What
is The Matrix ? It is a science fiction movie featuring Keanu Reeves
("Neo"), Carrie-Anne Moss ("Trinity") and Laurence
Fishburne ("Morpheus") released by Warner Brothers in 1999 that
explores the complex relationship between physical human beings and their
perception of reality as controlled by a gigantic computer programme -
"The Matrix". The movie has most of the Hollywood elements of high
drama, action, violence and a cameo love affair but what is most intriguing --
and most probably overlooked -- is its striking similarity with the philosophy
of Vedanta. There is an uncanny echo of Sankara's treatment of the Atman, the
Self, and Maya -- the veil that shields the Atman. What is science fiction
today may just become scientific fact tomorrow and this apparent convergence
may just be a harbinger of a more significant convergence of rational science and the intuitive insight of Indian philosophy.
Hence this analysis.
The
year is 2199 and computers with artificial intelligence have taken over the
world. Human beings are born (or "cultivated") in captivity and
at birth are connected to a life support system that feeds then intravenously
till death. The bio-chemical activity in their bodies is used as a source
of electric power to support the computers -- but that is not relevant in
this case. What is important is that each person's brain is connected to the
central computer. Complex programmes -- the Matrix --
running on this computer feed a continuous stream of stimuli to the
brain and this causes the individual to perceive a full range emotions associated
with growing up, moving around -- including flying through space, working,
growing old and finally dying. The Matrix programme is smart enough to simulate
a whole range of physical locations like parks, gardens, restaurants, train
stations that people can visit -- or perceive to visit -- and interact with
just as if they were physically there. They also perceive images of other
individuals -- some rooted in other physical captive bodies, while others
could be pure creations of the computer simulation process. Interactions between
two individuals are also simulated.
There
is a small group "independent" humans who live outside the Matrix in
place called Zion. They have their own computers through which they are able to
"hack into" the Matrix programme. This allows them to
"enter" and "exit" the Matrix through telephone lines. When
the enter the Matrix, their physical bodies remain at Zion, connected to the
Zion computers, just as the bodies of the captive humans remain in their
incubators. The crucial difference between the independents and the captives is
that the former can actually "exit" from the Matrix and detach
themselves from the Zion computers. Then they can live and perceive Reality.
Within
this complex environment, the movie weaves a fantasy of heroism and love.
Morpheus is the leader of the independent people and he has located and identified
Neo -- currently a captive -- as the one who will destroy the Matrix and free
mankind from this slavery to computers. Neo's arrival
has been foretold by the Oracle. Morpheus and his band of independent humans,
enter the Matrix, contact Neo and convince him of his importance. Then they
detach his body from the Matrix computer, remove his body from the incubators
and take it to Zion. Here they rejuvenate and repair his degenerated body.
Now Neo, like the other independent humans can connect to the Zion computers
and enter and exit from the Matrix at
will. Would he succeed in his mission ? Since the actual outcome of the
adventure is not relevant to this analysis, we will not reveal the ending
for those who wish to see the film.
The
Indian or Sanskrit word for philosophy is darsana
-- which means direct vision. This word highlights a major difference between
modern Western philosophy -- that predominantly depends on intellectual
pursuit, and Indian philosophy that relies on direct visions of truth and Buddhi or reasoning. These visions of truth forms the foundation of
all schools of Indian philosophy and were directly experienced by ancient sages
living in various parts of India. The direct and transcendent experience of
reality beyond the logical and material domains is both the source and the
ultimate goal of these systems. The mind and the senses are the necessary tools
that are initially used in the process of attaining the highest state, but they
are not adequate to attain the final goal -- transcendent insight alone
provides the whole truth.
These
direct intuitive insights were first formalised as the four Vedas - Rig, Sama,
Yajur and Atharva, possibly as early as 4000 BC. The original Rig-Veda consists
of nearly 20,000 verses that appear as simple prayers to deities, yet couched
in highly symbolic language, they contain great philosophical and metaphysical
meaning. With the passage of time, this body of vedic literature evolved
through four chronological phases, Samhita, Brahmana, Aranyaka and the
Upanishad. The Upanishads represent the culmination of the Vedic approach.
There are one hundred of eight Upanishads of which eleven are considered
pre-eminent and in these eleven, the wisdom of the Vedas reach its acme. The word
Veda means "knowledge" and Vedanta -- another name for the Upanishads
-- means "the end of knowledge". The Upanishads are written as a
dialogue between a teacher and a student and the truth is revealed in stages
according to the capacity of the student.
Over
the past 2000 years, many learned men and women, have interpreted this mass of
knowledge according to their understanding and this has resulted in the various
schools of Indian philosophy like Nyaya, Sankhya, Yoga and Vedanta. All these
schools try to answer the following fundamental questions :
1.
Who am I ? From where have I come from and why ? What is the
relationship between me and the universe and other human beings ?
2.
What is the essential nature of my being and what is the essential of the universe ?
3.
What is the relationship between consciousness and the
objects of the universe ?
4.
What is truth and how do we arrive at rational conclusions
on the question of truth
The
Vedanta school, formalised by Sankara sometime between the sixth and ninth
century AD, is acknowledged by many to be the most comprehensive interpretation
of the direct intuitive insights that form the foundations of Vedic literature.
A full exposition of the Vedanta school is impossible within the scope of this
analysis. Nevertheless, some
of the key concepts which are relevant for this comparison with the movie
Matrix are described below :
1. Atman - the Self : The entire phenomenal world is bound by time, space and causation and as long as one is confined by these concepts, the experience is limited. Beyond the realms of time and space, there is an absolute and unconditional Reality that has no beginning and no end. That is Atman, the Self. The Self cannot be experienced by the senses. This Self is both within and outside the body. Unlike the body it is beyond death and decay. The Self is the fountainhead of the life force that animates and motivates the mind-body complex. According to Sankara, this Self is the all-pervading, self-illumined Consciousness.
2. Brahman - the Supreme Consciousness : Brahman is the ultimate Truth within and without. Brahman is also all-pervading and self-illumined Consciousness and the relationship of the Brahman to the Self is that of the forest to the tree. The entire universe emanates from Brahman, exists in Brahman and at the time of dissolution returns into Brahman. Stepping beyond the primitive monotheism of the Judeo-Christian philosophy/theology, Sankara asserts that the individual Atman and the universal Brahman are one and the same and the concept of a creator that is distinct from the creation is a cosmic illusion.
3. Maya - the Illusion : The phenomenal universe that can be perceived by the senses is actually an illusion called Maya. This Maya is what causes human beings to perceive worldly phenomena and respond to the environment. Vedanta states that Maya shields the Truth or Brahman from the Self or Atman. The concepts of time and space that veil the face of Truth are aspects of Maya. Because Maya veils the Truth, the individual Atman misconstrues both the world and itself as different from the Truth or Brahman.
The
individual Self is liberated when it succeeds in breaking through this illusion
and progressively understands that
v Brahman alone is real and the universe is unreal
v There is only one Brahman without a second
v I, that is the Self, is the Brahman
v The entire universe is Brahman
These
truths have to be understood, not at the gross level of conventional
"bookish" learning, but at an intuitive level of passionate
conviction and belief. One can read the Upanishads from cover to cover and
understand every word and paragraph. However the Truth dawns if and only if the
individual Atman is conditioned to receive the Truth -- this happens through a
variety of devices including but not limited to Yoga, meditation and the
influence of certain narcotic drugs.
Vedanta
has many more interesting concepts but a full discussion of all of them is
beyond the scope of this study. Let us get back to the Matrix.
The
movie obviously does not have a one to one correspondence with Vedanta.
Nevertheless there are certain similarities. Consider the following passage
where Morpheus introduces Neo to the Matrix :
Morpheus
: I know..._exactly_ what you mean. Let me tell you why you're
here. You're here because you know something. What you know,
you can't explain. But you feel it. You've felt it your
entire life. That there's something _wrong_ with the world.
You don't know what it is, but it's there...like a splinter
in you're mind, driving you mad. It is this feeling that has
brought you to me. Do you _know_ what I'm talking about?
Neo : The Matrix
Morpheus : Do you want to know...._what_ _it_ is....?
Neo nods
Morpheus
: The Matrix is everywhere. It's all around us, even in this
very room. You can see it when you look out your window or
when you turn on your television. You can feel it when you
go to work, when you go to work, when you pay your taxes.
The
Matrix is the world that has been pulled over your eyes,
to blind you from the truth.
Neo : What truth?
Morpheus :That you are a slave, Neo. Like everyone else, you were born
into bondage, born into a prison that you cannot smell or
taste or touch. A prison...for your mind....Unfortunatly,
no one can be..._told_ what the Matrix is...you have to see
it for yourself.
The
Matrix computer programme is analogous to the Maya of Vedanta, the illusion
that is perceived by the senses as the physical world. Morpheus
"detaches" Neo's body from the Matrix computer (and the associated
computer programme) and brings him to actual physical "reality" and
this is what Neo looks and feels :
The metal harness opens and drops the half-conscious Neo
onto the floor. Human hands and arms help him up as he finds himself looking
straight at Morpheus, Trinity and Apoc, along with others he doesn't recognize.
Morpheus smiles, and speaks quietly to Neo.
Morpheus
: Welcome to the real world....
Neo passes out.
As he is unconscious, Morpheus and
Trinity talk in hushed voices
Morpheus
: ...We've done it, Trinity...we've found him.
Trinity : I hope you're right...
Morpheus : I don't _have_ to hope. I know it.
Neo wakes up later on, and looks at Trinity and Morpheus,
who are standing watching him.
Neo
: ....Am I dead?
Morpheus : Far from it...
Neo passes out again.
Later on, he wakes up. He sees his body
pierced with dozens of acupuncture-like needles wired to a strange device.
Dozer:
He still needs a lot of work.
Neo : What are you doing?
Morpheus : Your muscles have atrophied, we're rebuilding them.
Neo : Why do my eyes hurt?
Neo blinks
Morpheus
: You've never used them before.
Neo looks confused
Confronted
with this reality, Neo feels helpless, and wants to go back to the illusory
comfort of the Maya / Matrix. Morpheus allows him to do so
Morpheus
: You wanted to know...what the Matrix is, Neo?
Neo nods unsteadily
Morpheus nods to Trinity
Morpheus
: Trinity...
Trinity approaches Neo, and helps him into an armchair,
strapping in his feet, and leaning his head back against the head rest.
Morpheus looks at Neo
Morpheus
: Try to relax...this will feel....a little _weird_.
As Morpheus guides a coaxial line into the jack at the back
of his neck, Neo screams and makes a few other disturbing noises.
When he opens his eyes, he is standing in a totally white
place. His hair is back, and he is wearing different clothes.
As Neo spins around a bit, trying to see
what's going on, Morpheus appears in front of him.
Morpheus
: This is the construct. It is our loading program. We can
load anything from clothing, to equipment, weapons,
training simulations, anything we need.
Neo is having a hard time getting a grasp of this.
Neo
: Right now....we're inside a computer program?
Morpheus : Is it really so hard to believe? Your clothes are
different. The plugs in your arms and head are gone. Your
hair has changed.
Neo puts a hand to his head and touches his hair
Morpheus
: Your appearance now is what we call residual self image.
It is the mental projection...of your digital self.
Two chairs appear in front of them, and Neo reaches out to
touch one. He runs his hand along it's back.
Neo
: This....this isn't real?
Morpheus looks at him
Morpheus
: What _is_ real? How do you _define_ real? If you're
talking about what you can feel, what you can smell, what
you can taste and see, then real is simply electrical
signals interpreted by your brain.
A television appears in front of the two chairs, as Neo sits
down in the chair beside Morpheus. Morpheus picks up the television control and
turns it on.
Morpheus
: _This_ is the world that you know. The world as it was at
the end of the twentieth century. It exists now only as
part of a neural-interactive simulation, that _we_ call
the Matrix.
There
are some other interesting similarities between Maya and the Matrix programme.
In explaining Maya, Sankara very often refers to the example of the rope and
the snake. As long as one mistakes a rope for a snake, he is frightened and
reacts to the rope as if it were a real snake. When he realizes that what he
sees is only a rope he laughs. Similarly, as long as one is engrossed in the
ignorance of relative consciousness, the world is indeed quite
"real". But when true knowledge dawns, one becomes aware that the
world was a fake.
Perceiving
the "real" world as a "fake" needs deep insight and sceptics
have often wondered that if the snake was a fake rope, how is it possible for
it to actually kill someone. Sankara argues that the vivid imagination creates
the presence of the snake in a rope and this imagination is so strong that a
person can die from an imaginary snakebite. Thus, wrongly perceived situations
may result in physical or psychological reactions.
There
is a very similar situation that happens in the movie. Neo has entered the Maya
/ Matrix and makes his first attempt to fly through the air.
Summoning every ounce of strength in his legs, Neo launches
himself into the air in a single maniacal shriek - But comes up drastically
short.
His eyes widen as he plummets. Stories
fly by, the ground rushing up at him, but as he hits - The ground gives way,
stretching like a trapeze net.
He bounces and flips, slowly coming to a
rest, flat on his back.
He laughs, a bit unsure, wiping the
wind-blown tears from his face.
Morpheus exits the building and helps him
to his feet.
Inside the Nebuchadnezzar, the crew are
feeling kind of let down by Neo.
Mouse
: What...what does this mean?
Switch : It doesn't _mean_ anything...
Cypher : Everybody falls the first time. Right, Trin?
But Trinity has left. Neo's eyes open as Tank eases the plug
out. He tries to move and groans, cradling his ribs. While Tank helps Morpheus,
Neo spits blood into his hand.
Neo
: I thought it wasn't real.
Morpheus : Your mind makes it real...
Neo : If you're killed in the Matrix...you die here?
Morpheus : The body cannot live without the mind.
Indian
philosophy relies on intuition and insight, functions that are performed by
the right part of the human brain.
"Modern" western science depends on rational analysis, that utilises
the left side of the brain. This rational approach has given us mathematics,
computer science, the concept of virtual reality and is trying to create artificial
"intelligence". We have for a long time believed that 'East is East
and West and West and never the twain shall meet'. Is this really so ? As
mankind tries to push back the frontiers of knowledge, perhaps the time has
come to realise that the two paths are converging towards a common understanding
of the great riddle that has puzzled philosophers down the ages. Who knows
how human knowledge will evolve in the future.
Vedanta
is a part of the common heritage of the Indian nation. However these concepts
are presented here in a manner that is based on the book "Seven Systems of
Indian Philosophy" by Pandit Rajamani Tigunait, Ph.D. ISBN 0-89389-076-6 ©
1983 by The Himalayan International Institute [www.himalayaninstitute.org].
The
portions of the script of the movie Matrix that are used here was compiled by
Shelly Poole [[email protected]] and is available in the internet.
Dr. Prithwis Mukerjee is an engineer from IIT, Kharagpur and has done his M.S. and Ph.D. from the University of Texas at Dallas, USA. A computer professional, he has worked in Tata Steel, Tata IBM and is currently an Executive Director of PricewaterhouseCoopers Ltd., India. He "publishes" an electronic magazine ("ezine") that is available on the internet at www.yantrajaal.com
.