English 215w
The short essay by Michel de Montaigne, "Of a Monstrous
Child," begins with an unpretentious statement that clearly
tells of the content within the essay, "This story will go
its way simply." Stopping to absorb the unusual proclamation
it is with very little effort that one might overlook the ending
of this sentence, "for I leave it to the doctors to discuss
it." A picture begins to be painted. Montaigne shows us
the humanity within a monster by describing the many traits one
might overlook while staring at the deformities and odd shape
of the child. He conveys to his reader the solitude the child
must feel with his many differences from those labeled as 'normal'
as his own family uses this child as a side show in an attempt
to make a few extra dollars. Even at such a young age-the world
sees a deformed beast with it's unusual shape and unnatural cries,
Montaigne sees an innocent and isolated baby without anyone to
comfort its terrified cries and to settle his unrelenting fears.
Though this child begins the essay as normal and unmarked, this
falsehood is short-lived and soon a realization of the truth comes
forth with slow and consistent detail. The adolescent that Montaigne
writes about fills the canvas with certain traits that Montaigne
can only describe as a 'strangeness.' Throughout his description
Montaigne relays to the reader what he sees and the feelings that
fill his soul as he watches the child and those around him carry
on their day. He writes of the baby's solitude, left alone by
his family, with his only company as the doctors and nurses.
He writes of the baby's awful cries, how they are unusual compared
to other babies, and how he seems different from others, simply
by sound.
With skill and slow subtle hints in detail, the reader begins
to unfold a picture, like a well-loved child blanket each detail
means more than the whole yet the pieces could not exist if not
combined. The story of a unique child unlike the majority of
those its age tugs at ones heartstrings with the many new thoughts
the essay provokes. A scene slowly begins to show through the
wet paint as Montaigne beings to fill in small areas in his story
with detail and vibrant color, though leaving the main idea out
completely. "The day before yesterday," Montaigne writes
with eloquence, "[The child's family had been] leading about
to get a penny or so from showing him." As if the child
was a sideshow in a traveling circus, his own father among other
members of his family, shows him as a freak to others, hoping
to earn a few coins on the side.
As doctors and nurses flood the area, we see for the first time
a clear view of the child in question is tenderly brought into
the foreground for the first time. Perhaps this delay in exactly
what separates the boy from others is not an attempt to bring
about surprise to the reader. Instead, Montainge tries to ease
the reader into the situation, as he appears to have affectionate
feelings towards the boy, and writes lovingly about him as to
protect him from the ridicule and harsh opinion of the outside
world.
Montaigne delayed the details of specific traits the 'monstrous'
boy to hold the very essence of the child. The suspense, the
wonder, and the pure curiosity of what type of deformities, misshapen
limbs, and other qualities of uniqueness this child possesses.
Montaigne explains about the uniqueness of this lone child.
He soon shows how he has learned that regardless of this child's
looks, even with such a monstrous persona the author conveys of
the child, he has seen that everyone, and perhaps everything contains
a sense of humanity within them.
Montaigne talks of his peculiar cries, an odd topic for discussion
when talking of a child. The author again shows affection for
the child while talking of him and indeed, we now see the truth,
that this is not a child, but a baby of merely fourteen months.
However, the one detail that separates this baby from any other
of the same would be the pure physical misfortune in which the
baby has no control over. The author then writes about this poor
child and the company he keeps-his Siamese twin brother. Aside
form the doctors and nurses, whom have dissolved from sight; Montaigne
describes a Siamese twin to which he is adjoined, connected from
the chest downward. Even with the grotesque picture Montaigne
paints of the baby's deformed limbs and adjoined chest, one can
still see the innocence within the baby, and the purity of this
child not knowing what his future holds and the difficult a life
he will be forced to face.
Towards the end, Montaigne writes "We call contrary to nature
what happens contrary to custom; nothing is anything by according
to nature, whatever it may be." As he completes his study
of this Siamese twin and its sibling, Montaigne has finally seen
that this baby is not a freak. Throughout the entire essay he
comes to the conclusion and writes such: The baby is not a freak
because nature has made this child and its brother in such the
fashion that they are. By nature's will they are as they have
been made and as he stated nothing nature makes is abnormal.
Montaigne shows the reader with Of Monstrous Child how
this single child can possess any number of differences, and still
be the exact same as any other child.