Artist: Hosono Haruomi Title: (MUSIC FROM) THE TALE OF GENJI Production Co: EPIC/SONY Cat#: 32-8H-148 Release: 1987/../.. Price: 3200yen Length: 12 tracks Track Data: 1 TSUKIYOMI 3'03" 2 RAJYOMON 4'10" 3 FUJITSUBO 3'03" 4 ASATSUYU 3'04" 5 WAKAMURASAKI 3'43" 6 MIYASUNDOKORO 2'59" 7 UKIHASHI 3'57" 8 KECHIGAN 3'02" 9 SAMIDARE 6'46" GOMA KITOU 10 HIKARI 3'06" 11 KODAMA 5'16" 12 MAI 5'45" Comments: This CD is not POP music, and therefore may not appear suitable for the JPOP discography. But, read on. The music is the soundtrack to the animated movie of The Tale of Genji, and is Brian Eno style ambient music, overlaid with traditional Korean instruments (kaya-gum, spelling?) etc. So far I have played this music to a LOT of people, and have not found ONE who doesn't like it. Hosono was a member of the Yellow Magic Orchestra with Ryuuichi Sakamoto and Yukihiro Takahashi, and has been very active as a JPOP songwriter, producer, session musician, and solo artist. Recently he seems to have been moving into more highbrow endeavours though. This music does not have any conventional melodies or rhythms, though traditional Korean folk melodies are worked in, and the synthesiser backings are conventional "pads". This album is also often mistaken for traditional Japanese music, especially since that is what you would expect from the soundtrack to the classic Japanese novel relayed as a movie. PS: It's a good album! Nice cover too. (Ross Clement: ross-c@scs.leeds.ac.uk) ------------------------------------------------------------------------------- Artist: Hosono Haruomi Title: OMNI SIGHT SEEING Production Co: EPIC/SONY Cat#: 28-8P-5258 Release: 1989/../.. Price: ????yen Length: 47'59" (9 tracks) Track Data: 1 Esashi 1'50" 2 Anadura 6'23" 3 Orgone Box 6'05" 4 Ohenro-san 2'44" 5 Caravan 4'16" 6 Retort 3'33" 7 Laugh-Gas 11'26" 8 Korendor 5'25" 9 Pleocene 6'12" Comments: More conventional and varied than The Tale of Genji, though perhaps not quite so interesting. Interestingly, although Japanese pop musicians tend to avoid Japanese traditional music, "Esashi" hits it straight on. However, this album seems to have a World Music theme, and Arabic voices almost outweigh Japanese voices. Songs are also sung/spoken in French and English. Some interesting experiments, including a reworking of tapes of the Duke Ellington song "Caravan". This album manages to bring together a number of different cultures, while maintaining Hosono's distinctive prescence. Apart from the last song (a very nice, though undefinably unusual song featuring sampled peacocks that lists "Japanese new music" as a reference) most are not typical pop songs, but are interesting and enjoyable, depending on your tastes of course. My favourite Hosono album (is a new one out yet?) (Ross Clement: ross-c@scs.leeds.ac.uk) -------------------------------------------------------------------------------