Whether you're writing or speaking, clich�s will weaken your message and cause your audience to tune out. Here are Fripp's Four Foolproof Tips for making your point:

• You MUST use original material.

• The audience will forgive you ANYTHING but being boring.

• If someone else has already said it, say it in a completely different way.

• If it's a clich�, throw it out!
  

He says, "A clich� is a hackneyed phrase -- stale, trite, banal, commonplace, corny, dull, musty, redundant, repetitious, tedious, threadbare, timeworn, tired, tiresome, worn-out, boring. If you prefer to focus on just one definition, it should be 'tired from over use.' Clich�s weaken your message, having little or no effect on the reader.

"Words have power. Words strung together in clich�s have lost some or all of their power. Clich�s are a sign of a tired mind that settles for a well-worn rut instead of climbing to exciting new heights. Your job as a writer is to energize people, not put them to sleep."

When I was conducting a two-day speaking school in Los Angeles, a handsome, well-spoken student gave an eloquent talk -- but it was all rehashes of material from motivational books he had read. Everyone had heard the messages before, over and over. No one felt any connection to the student. Everyone was bored, yet he had lived a fascinating life that his audience wanted to hear about. So I asked him to describe his life, starting at the beginning. I call this the "once upon a time" technique. As he spoke, he became excited, and his audience did too. Within his reminiscences was fresh, stimulating original material that could become the core of his message.

Have confidence in your own viewpoints. Tell your story on paper or on tape. Then go back and prune out any clich�s that have crept in. Replace them with invigorating new phrases, forceful enough to make your message memorable and your audience riveted.