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Ulfric

Style: Submission, Power, Hardcore

Height: 6'5"

Weight: 265

Finisher: The Embrace (Lock opponent in a cross face chicken wing then sweep there legs out from under them sending them crashing face first to the ground with the hold maintained)

Alt Finisher: Crippler Cross face

1. Fireman's carry armbreaker: The attacker lifts the victim up so they are laying stomach first across the attacker’s shoulders (a standing fireman’s carry). The attacker releases the victim’s legs and throws them towards the attacker’s back. The attacker grabs on the victim's arm and holds it across their shoulders. The attacker sits down as the victim falls to the mat and impacts the victim’s arm on their shoulder.

2. Shoulder armbreaker: The attacker grabs the victim’s arm by the wrist and lifts it so the victim is behind them and their arm is over the attacker’s shoulder. The attacker pulls down on the victim’s arm in an attempt to hyperextend or break the victim’s elbow.

3. Wristlock with neck submission, belly to belly: The victim is lying on their back, the attacker lays across their body as if for a lateral press while working one leg over the back of the victim’s neck. The attacker grabs the arm nearest to their head, the attacker applies a wristlock with one hand, the attacker applies more pressure by reaching through the victim’s bent arm with their own arm and grabbing arm appling the wristlock. The attacker pulls upward applying more pressure to the elbow. The attacker pulls up the victim and bends the victim’s head/neck forward with their leg.

4. Argentine back breaker brainbuster: The attacker lifts the victim up across their shoulders so the victim is lying across the attacker’s shoulders. The attacker has one of the victims leg’s hooked and is cradling their neck with their free arm. The attacker falls to the side which the victim’s head is on and releases the victim’s legs, droping the victim head/neck first to the mat.

5. Swinging (or not) single arm DDT: The attacker sits on the top turnbuckle facing the victim. The attacker grabs the victim’s arm and bars it in front of the attacker’s body so the attacker is holding out the arm while the arm furthest away from the victim’s body and reaches over the victims shoulder and wraps it around their victim’s arm with the other. The attacker grabs the victim’s arm and neck. The attacker jumps off the buckles, swings around one side of the victims body and drops them shoulder first onto the mat.

6. Rolling crusifix armbar: The victim is laying on the mat on their back. The attacker grabs one of the victim's arms and places it between their legs so the back of their knee is against the back of the victim's neck. The attacker scissor locks their legs around the victim's arm and behind their neck/back, trying to hyperextend the victim's elbow across the attacker's body and falls to the mat. once the attacker is lying on the mat, they start rolling so the back of thier leg is forcing the victim's head forward until they are forced to roll over. The attacker keeps the arm locked and continues to roll on the mat with the armbar still applied.

7. Flying arm sissors: The attacker grabs the victim’s arm, jumps and scissor locks the victim’s arm, pulling them down to the mat (leading into a crucifix armbar..or rolling one)

8. Arm trap shoulder neckbreaker: The attacker grabs one of the victim’s arms and pulls it up across the victim’s chin. The attacker keeps hold of the victim’s arm and turns the victim so their neck is across the attacker’s shoulder and is being held in place there by victim’s arm. The attacker drops down and wrenches the victim’s neck on the attacker’s shoulder.

9. Shoulder breaker: The attacker lifts up the victim as if for a bodyslam, the attacker kneels down and inverts the victim, droping the victim’s shoulder on their knee.

10. Bridging double armbar: The victim is lying on their stomach on the mat, the attacker sits on their back, the attacker grabs both the victim's arms and traps them while linking their own hands. The attacker does a forward flip and does a bridge while keeping the arms locked and applies pressure.

11. Armbar with neck submission, reverse crusifix: the victim is on their stomach. The attacker applies a scissorslock to the victims arms. The attacker rolls in the same direction on the victims head, forcing the victim's body up at an angle where their neck is supporting their own body weight. At the same time, the attacker is trying to hyperextend the victim's elbow across the attacker's body.

12. Buffalo sleeper: The victim is sitting, the attacker grabs one of their arms and pulls it up so the arm is above the shoulder and the wrist is trapped in the attacker’s elbow. With their other hand, the attacker locks their hand around the victim’s chin. The attacker reaches under the victim’s arm which is trapped in the attacker’s elbow and grabs their other hand and pulls back, applying pressure to the victim’s neck and arm.

13. Armbar with Neck Submission, Step Over: The victim is on their back, the attacker grabs one of the victim's arms and puts his leg behind the victim's head so that the victim's neck is behind the attacker's knee. The victim is on his side. The attacker steps with his foot over the victim's body and pulls on the victim, the attack applies pressure to the back of the victim's neck.

14. Hammerlock bodyslam: The attacker applies a hammerlock on the victim while facing them. The attacker holds the victim’s arm in place, scoops them up and bodyslams the victim on the arm trapped behind their back.

15. Grounded Crusifix cradle (pinning): The victim is sitting on the mat, the attacker is behind them. The attacker lies on their side and hooks one of the victim’s arms with one arm and the victim’s other arm with their legs. The attacker rolls over, pulling the victim over and pinning their shoulders to the mat.

16. Inverted Indian Deathlock cradle (pinning): The victim is on their stomach, the attacker crosses one ankle into the crook of the victim’s other knee. The attacker uses the back of their leg to apply pressure to the hold. The attacker grabs both the victim’s arms and then rolls to a side and onto their back. As they roll over, the victim is rolled over as well with their legs still entangled and flipped onto their shoulders with the attacker holding their arms.

17. Belly to back Crossed Arms Suplex : (Straight jacket suplex) The attacker stands behind the victim. The victim's arms are held so the victim's left or right hand is eld by the attackers opposite hand, causing the victim's hands to be crossed in front of their body. the attacker lifts the victim up and falls backwards, droping the victim on their neck/shoulders. This is usually bridged into a pin.

18. Springboard Guilitine Legdrop: Attacker jumps up on the second flips (monsaults) over and lands with one leg coming down across the chest of the victim (will also use the slingshot version coming from the outside apron, in and onto victim)

19. Belly to back Crossface Chickenwing Suplex: The attacker stands behind the victim. The attacker grabs one of the victim's arms and bends it behind the victim's back and places their hand so it is at the top of the victim's shoulder. The attacker uses their other free arm to reach around the victim's face so their forearm is across their nose/face. The attacker locks their hands together. From there, the attacker lifts the victim up and falls backwards, dropping the victim on their head/neck/shoulders.

20. Hangman’s neckbreaker: The attacker stands back to back with the victim. The attacker grabs the victim’s head or chin and pulls their head back so their neck is resting across the victim’s shoulder. The attacker drops down, impacting the victim’s neck on their shoulder. This is commonly set up with a front face lock, then twisting around so they stand back to back..ie rude awakening)

21. Head and arm Tax-plex: the attacker applies a half nelson while facing the victim. Once applied, the attacker lifts the victim up and falls backwards, dropping the victim on their head/neck/upperback.

22. Inverted facelock DDT: The attacker stands behind or to the side of the victim. The attacker applies an inverted face lock on the victim. The attacker falls backwards or straight down, driving the victim down to the mat on the back or top of their head.

23. Bridging Tiger suplex: The attacker stands behind the victim and applies a half nelson with one arm and a chicken wing with the other. The attacker lifts the victim off the ground and falls backwards, dropping the victim on their head/neck/shoulders then holding them there for the pin with a bridge.

6. Ring Entrance: Smoke begins to pour down the entrance ramp as the heavy guitar laden opening rift of “Time does not heal” by Dark Angel blares from the house PA system. The lights dim, and as a blue glow emanates from somewhere deep inside the tunnel. For a moment the haunting cords give way to equally chilling words.

“It’s always darkest before it goes completely black I’m older now so I should know, you can never look back But the scars of childhood memories dominate my head The inner pain I’ve vowed to keep until the day I’m dead”

A dark shadow can be seen through the fogs thick blue haze.

“You can’t see, the life I was forced to lead What it’s like to die daily You can’t feel, the thoughts I’ve learned to steal Survivals my reality”

A series of blue Pyro erupts in front of the entrance as Ulfric steps through the fog, his long blue/black hair hanging lose in his face, he is wearing a pair of frayed blue jeans, a black Dark Angel t-shirt, and motorcycle boots. Over his shoulder is the Wx3 heavyweight title, gleaming proudly beneath the lights.

“When I was young I lived in fear The hands of doom forever drawing near I wonder how I earned to persevere As time advanced deceit was my life’s truth Spurred on by the peace I never knew”

Ulfric pauses midway down the ramp to remove his t-shirt which he throws into the crowd before banging his head in time to the music. Finally he sprints the rest of the way to the ring, sliding in under the bottom rope and stepping right into the ring. He looks focused, pacing the ring until the opening bell.