A quirky how-to book set in California's baked and
barren
Smoke Tree Valley near the Colorado River. After
getting fired from two jobs in a row, an itinerant
newspaper reporter tries homesteading ten acres of
worthless desert that he'd bought earlier at a land
auction for $325. He builds a comfortable house of
sandbags and salvaged junk. He also examines the
ingenious Mad Max ways of fellow homesteaders who have
jumped the tracks, and pitched the mortgage, the boss,
and the utility bill. 
 
 While working for the Orange County Register, veteran
newspaper reporter Phil Garlington was assigned to
cover a tax-default land auction in rural Imperial
County. One of the parcels on the block was ten desert
acres with a starting bid of $100. What the heck,
over. After some desultory bidding, Garlington nabbed
the property, sight unseen, for $325. “You'll never
find this,” said the county clerk when she turned over
the deed. The clerk apparently didn't know about GPS,
and Garlington soon stood on his baronial estate in
the desolate Smoke Tree Valley, 45 miles south of
Blithe, California, 17 miles off the paved highway,
and so close to the Chocolate Mountain Naval Gunnery
Range that the concussions from morning bombing runs
rattled the coffee cups.
 
For several years the Rancho served as a weekend
retreat for Garlington and some of the reporters and
photographers at the Register who sought a remote
venue for discharging firearms. The gunmen built a
rifle and pistol range, a skeet shooting pit, a few
shade shacks. They popped caps during the winter.
During the summer inferno, the land healed, hundreds
of spent brass cartridges winking in the sun.
 
Then Garlington suffered a series of personal
reverses. The Register dismissed him in a
newsroom-wide layoff of one. His overseers cited
attitude (the bad kind). He took another
post, as editor of the Blythe newspaper, the Palo
Verde Valley Times, but within a mere nine months he
got canned there too. Insubordination. A
trend seemed to be emerging, or perhaps some kind of
masochistic self-sabotage. At any rate, it was right
about then that Garlington asked himself. “Could I
live at the Rancho?” Instead of going through the
demeaning hassle of finding another job and of then
taking the program from another set of junior
widgets, could he instead live cheap and rent-free on
his title deed in the sun-basted desert?
 
By this time he'd found out that some people could. At
first Garlington thought he had the Valley to himself,
because he never saw anybody out there during shooting
weekends. But in Blythe he'd come across the Hobo, who
turned out to be another land baron of 10 acres in the
Smoke Tree. The Hobo already had built a solar powered
Mother Earth News kind of homestead that included a
buried trailer equipped with a periscope. He
introduced Garlington to half a dozen other year-round
homesteaders who manage to thrive in a harsh and
waterless climate. The ingenious Tuke family, with
their fleet of Mad Max sand rails; the irascible J.R;
the truculent Big Huey; the elusive Mystery Lady;
Alba, the Dog Woman (and her 30 cats); and the ranting
Demented Vet. They all had laagers of trailers with
ingenious devices that helped them estivate through
the sweltering summers. 
 
 Garlington began his homesteading venture pretty much
broke. He had a construction budget of $300 and the
tail end of a credit card. He had a 1993 Geo Metro,
and a few basic hand tools. Unlike the other
homesteaders in the valley, he had no pioneer
abilities. But fuck it. He was through crawling on his
belly through the corridors of Human Resources with
his battered
resume. Garlington bought $100 worth of salvaged
lumber from Wood Charlie, across the river in
Ehrenberg. He picked up four used 100-gallon water
tanks ($10 each) from the Oasis Water Company. He
loaded a bunch of scrap pallets from behind Ace
Hardware. And in a couple of weeks, all by himself, he
built a cute-enough and comfortable Hogan, mostly out
of sandbags. During quality control testing, the sand
walls
stopped a fusillade of .303s from an Enfield.
 
“I'm no Bolshevik,” Garlington says, “I've always seen
the need for hierarchy and obedience in the workplace.
It's my demeanor: a kind of cocky, supercilious
hubris, or cheeky querulous insolence, or wordy,
repetitious, show-off pretentiousness, which somehow
irks employers.”
 
Garlington said at first the homesteading rift seemed
madness. “I don't have any practical mechanical or
survival talent. Sure, the other homesteaders are
misanthropic and anti-social too, but they're also
handy and self-reliant. I'm more of a conceptualizer.”
 
Because of his limited skills Garlington designed and
built a dwelling decidedly low-tech. “It's butt
simple, based on simple ideas than any mope can handle
without ever having to resort to luck or skill.” Nor
did it require inordinate grunt labor. “The most
labor-intensive effort was filling sandbags, which
pretty much any idiot can do,” Garlington said. “And
the real beauty: it was dirt cheap, with the
ingredients either salvaged or taken from the site. No
mortgage. No permit fees.” And Garlington says he's
pretty sure it's all legal.
 
It's unlikely that many readers will follow
Garlington's example of buying worthless land at an
auction and then building a sandbag house. But the
book may well appeal to those city-bound dreamers who
itch to shuck their boring jobs and the asshole boss,
escape the madding crowd and nightmare commute, and
live a simpler, more bucolic life.
 
According to Garlington, practical skills and a big
bank account weren't needed. “The reason most people
give for not wanting to try something like this is the
hardship,” Garlington said. “I haven't had any
hardship so far. What really gets you out here is one,
the boxcar wind; and two, boredom. When I get bored I
take a long vacation, using all the money I save by
not paying rent or mortgage.”
 
In the book, Garlington touches on most of the
practical aspects of desert homesteading. The first
issue of course is water. “A well is out of the
question. Too expensive and the water's salt when you
hit it. Drinking water, at least, must be hauled from
town, 45 miles away. That's what the homesteaders do,
hundreds of
gallons at time, on the back of a truck. Out in the
Smoke Tree, one of the homesteaders will deliver some
highly mineralized well water from his secret source.
“But this water is only suitable for gardening and for
running the settler's homemade evaporative coolers,
provided the filters are cleaned every week.”
 
Electricity? “The (valley) is off the grid. No power
poles. So I have formed my own private utility. I have
a couple of deep cycle marine batteries on the
floorboard of my Geo. I charge the batteries off the
alternator while I'm driving around. At home I plug my
car into the Hogan, and have plenty of juice to run
lights, TV, fans, and even fountains.”
 
Violence and vandals? Because the valley is so
isolated, it draws both meth cookers and yahoo vandals
on quads, Garlington says. For this reason, when he
takes one of his frequent vacations, he puts anything
of interest in storage. “There's nothing I leave out
there that couldn't be replaced at a garage sale.” He
says that everybody in the valley is paranoid and
heavily armed, but as for actual violence, it falls
easily under two heads: domestic beef, and deputy vs.
citizen. “Pretty much the same deal everywhere.”
 
Garlington explains how he gets by without
refrigeration or ice, and how he showers with a
water-filled weed sprayer while standing in a small
plastic wading pool. His evaporative cooler keeps beer
“at pub temperature,” and a solar Thrombe wall warms
the bedroom interior in winter. In one chapter he even
takes on the ticklish subject of sex. “It's like
water. You either bring your own or go to town for
it.”
 
In all this offbeat and often amusing book will be a
pleasant reverie for wannabe escapists from the rat
race, particularly for the aging spendthrift Boomers
contemplating the alternatives for eking out a pinched
retirement. 
 
Phil Garlington has worked as a
staff writer for the San Francisco Examiner, the San
Diego Evening Tribune, the Los Angeles Times, the
Washington Times, the Los Angeles Herald Examiner, the
Orange County Register, the National Enquirer, The
Santa Rosa Press Democrat, the Redding
Record-Searchlight, the Clearlake Observer, and the
Calistoga Weekly. 
 
 
 
His son Michael is a fine arts
photographer in San Francisco. 
 

 

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