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Epergne
������������������������        after Mark Doty


I am looking for epergne when I find it, Sunday morning

���in my Webster's Unabridged between ensorcell

(what desire does to the brain)

���and ensphere

what we think the head does to the spirit,

���though it might well be the opposite�

the soul ensphering the body, the body

���meant to contain only what it could, a tenth,

of its guiding spirit, the rest

���streaming continually out�

the way light illuminates the lampshade and spills over the edges�

���But the word that stops my search

for epergne is ensoul:

���where did they find a being without one�

what made it necessary to invent a word

���for such a concept? Someone once without soul�

a body, a bleak house waiting

for that happy family of four?

(What a parade of ecclesiasts must have

���applied for the job�here, no here, let my god

be your soul and inspiration....) Is it something slipped

���to the baby just before birth or in the slap just after

(the soul so deeply asleep it needs slapping awake)?
���Definition two "to endow with a soul"

is what awes me

���(perhaps we're every color and shape of soulless vase

awaiting water and blossom, and only a saintly few so graced)

���but what stops my breath

is "1. to take or put into the soul" as if not the body

���but the soul were a receptacle that could be filled

with anything�daisies or roses, trash or ashes. I'd want

���to be exquisitely careful what I put or allowed put

in there�

���another job perhaps, for the administers of God.

When I think of it, I've had or assumed

���scant control over what I've allowed in

or what's been tossed in to my soul.

���I have been that object, the epergne I was looking for�

that sectioned silver ornamental stand or crystal dish at the table's center

���meant for people to put food in

or take food from�I have not done what the poets have done

���which is to give objects or words a soul�a variation

on idolatry�or one of the myriad forms of grace?

���What the poets have done is to give death

 a soul, which I have not done not out of humility, but fear:

���once death has soul, if death is the mother of beauty

what mercies or cruelties are not possible?



�1998 by April Ossmann
First published by The Spoon River Poetry Review


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