*Updated Revised
Expanded Fourth Edition*
RECORDING SESSIONS 2001
During a recent search through old
documents, photographs, rough mixes and master tapes in the archives, the
following recording session information was
unearthed:
This is
NOT a complete listing of all the recordings in the
PEYOTE COYOTES tape archives. What is presented here
in this fourth revised edition is only an attempt to assemble the
information that is currently available with what could be remembered
or is known to still exist. More extensive research of the tapes that are in the
vault needs to be carefully done. Most of the original multi-track session
tapes, mixdowns, rough mixes and compilation tapes should probably still exist,
Although, they may remain lost somewhere in the PEYOTE
COYOTES tape library. A few of the recordings possibly no
longer survive at all in any form. Some of these original session tapes may
actually contain recordings of a few alternate takes, rehearsals, demos, odd
bits & pieces or even other previously forgotten songs. Most of the
tapes have yet to be properly catalogued and fully auditioned. Some
tapes are missing and have not yet been found. There are perhaps several other
unknown songs still hidden in the tape library that survived and have not yet
been included in this documentation. In the future a full analysis of the
session tapes, reel by reel will be
attempted.
ORIGINAL FOUR TRACK MASTER
TAPES:
unknown date 1983:
"Mexican Standoff Sessions" (Raupp-Bright-Gillman) [master tapes
missing contents unknown, it is believed that the master tapes still exist and
are possibly dated]
SUMMER SESSIONS 1984-REEL# ONE: (additional contents of
this reel are still unknown)
June 18, 1984: "The Clock
(by R.A.)" (Robert Lance) [from the first of three "Summer Sessions"
master reels still in the tape archives, recorded in STUDIO
"B"]
June 20, 1984: "NATAS"
(Lance-Raupp-Bright-Gillman) [from the first of three "Summer Sessions"
master reels still in the tape archives, recorded in STUDIO
"B"]
June 21, 1984: "Lonely
Room" (David Barbaras) [from the first of three "Summer Sessions"
master reels still in the tape archives, recorded in STUDIO
"B"]
SUMMER SESSIONS 1984-REEL# TWO:
June 22,
1984: "Summer Sessions '84" (Lance-Raupp-Bright-Gillman) [master reel #
2 of mostly untitled or unknown instrumental contents are still in the tapes
archives, recorded in STUDIO "B"]
SUMMER SESSIONS 1984-REEL# THREE:
June 22,
1984: "Summer Sessions '84" (Lance-Raupp-Bright-Gillman) [master reel #
3 of mostly untitled or unknown instrumental contents are still in the tape
archives, recorded in STUDIO "B"]
June ?, 1986: "Summer
Sessions '86" (Lance-Raupp-Bright-Gillman) [sessions were aborted due
to an injury to one of the band members, nothing is known to have been recorded
in STUDIO "B"]
ORIGINAL TWO TRACK PCM DIGITAL
MASTER TAPES:
unknown dates 1989-1991 ?:
"Theme From Green Acres" [several demo takes by David & Gary, this digital
master missing but still thought to exist, it is not known if the tapes are
dated, recorded in STUDIO "C"]
unknown dates 1989-1991 ?:
"Pay Your Dues" (Jagger-Richards) [demo by David, Gary & Lance,
digital master missing, it is not known if the tapes are dated, recorded in
STUDIO "C"]
unknown dates 1989-1991 ?:
"Tangled Up In Blue" (Bob Dylan) [acoustic demo by Gary, digital master
missing but still thought to exist, it is not known if the tapes are dated,
recorded in STUDIO "C"]
unknown dates 1989-1991 ?:
"Hurricane" (Bob Dylan) [acoustic demo by Gary, digital master missing
but still thought to exist, it is not known if the tapes are dated, recorded in
STUDIO "C"]
unknown dates 1989-1991 ?:
"Unknown?" [this would represent any of the other still unknown material
recorded during these sessions, recorded in STUDIO "C"]
ORIGINAL EIGHT TRACK MASTER
TAPES:
SUMMER SESSIONS 1992 (REEL# ONE):
June 8, 1992: "Symphony
in Asia Minor" (Raupp-Lance-Bright) [This was the first 8 track
recording started, like many of these sessions it was recorded in sections over
several weeks]
July ?, 1992: "Robotman
From The Void Of Space" (Bright-Lance-Raupp) [from the album COLLECTION
OF DRUG SONGS]
July ?, 1992: "KRAP"
(Lance-Bright) [from the album COLLECTION OF DRUG
SONGS]
August ?, 1992: "Something
Else" (Sheeley-Cochran) [original multi layered demo version recorded
by Gary]
August ?, 1992: "Untitled
Acoustics #1" (Raupp) [from the album COLLECTION OF DRUG
SONGS]
August ?, 1992: "Untitled
Acoustics #2" (Raupp) [from the album COLLECTION OF DRUG SONGS]
August ?, 1992: "Return To
Zero" (Raupp) [from the album COLLECTION OF DRUG
SONGS]
August ?, 1992: "Untitled
Acoustics" (Raupp) [an unreleased rehearsal tape with several different
early takes is still in the tape archives]
September ?, 1992:
"Something Else" (Sheeley-Cochran) [an unreleased rehearsal tape of
Dave & Gary, engineered by Debbie Spencer is still in the tape
archives]
FALL SESSIONS 1992 (REEL# TWO):
Fall-Winter Sessions 1992:
"Plant The Seed" (Lance-Bright) [from the album COLLECTION OF DRUG
SONGS]
Fall-Winter Sessions 1992:
"Candyland Girls" (Raupp-Bright) [from the album COLLECTION OF DRUG
SONGS]
Fall-Winter Sessions 1992:
"Lost Highway" (Hank Williams) [from the album COLLECTION OF DRUG
SONGS]
Fall-Winter Sessions 1992:
"Fastest Gun In The West" (Gary Bright) [from the album COLLECTION OF
DRUG SONGS]
Fall-Winter Sessions 1992:
"Japanese Skateboard" (Robert Lance) [from the album COLLECTION OF DRUG
SONGS]
Fall-Winter Sessions 1992:
"Ten Seconds To Live" (Lepold-Lance) [from the album COLLECTION OF DRUG
SONGS]
Fall-Winter Sessions 1992:
"Don't Let Down" (Raupp-Bright) [unfinished backing track recording by
Gary without vocals]
Fall-Winter Sessions 1992:
"Don't Let Down" (Raupp-Bright) [original acoustic composing demo
version with vocals by Dave & Gary]
November 16, 1992: "Seems
Like A Freeze Out" (Bob Dylan) [unreleased rehearsal tape still in the
tape archives]
February 14, 1993: Mono
mixdown session in Studio "C" for the original "DRUGS SONGS" album [this
original master reel is still filed in the tape archives]
April 24-25, 1993: "2000
Light Years From Home" (Jagger-Richards) [from the album COLLECTION OF
DRUG SONGS additional vocals by Robert were overdubbed during an undated later
session]
Date unknown 1993: "Lean
On Me" (William Withers) [from the album COLLECTION OF DRUG SONGS
recorded by Tom in Studio C for DRUG SONGS album]
May ?, 1993: "Gimme
Shelter" (Jagger-Richards) [unreleased demo recording by Robert, Tom
& Gary, two backing vocal tracks were later done by Kelly Rollins in
1994]
May ?, 1993: "Ain't
Too Proud To Beg" [an unreleased rehearsal tape with Robert & Gary is still
in the tape archives]
May 24, 1993: "Folsom
Prison Blues" (Johnny Cash) [from the revised version of the album
COLLECTION OF DRUG SONGS recorded by Tom & Gary] ^
May 29, 1993: "Play With
Fire" (Jagger-Richards) [unreleased rehearsal tape with Dave Nelligan
& Danny is still in the tape archives]
Date unknown 1993: "Won't
You Sometimes Think Of Me" (Hank Williams) [from the album DRUNKEN
HILLBILLY COLLECTION recorded in Studio "B" onto "Summer Sessions 1992"
(reel # one)]
Date unknown 1993: "Sharp
Shooter" (Robert Lance) [this missing master tape and two acoustic
demos were produced and taken away and lost by Robert
Lance]
June 5, 1993: "LZ Demos -
Rejected" (unknown and unused contents)
June 18, 1993: "Nearest
Foreign Border" (Parsons-Hillman) original title: "My Uncle" [from the
revised version of the album COLLECTION OF DRUG SONGS] ^
July 8, 1993: "You Ain't
Goin' Nowhere" (Bob Dylan) [from the album DRUNKEN HILLBILLY COLLECTION
basic track recorded at the "Jammin' With Leroy" session, additional overdubs
added later]
July 9, 1993: "Ain't No
More Caine" (Traditional: Arranged by Gary Bright) [from the album
DRUNKEN HILLBILLY COLLECTION]
August 17, 1993: "Edge Of
The Station" (Lance-Bright) [from the album DRUNKEN HILLBILLY
COLLECTION]
September ?, 1993: "Ducks
On The Wall" (Raymond Douglas Davies) [from the album ON THE ROAD TO
GIZA]
October ?, 1993: "Kentucky
Fried Chicken" (Lance-Bright) working title: "Don't Push
It!" [from the album ON THE ROAD TO GIZA] *
December 29, 1993: "Three
Acoustic Demos" (Bob Dylan) [from the album CARDIOLOGY VOLUME
1]
December 30, 1993: "Boogie
Woogie Bugle Boy" (Raye-Prince) * [from the album DRUNKEN HILLBILLY
COLLECTION ]
December 31, 1993: "Bed
Wetting Problems" (Robert Lance) [from the album ON THE ROAD TO GIZA]
*
January 1, 1994:
"Necrophilia" (Raupp-Lance) [additional vocal overdubs by Robert
& Gary for "Part One". Original session: May 1993 (unknown date)] *
+
January 4, 1994:
"Strawberry Fields Forever" (Lennon McCartney) [from the album
CARDIOLOGY VOLUME 1]
January 9, 1994: "Pretty
Boy Floyd" (Woodrow Wilson Guthrie) [from the album DRUNKEN HILLBILLY
COLLECTION ]
Early 1994 (unknown date):
"The Ballad Of Beaver Valley" (Lance-Bright) [working title: "Beaver
Valley (TBR)"] * [from the album DRUNKEN HILLBILLY COLLECTION
]
Early 1994 (unknown date):
"Mother's Little Helper (Jagger-Richards) [from the album DRUNKEN
HILLBILLY COLLECTION ]
March 3, 1994: "Borderline
Crisis Blues" (Lepold-Bright) working title: "Cheap Whiskey 'N Coke"
[from the album DRUNKEN HILLBILLY COLLECTION ]
March 23, 1994: "Hunting
Tigers Out In Indiah" (Hargreaves-Damerell-Evans)* [from the album
DRUNKEN HILLBILLY COLLECTION ]
April 19, 1994: "The Nile
Song" (Roger Waters) [unused demo recorded by Tom & Gary with
Darren Kornball]
April 19, 1994: "All In
The Name Of Fun" (Darren Kornbluth) [unused demo recorded by
Robert, Gary & Tom with Darren Kornball, from the album CARDIOLOGY VOLUME
1]
May 2, 1994: "Big House
Session" (Lepold-Bright) [final overdub session for DRUNKEN HILLBILLY
SESSIONS]
May 2, 1994: "Hunting
Tigers Out In Indiah" (Hargreaves-Damerell-Evans)* ["Dialogue Overdub"
spoken section recorded by Tom & Gary during the final "Big House
Session"]
June ?, 1994: "Lucy In The
Sky With Diamonds" (Lennon-McCartney) [unreleased multi layered demo
recorded by Tom & Gary, from the album CARDIOLOGY VOLUME 1]
July ?, 1994: "On A Night
Like This" (Bob Dylan) [with later lead vocal overdub by Tom, from the
album DRUNKEN HILLBILLY COLLECTION]
August 18, 1994:
"Continued Adventures Of Panama Red" [completed and unused outtake from the
DRUNKEN HILLBILLY SESSIONS, from the album CARDIOLOGY VOLUME
1]
September ?, 1994:
"Absolutely Sweet Marie" (Bob Dylan) [from the album DRUNKEN HILLBILLY
COLLECTION, final vocals overdubbed on later dates, the missing original rough
mix was dated]
January 29, 1995: "19th
Nervous Breakdown" (Jagger-Richards) [with additional vocals by Tom and
Gary, from the album ON THE ROAD TO GIZA]
Unknown date 1995: "Dead
Flowers" (Jagger-Richards) [two unused outtakes from the DRUNKEN
HILLBILLY SESSIONS, from the album CARDIOLOGY VOLUME 1]
Unknown date 1995:
"Positively Fourth Street" (Bob Dylan) [from the album ON THE ROAD TO
GIZA]
September ?, 1995:
"Reminiscing" (Buddy Holly) [recorded by Gary, from the album ON THE
ROAD TO GIZA]
September ?, 1995: "I
Gotta Move" (Raymond Douglas Davies) [from the album ON THE ROAD TO
GIZA recorded "live" in the studio by Gary]
October ?, 1995: "Suck In
The Media" (Robert Lance) [introduction from the album ON THE ROAD TO
GIZA two different lead vocal tracks recorded "live" in the studio by Robert
still survive on tape]
December 26, 1995: "Did
You No Wrong" (Jones-Cook-Matlock-Rotten) [from the album ON THE ROAD
TO GIZA recorded by Tom & Gary]
March 22, 1996: "I'm Just
Too Wasted To Sing This Song" (Gary Bright) [unreleased demo tape
recorded by Gary]
Date unknown 1996:
"Bullfighter Tango" (Gary Bright) [instrumental introduction from the
album ON THE ROAD TO GIZA recorded by Tom & Gary}
Date unknown 1996: "If Not
For You" (Bob Dylan) [unreleased multi layered demo tape recorded by
Gary]
Date unknown 1996: "And
Your Byrd Can Sing" (Lennon-McCartney) [unreleased multi layered demo
tape recorded by Tom & Gary]
December 20, 1996: "Did
Ya" (Raymond Douglas Davies) [unreleased multi layered demo tape
recorded by Gary]
Date unknown 1997: [there
appears to have been no recordings of any kind made by the PEYOTE COYOTES during
this entire year}
January 8, 1998: "Untitled
Introduction" (David Raupp) [recorded by Dave, currently the final
PEYOTE COYOTES recording to date known to exist, from the album CARDIOLOGY
VOLUME 1]
January 9, 1998: "The
Monster Mash" [Dave, Tom & Gary attempted to record a backing track
for Robert to sing on in his absence, only a reference track exists on
tape]
DIGITALLY REMASTERED VIRTUAL
MASTER TAPES:
(Encoded
in MP3 and RealMedia formats for upload to the
Internet)
December 10, 1999: "Pretty
Boy Floyd" [digitally remastered version from the album DRUNKEN HILLBILLY
COLLECTION created at 5:28 am]
December 10, 1999:
"Borderline Crisis Blues" [digitally remastered version from the album DRUNKEN
HILLBILLY COLLECTION created at 7:51 am]
December 10, 1999: "Edge
Of The Station" [digitally remastered version from the album DRUNKEN
HILLBILLY COLLECTION created at 9:26 am]
+ NOTE: By the summer of
1993 although he could usually be found hanging around the studios on a
daily basis, Dave Raupp had all but refused to participate in any of the "DRUNKEN HILLBILLY SESSIONS" and therefore any PEYOTE COYOTES projects. The albums
concept was one that Dave just didn't seem to agree with. To this day he still
claims to have reservations about it. On occasion, Dave did from time to
time bring other artists into the studio and worked on demos with them during
this period. These uncatalogued items still exist in the tape library today, but
have yet to be fully examined in detail. "Necrophilia" was written by Dave and the lyrics were
provided by Robert. This was in fact the last released PEYOTE COYOTES recording that Dave was
actually involved with until early January 1998. At some point it
became the final track for the "ON THE ROAD TO GIZA"
album.
^ NOTE: "Folsom
Prison Blues" and "Nearest Foreign
Border" are two early "Hillbilly" recordings that were later added at the last
minute onto the line-up of the original 1993 version of "COLLECTION OF DRUG SONGS". The previous compilation
cassettes from 1992 and the original early mono 10" master reel version of "Drug Songs" did not include either of these two songs. "2000 Light Years From Home" which was recorded a
month before on April 24-25, 1993. This was also not included on any of the
early compilations. With the album nearly completed in the can,
the vocal overdub session of April 25, 1993 is significant in that
it marks Tom Lepold's first real participation at the actual
recording sessions. At a third overdub session additional vocals were later
added by Robert Lance. The mono version of the "Drug
Songs" album was very different to the final stereo mixes and is dated
February 14, 1993. All of the tracks for this master were mixed in Studio "C" on
this day by Dave Raupp and Gary Bright from the mid-late 1992 sessions tapes.
This original 10" master reel still exists today in the PEYOTE COYOTES tape archives.
The "DRUNKEN
HILLBILLY SESSIONS" had actually begun without any kind of
conceptual ideas during May 1993, before the final stereo masters for "DRUG SONGS" were completed and compiled. The sessions
continued for a full year and officially ended with various final overdubs
on May 2, 1994. Many of the tracks recorded during this one year period
were actually held back for the next album "ON THE ROAD TO
GIZA". Indeed, there were also a large number of recordings from
this period that were never used at all. The last song originally recorded for
the "HILLBILLY'S" album was a Big Band cover version
of Bob Dylan's "On A Night Like This". It was
actually recorded two months after the end of the sessions, sometime in July of
1994. Originally Gary had arranged, conducted, produced and recorded all of
the tracks by himself. At some later undocumented time, he eventually
persuaded Tom to contribute his lead vocal and harmonica parts. This
extravagant production became the final closing track for the
album.
* NOTE: The "Big House Session" was a later attempt in early May 1994
by Tom Lepold and Gary Bright to finish up many of the tracks from the
"DRUNKEN HILLBILLY SESSIONS". This final session
was recorded a year after the first sessions for this album began. In
Robert Lance's forced absence, a number of the tracks apparently had
additional backing vocals overdubbed onto vacant tracks on this date
in Studio "C". Also in addition to these added vocals, some harmonica overdubs
for "Pretty Boy Floyd" & "Ain't No More Caine" by Tom were probably done on this
night. The "Wild Orchestrations" could also have been
added to "Ballad Of Beaver Valley" at this time. The
remainder of the recording sessions seem to have all taken place in the old
Studio "B" in Thousand Oaks, California. Studio "B" was the main studio where
most of the recording sessions from as early as January 1981 took place. The
"1984 Summer Sessions" and the aborted "1986 Summer Sessions" were also held in Studio "B". Most
of "COLLECTION OF DRUG SONGS" was in fact recorded in
the much smaller STUDIO "C", this was at one time in fact the control room for
STUDIO "B". Most of the recording equipment from the studios was moved to
Northern California in November 1995. After fifteen years of recording
sessions, the studio was finally sold on August 3, 1997. From the information
revealed in the above documentation, it can also be clearly determined that many
of the recordings for the "ON THE ROAD TO GIZA"
album were in fact leftovers from the "DRUNKEN HILLBILLY
SESSIONS" that didn't seem to fit the theme of the album. For additional
recording information and details, see the PEYOTE
COYOTES RECORDING GUIDE, available from the contents page
of the PEYOTE COYOTES web
site.
Updated Revised Expanded Fourth
Edition: February 7, 2001
Third Edtion corrections &
additions: October 9, 2000
Revised Second Edition updated: March 22,
2000
Original First Edition
compiled: December 28, 1999
Copyright © 1982-2001 Peyote
Coyotes Music Limited.
Post Office Box 1662 Twain Harte, California
95383-1662 USA
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