of Indian
Idol ZEE has also thrown its hat in the comeback bandwagon.
The channel with its positioning on weekends is trying to have a strong
positioning for this part of the week where it does not any great offerings
and KBC and Movies are keeping the audiences from its flagship brand.
In the post cable era HUM PAANCH has been one of the few sitcoms that
did really well and with Laughter propelling a year old STAR One to new
heights it is logical that ZEE also does its bit for this genre.
The focus of this article will be analyzing the promotion strategy of
ZEE and the backing it is providing to this come back kid. The analysis
period is 15th September 2005 till 3rd November
2005. In terms of recency this is as recent as it gets and as the serial
is going on air tomorrow this is a good time for crystal gazing on the
audience grazing planned by ZEE TV. The analysis is done using aMap database
and covering:
| Key Markets |
Mumbai, Delhi, HPCHP 10 lac plus, UP 10 lac plus, MP 10 lac plus
and Gujarat 10 lac plus (HSM) |
| Analysis Period |
15th September to 3rd November (Wk 37 to
WK 44) |
| Channel |
ZEE TV |
| Target Group |
CS 4+ |
| Number of Promotions |
1420 |
| Database |
aMap |
Building Reach
Table 1 Scheduling of Promos
| week 37 |
15 |
|
The promotion planning was done keeping a reach
target and hence the same has been achieved in most of the markets.
As table 1 suggests the initial three weeks had very low pressure
on the channel and the real activity started from week 40 wherein
the pressure went up by a factor of five. This is in keeping with
the recency phenomenon, which suggests that the impact of the promotions
nearest to the event is the maximum. Last one month leading to the
actual launch of the programme on 5th November had increasing
number of insertions and in the last week (week 44) there were 358
promos for this programme. In key markets like Mumbai and Delhi
it delivered 100 GRP’s whereas in Kolkata these delivered 181 GRP’s
in CS 4+. The biggest impact was in MP and UP wherein the promos
delivered 203 and 142 GRP’s.
|
| week 38 |
17 |
| week 39 |
20 |
| week 40 |
93 |
| week 41 |
288 |
| week 42 |
292 |
| week 43 |
337 |
| week 44 |
358 |
Figure 1 Reach build up in Mumbai (aMap CS4+)
Figure 2: Reach buildup in MP 10 Lac Plus Towns (aMap
CS4+)
 |
In terms of ratings the schedule delivered a rating of 57 in Mumbai at 1+
and 30 at 3+, but was very successful in delivering 47 at 3+, translated
this means that the 47% audience watched the promo more than thrice during
the planned period. This would indicate a very good opening that this show
should get in the Hindi speaking belt in general and MP and UP in particular.
The deliveries could have been improved but for the fact that 67% of the
promos were scheduled between 11PM till 12 PM including the lean period
of 2AM to 6 AM wherein 27% of all the deliveries were inserted.
The campaign started with three insertions in a day till 30th
September and then the pressure was increased to four insertions a day.
Most of the insertions were in the early morning or the late night slot
and almost none of them were in evening prime time slots. As suggested earlier
the full force of the campaign started from 7th October approximately
a month before the start and there are two spots in early morning hours,
which are followed up by one spot for every needle hour till late night.
Unfortunately all the 2AM to 6 AM hardly deliver any eyeballs and it’s the
morning insertions and afternoon/evening primetime spots that deliver all
the ratings. In the last week of the campaign starting 30th October
the number of insertions per day reaches 90 and stays there till 3rd
of November.
Table 2: Day-wise Schedule of Hum Paanch Promo
| |
|
| Schedule |
ZeeTV (1420 blocks) |
| |
| |
Mo
|
Tu
|
We
|
Th
|
Fr
|
Sa
|
Su
|
| |
| whole day |
233
|
215
|
227
|
224
|
189
|
191
|
141
|
| |
|
|
|
|
|
|
|
| 02:00-06:00 h |
55
|
54
|
66
|
63
|
58
|
59
|
33
|
| 06:00-12:00 h |
62
|
52
|
62
|
65
|
48
|
53
|
28
|
| |
| 12:00-14:00 h |
13
|
15
|
14
|
16
|
8
|
9
|
7
|
| 14:00-17:00 h |
23
|
16
|
18
|
18
|
11
|
13
|
19
|
| 17:00-18:00 h |
10
|
6
|
5
|
8
|
6
|
7
|
6
|
| |
| 18:00-18:15 h |
2
|
1
|
2
|
·
|
1
|
1
|
2
|
| 18:15-18:30 h |
2
|
·
|
·
|
·
|
·
|
·
|
1
|
| 18:30-18:45 h |
3
|
2
|
3
|
·
|
·
|
2
|
2
|
| 18:45-19:00 h |
1
|
3
|
1
|
1
|
2
|
·
|
3
|
| |
| 19:00-19:15 h |
1
|
4
|
2
|
3
|
1
|
2
|
·
|
| 19:15-19:30 h |
·
|
·
|
1
|
·
|
·
|
2
|
·
|
| 19:30-19:45 h |
1
|
1
|
1
|
1
|
1
|
3
|
1
|
| 19:45-20:00 h |
3
|
5
|
2
|
3
|
2
|
·
|
2
|
| |
| 20:00-20:15 h |
1
|
2
|
1
|
·
|
·
|
1
|
·
|
| 20:15-20:30 h |
2
|
2
|
2
|
2
|
3
|
·
|
·
|
| 20:30-20:45 h |
3
|
3
|
1
|
2
|
2
|
1
|
3
|
| 20:45-21:00 h |
4
|
1
|
2
|
2
|
2
|
1
|
4
|
| |
| 21:00-21:15 h |
1
|
1
|
1
|
2
|
1
|
1
|
1
|
| 21:15-21:30 h |
3
|
1
|
2
|
1
|
2
|
2
|
·
|
| 21:30-21:45 h |
2
|
4
|
2
|
3
|
2
|
1
|
2
|
| 21:45-22:00 h |
2
|
·
|
2
|
2
|
2
|
2
|
1
|
| |
| 22:00-22:15 h |
1
|
4
|
2
|
2
|
·
|
2
|
3
|
| 22:15-22:30 h |
3
|
2
|
2
|
1
|
1
|
1
|
·
|
| 22:30-22:45 h |
1
|
2
|
2
|
1
|
3
|
1
|
·
|
| 22:45-23:00 h |
3
|
2
|
2
|
·
|
2
|
2
|
4
|
| |
| 23:00-02:00 h |
31
|
32
|
29
|
28
|
31
|
25
|
19
|
Non-use of network resources
One major issue with the ZEE TV’s approach towards Hum
Paanch is the total absence of its promos from sister channels. ZEE Cinema,
which is another good vehicle to reach the target audience, carried only
55 promos and most of them were in week 38 and 39. This particular channel
could have been used to gather viewers from across all the network channels
towards ZEE TV in ensuring a good opening for the programme. As varied
content is capable of pulling different target groups, use of varied channels
for an organization like ZEE to capture all TG’s should have happened.
The show is also not listed on the homepage of the website and this too
is lack of use of the available resources.
Figure 3: Overall Ratings for the Campaign in
listed markets (aMap CS4+)
Figure 4: Gradual Built up of Advertising Pressure
in ZEE TV
Figure 3 and 4 sum up the advertising pressure and the deliveries of
the campaign over the eight-week period. The resultant ratings that the
show is able to achieve will show whether the strategy of scheduling has
succeeded or not.
The Daypart
The show has been scheduled at 8:00 PM on a Saturday and the aim would
be to provide a good lead in to the weekend prime time programming. This
slot does not generate major ratings or market share for the three mainline
channels in HSM’s as per table 3
Table 3: Amap HSM CS4+, Average of last 9 Saturdays
|
Half Hour Dayparts
|
Zee TV
|
Sony
|
Star Plus
|
|
Rating
|
MS
|
Rating
|
MS
|
Rating
|
MS
|
| 7:00 PM |
0.4
|
4.1
|
0.2
|
1.6
|
0.3
|
3.4
|
| 7:30 PM |
0.5
|
4.5
|
0.4
|
3.4
|
0.7
|
6.4
|
| 8:00 PM |
0.7
|
5.1
|
0.7
|
5.4
|
1.5
|
11.0
|
| 8:30 PM |
0.9
|
5.1
|
1
|
6.3
|
2.2
|
14.7
|
As is visible from table 3 the 8 PM daypart is not doing
much for any of the mainline channel in HSM and the new entrant is aiming
to boost the performance of ZEE TV in this slot and maybe it will improve
the interest of masses in this daypart. ZEE TV is planning to start the
Saturday primetime with this sit-com.
The only problem is the people using television or PUT figures for
this daypart is only 13.3%.
Future Gazing
A lot of analytical models are required to forecast ratings but going
by the gut feel if the programme gets a rating between 2-3 in the opening
episode it will do wonders for this show, ZEE TV and might heat up the
competition in this daypart.
|