What
people think about Deep Inside music…
Here you can read
reviews about Deep Inside music made by various forum users all over the
world…
“kingo'mountain” from
simon, i must
confess, your true story (in your site, band's history) touched my heart... all
those ups and downs!!
now i know the background when i
listen to these great tracks... so its a mix of your band's live gigs+digital additions? (effects, extra loops)
the tracks are great, accept for the fact that i dont understand greek :(... its
ok though, music is there too!
if the army didnt snatch your band and i was a record company, i'd
happily sign you... hehe, too bad i
only have money for the CD you guys produced
“onevision” from
Hi Simon,
Listening to your songs on
my cheapo pc speakers and they sound great.
Xwris Pyxida...
This is an
excellent pop song that has a nice flow and a terrific melody. Would love to
hear it sung in english to appreciate the lyrics.
Treis Meres...
Wasn't as
keen on this one until the guitar solo kicked in latter on and really brought
it to life, excellent geeetaring, was it you??
Good work,
enjoyed.
Dave.
“Lunch Money”
from
I don't
know anything about anything. Those on the Tracktion thread
will see that I haven't even sorted out my input levels yet. 
But
my ears know what they hear, and what they hear is the following:
- The vocals are too processed in low-grade effects and/or were recorded with
an inexpensive microphone to begin with. That's fine, and I'm using a PG-58
myself (the budget Shure); however, it's hard to tell
if you just got a bad signal, or you've blurred their clarity with your choice
of EQ and FX. In any case, most of us hate hearing
our own voices and we're more comfortable with masking that part of the
recording. That's not the way to get a good-sounding track, though. Bring it to
the front and center with less reverb, and send some
other instruments to the back and panned where appropriate to back them off the
vocal.
-The drum rhythm is awesome, and has the potential to be very organic sounding.
They could use some work on a Groove template (don't ask ME... I just know the
theory, not how to use them!) and/or some hand-touching to change the
velocities of some of the hi-hats and snares. Mostly, it's fine; however that
hi-hat and snare are distracting and they quickly take over my ears so that I
am overwhelmed by the sameness and immediacy of both. Turn down the levels a
bit.. give them some room reverb or something... a subtle resonance sweep... I dunno the best method to fix it, but I know that it
dominates too much of the soundscape.
-In my PERSONAL view, guitars should have more midrange and less treble. You
don't want it to compete with the synths and
percussive elements. People always hear that the 'scooped mids'
are a good sound, but that's (generally) for metal. Most other styles benefit
from the opposite curve. I'm not sure what VST/VSTi/samples
were used, but they're too thin.
-The acoustic guitar bit that comes in at 1:50 sounds too synthy
to my ears. A bit too "perfect" or something.
-The traditional synths generally seem to work. At
first I thought, "throwing in some synth just
because he can" to be honest with you; but then by the time I had listened
to the whole song, I saw how they fit in and complemented the song.
The thing about this track is that all the ideas are in place! Every element
COULD work out beautifully, and by the end you'd have a well-crafted bit of
pop/rock! To my ears, though, you need to go back to the mixing and tweaking
phase before you worry about the mastering.
BTW, I'm not that great with languages, but I could have sworn I heard
Spanish... and then I thought I heard French... but I was never quite sure. Could it have been Portuguese, then?
Greg