Pat McGee and Friends December 29, 1997 TT Reynolds, Fairfax, VA Taper: Scott Sciarrino (www.sciarrino.com) Source: SBD > MD MD > CD: Scott Sciarrino CD>WAV>SHN: Bryan Russ Equipment: Plextor 12x10x32 > EACv09pb5 > CoolEdit 2000 > CD Wav Editor v1.57 > mkwACTv0.97b1 THIS SHOW IS NOT TO BE MP3-ENCODED Track | Name | Time (m:s.f) ------------------------------------------------------------- Disc 1 ------ Set I 01: Intro 00:56.55 02: Who Stole Her From Heaven 05:08.47 03: Haven't Seen for a While 06:28.06 04: Could Have Been a Song * 06:05.58 05: Sympathy for the Devil * 07:42.65 06: Midnight Rider * 04:47.58 07: Paul Simon Medly * 17:46.50 (Diamonds > I Am A Rock > Feelin' Groovy > You Can Call Me Al > Late In the Evening > Diamonds> Cecillia > Graceland ) 08: Flooding the Both of Us 06:55.63 Total: 55:52.27 Disc 2 ------ 01: Disc 2 Intro 01:58.53 02: Straight Curve ^ 08:27.64 03: Passion ^ 06:04.50 set II 04: Southern Cross * 04:39.74 05: Story > Blue Sky * 08:40.31 06: Uncle John's Band ^ 04:49.28 07: Friend of the Devil ^ 04:29.35 08: Rebecca ^ 06:47.11 09: Long December 05:27.69 10: She Talks To Angels 06:22.23 Total: 57:47.63 Disc 3 ------ 01: Disc 3 Intro 01:13.50 02: Amy > ^ 04:06.48 03: Me and Julio ^ 04:09.38 04: Cemeldodic ^ 05:44.08 05: Girl From Athens * 07:07.45 06: Pride # 06:40.68 Encore: 07: Redemption Song 07:17.12 08: Wooden Ships ^ 06:05.51 09: Haven't Seen for a While ^ 05:50.10 10: Who Stole Her From Heaven ^ 05:04.29 Total: 53:19.59 Comments: --------- * - with Chris Baushitia on congas ^ - with Ira Gittlin on Banjo and Chris # - with Tamer Eid, of Emmet Swimming, on drums This recording isn't perfect. There's a bit of a hiss that comes and goes during the show. It sounds like the volume of a mic being raised and lowered during the show, but I don't know for sure. There are also a couple drop outs during the during the show (most noticably during Pride). I was assured though that these were on the master. I was also told that, this was the only source for the show, so it'll have to do. The show still sounds great, and considering that it's pretty unique, the problems really don't take away from it too much. Compiled by Bryan Russ 12/30/2000