A New Hope
Script created with Final Draft by Final Draft, Inc.
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FADE IN:
INT. SCHOOL AUDITORIUM
Parents fill the bleachers of a rather large school
auditorium. The stage is empty except for a woman in her mid
40's with far too much make up and very bright red hair. She
is wearing a dress covered in flowers.
DUNCAN (V.O.)
Ever since I was seven years old,
I've had a massive case of stage
fright.
The woman steps up to the only microphone on the stage.
WOMAN
Ladies and Gentlemen, performing
his rendition of Silent
Night...Duncan Gold!
She applauds and walks off the stage. The camera shows
DUNCAN's mom and the younger version of NASH in the crowd
applauding too.
DUNCAN (V.O.)
Not just a normal case of stage
fright, I mean a piss-your-pants
anytime-a-crowd-looks-at-you case.
A young DUNCAN walks up to the microphone. He's wearing a
nice pair of Levi's, a sweater vest, and a bow tie.
The woman from before sits at a piano and waits for a signal,
when she gets it, she starts to play.
The camera cuts to a grown up version of DUNCAN standing near
the stage watching. We hear the sound of a young DUNCAN
vomiting. The older version of DUNCAN shakes his head in
embarrassment.
DUNCAN (V.O.) (cont'd)
My life in a nutshell.
CUT TO:
INT. DUNCAN'S CAR
"The Yeah Yeah Yeah Song" by The Flaming Lips plays as DUNCAN
drives his beat up car to work. He's trying to balance a cup
of coffee with his jelly donut.
He tries making a turn with his knees and spills his coffee
all over his dress shirt.
DUNCAN
God dammit.
He grabs a towel and cleans his shirt off. A large stain is
still visible so he begins digging through his backseat with
his eyes on the road the entire time.
He pulls up a black t-shirt.
DUNCAN (cont'd)
It'll have to do.
CUT TO:
INT. GOLD MINE RECORD STORE
DUNCAN walks in abruptly by swinging the door as hard as it
could possibly swing.
His black t-shirt is that of a 1992 Iron Maiden concert tour.
FRIZZO pops out to talk to DUNCAN.
FRIZZO
Glad to see you here bro.
FRIZZO notices the t-shirt.
FRIZZO (cont'd)
Nice shirt. I went to that show, it
was the balls!
FRIZZO tries to high five DUNCAN but DUNCAN just stares at
FRIZZO's hand.
FRIZZO (cont'd)
Not in the high five mood, that's
cool, but you owe me one.
FRIZZO walks off and DUNCAN continues to the cash register.
NASH stands there with T-W-A-T written in a red sharpie
across his forehead.
DUNCAN
Hey Nash, how's living with Frizzo?
NASH
It's cool I guess. Except I always
wake up with him staring at me.
DUNCAN
You sleep on the couch or
something?
NASH
No, we're sharing a bed. If you'd
excuse me I have to mark some
prices.
NASH walks off. DUNCAN stands at the cash register alone.
DUNCAN (V.O.)
The place wasn't in as bad of shape
as I imagined it'd be. Thank God
for Ciara. Speaking of which...
ASHLEY (O.C.)
Ciara isn't here.
DUNCAN looks at ASHLEY frightened.
ASHLEY (cont'd)
I can read minds, big deal.
DUNCAN
Any idea where she is, Demonspawn.
ASHLEY shrugs her shoulders.
ASHLEY
She hasn't been here since you
left.
DUNCAN
Then who's been running...?
FRANCHILA barges into the store with a cheap suit and even
cheaper sunglasses.
FRANCHILA
(sniffs the air)
I love the smell of commerce. Right
after my blueberry bagel.
FRIZZO runs over and shoves FRANCHILA's face in his armpits.
FRANCHILA fights it off and pushes FRIZZO away.
FRANCHILA (cont'd)
Get off me!
FRANCHILA's hair is now unkempt and his sunglasses are
knocked off.
FRIZZO
How do you like the smell of that?
CUT TO:
INT. FRANCHILA'S OFFICE
FRANCHILA sits at his desk with his feet kicked up onto the
table. DUNCAN walks in angrily.
DUNCAN
What the hell is going on?
FRANCHILA
Are you in my office? Because I
could've sworn I didn't hear a
knock.
DUNCAN exits the office. We then hear a knock.
FRANCHILA (cont'd)
Who is it?
DUNCAN (O.C.)
It's me, Duncan.
FRANCHILA
I'm busy. Come back later.
INT. MAIN ROOM OF THE STORE
DUNCAN kicks a table next to the door of the office.
DUNCAN
F this S!!
He storms out of the building in a fury of rage. NASH follows
him.
CUT TO:
EXT. OUTISIDE THE GOLD MINE RECORD STORE
DUNCAN is walking at a very fast pace to his car with NASH
with TWAT still written on his forehead trying to catch him.
NASH
Wait! Wait!
DUNCAN ignores him.
NASH (cont'd)
Dude! Hold On!
DUNCAN finally stops and turns around.
DUNCAN
What is it?
NASH is out of breath. He puts up a finger telling DUNCAN to
hold on. He then puts his hands on his knees and doubles
over. He takes two of his fingers and checks his heart rate.
When he's okay to talk he does.
NASH
What are you doing?
DUNCAN
This isn't the store I inherited.
I'm going to find Ciara, finally
tell her how I feel.
NASH
How are you going to do that?
DUNCAN
I'm going to go to her house right
now.
NASH
Didn't you hear man? Ciara moved
back home.
DUNCAN
What?!
NASH
Yeah, she's in Seattle.
DUNCAN shows the look of a man who's just been punched in the
stomach.
NASH (cont'd)
I'm sorry, man.
DUNCAN
Only one thing to do then.
NASH
Yeah, let's just go back inside. We
can fuck around with Franchila.
DUNCAN
(shakes his head)
No Nash, I'm going to Seattle.
DUNCAN gets in his car, NASH runs around and jumps in the
passenger side.
NASH
You ain't going anywhere without
me.
DUNCAN puts the car into reverse.
DUNCAN
Then, WE'RE going to Seattle.
DUNCAN peels off.
FADE OUT.
ROLL CREDITS
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Script created with Final Draft by Final Draft, Inc.