PEYOTE COYOTES
*Updated Revised Expanded Fourth Edition*
 
RECORDING SESSIONS 2001    
 
          During a recent search through old documents, photographs, rough mixes and master tapes in the archives, the following recording session information was unearthed:
 
 
     HEAD NOTES:
 
This is NOT a complete listing of all the recordings in the PEYOTE COYOTES tape archives. What is presented here in this fourth revised edition is only an attempt to assemble the information that is currently available with what could be remembered or is known to still exist. More extensive research of the tapes that are in the vault needs to be carefully done. Most of the original multi-track session tapes, mixdowns, rough mixes and compilation tapes should probably still exist, Although, they may remain lost somewhere in the PEYOTE COYOTES tape library. A few of the recordings possibly no longer survive at all in any form. Some of these original session tapes may actually contain recordings of a few alternate takes, rehearsals, demos, odd bits & pieces or even other previously forgotten songs. Most of the tapes have yet to be properly catalogued and fully auditioned. Some tapes are missing and have not yet been found. There are perhaps several other unknown songs still hidden in the tape library that survived and have not yet been included in this documentation. In the future a full analysis of the session tapes, reel by reel will be attempted.
 
 
 
ORIGINAL FOUR TRACK MASTER TAPES:
 
unknown date 1983: "Mexican Standoff Sessions" (Raupp-Bright-Gillman) [master tapes missing contents unknown, it is believed that the master tapes still exist and are possibly dated]
 
SUMMER SESSIONS 1984-REEL# ONE:  (additional contents of this reel are still unknown)
 
June 18, 1984: "The Clock (by R.A.)" (Robert Lance) [from the first of three "Summer Sessions" master reels still in the tape archives, recorded in STUDIO "B"]
 
June 20, 1984: "NATAS" (Lance-Raupp-Bright-Gillman) [from the first of three "Summer Sessions" master reels still in the tape archives, recorded in STUDIO "B"]
 
June 21, 1984: "Lonely Room" (David Barbaras) [from the first of three "Summer Sessions" master reels still in the tape archives, recorded in STUDIO "B"]
 
SUMMER SESSIONS 1984-REEL# TWO:
June 22, 1984: "Summer Sessions '84" (Lance-Raupp-Bright-Gillman) [master reel # 2 of mostly untitled or unknown instrumental contents are still in the tapes archives, recorded in STUDIO "B"]
 
SUMMER SESSIONS 1984-REEL# THREE:
June 22, 1984: "Summer Sessions '84" (Lance-Raupp-Bright-Gillman) [master reel # 3 of mostly untitled or unknown instrumental contents are still in the tape archives, recorded in STUDIO "B"]
 
June ?, 1986: "Summer Sessions '86" (Lance-Raupp-Bright-Gillman) [sessions were aborted due to an injury to one of the band members, nothing is known to have been recorded in STUDIO "B"]
 
 
ORIGINAL TWO TRACK PCM DIGITAL MASTER TAPES:
 
unknown dates 1989-1991 ?: "Theme From Green Acres" [several demo takes by David & Gary, this digital master missing but still thought to exist, it is not known if the tapes are dated, recorded in STUDIO "C"]
 
unknown dates 1989-1991 ?: "Pay Your Dues" (Jagger-Richards) [demo by David, Gary & Lance, digital master missing, it is not known if the tapes are dated, recorded in STUDIO "C"]
 
unknown dates 1989-1991 ?: "Tangled Up In Blue" (Bob Dylan) [acoustic demo by Gary, digital master missing but still thought to exist, it is not known if the tapes are dated, recorded in STUDIO "C"]
 
unknown dates 1989-1991 ?: "Hurricane" (Bob Dylan) [acoustic demo by Gary, digital master missing but still thought to exist, it is not known if the tapes are dated, recorded in STUDIO "C"]
 
unknown dates 1989-1991 ?: "Unknown?" [this would represent any of the other still unknown material recorded during these sessions, recorded in STUDIO "C"]
 
 
ORIGINAL EIGHT TRACK MASTER TAPES:
 
SUMMER SESSIONS 1992 (REEL# ONE):
June 8, 1992: "Symphony in Asia Minor" (Raupp-Lance-Bright) [This was the first 8 track recording started, like many of these sessions it was recorded in sections over several weeks]
 
July ?, 1992: "Robotman From The Void Of Space" (Bright-Lance-Raupp) [from the album COLLECTION OF DRUG SONGS]
 
July ?, 1992: "KRAP" (Lance-Bright) [from the album COLLECTION OF DRUG SONGS]
 
August ?, 1992: "Something Else" (Sheeley-Cochran) [original multi layered demo version recorded by Gary]
 
August ?, 1992: "Untitled Acoustics #1" (Raupp) [from the album COLLECTION OF DRUG SONGS]
 
August ?, 1992: "Untitled Acoustics #2" (Raupp) [from the album COLLECTION OF DRUG SONGS]
 
August ?, 1992: "Return To Zero" (Raupp) [from the album COLLECTION OF DRUG SONGS]
 
August ?, 1992: "Untitled Acoustics" (Raupp) [an unreleased rehearsal tape with several different early takes is still in the tape archives]
 
September ?, 1992: "Something Else" (Sheeley-Cochran) [an unreleased rehearsal tape of Dave & Gary, engineered by Debbie Spencer is still in the tape archives]
 
FALL SESSIONS 1992 (REEL# TWO):
Fall-Winter Sessions 1992: "Plant The Seed" (Lance-Bright) [from the album COLLECTION OF DRUG SONGS]
 
Fall-Winter Sessions 1992: "Candyland Girls" (Raupp-Bright) [from the album COLLECTION OF DRUG SONGS]
 
Fall-Winter Sessions 1992: "Lost Highway" (Hank Williams) [from the album COLLECTION OF DRUG SONGS]
 
Fall-Winter Sessions 1992: "Fastest Gun In The West" (Gary Bright) [from the album COLLECTION OF DRUG SONGS]
 
Fall-Winter Sessions 1992: "Japanese Skateboard" (Robert Lance) [from the album COLLECTION OF DRUG SONGS]
 
Fall-Winter Sessions 1992: "Ten Seconds To Live" (Lepold-Lance) [from the album COLLECTION OF DRUG SONGS]
 
Fall-Winter Sessions 1992: "Don't Let Down" (Raupp-Bright) [unfinished backing track recording by Gary without vocals]
 
Fall-Winter Sessions 1992: "Don't Let Down" (Raupp-Bright) [original acoustic composing demo version with vocals by Dave & Gary]
 
 
November 16, 1992: "Seems Like A Freeze Out" (Bob Dylan) [unreleased rehearsal tape still in the tape archives]
 
February 14, 1993: Mono mixdown session in Studio "C" for the original "DRUGS SONGS" album [this original master reel is still filed in the tape archives]
 
April 24-25, 1993: "2000 Light Years From Home" (Jagger-Richards) [from the album COLLECTION OF DRUG SONGS additional vocals by Robert were overdubbed during an undated later session]
 
Date unknown 1993: "Lean On Me" (William Withers) [from the album COLLECTION OF DRUG SONGS recorded by Tom in Studio C for DRUG SONGS album]
 
May ?, 1993: "Gimme Shelter" (Jagger-Richards) [unreleased demo recording by Robert, Tom & Gary, two backing vocal tracks were later done by Kelly Rollins in 1994]
 
May  ?, 1993: "Ain't Too Proud To Beg" [an unreleased rehearsal tape with Robert & Gary is still in the tape archives]
 
May 24, 1993: "Folsom Prison Blues" (Johnny Cash) [from the revised version of the album COLLECTION OF DRUG SONGS recorded by Tom & Gary] ^
 
May 29, 1993: "Play With Fire" (Jagger-Richards) [unreleased rehearsal tape with Dave Nelligan & Danny is still in the tape archives]
 
Date unknown 1993: "Won't You Sometimes Think Of Me" (Hank Williams) [from the album DRUNKEN HILLBILLY COLLECTION recorded in Studio "B" onto "Summer Sessions 1992" (reel # one)]
 
Date unknown 1993: "Sharp Shooter" (Robert Lance) [this missing master tape and two acoustic demos were produced and taken away and lost by Robert Lance]
 
June 5, 1993: "LZ Demos - Rejected" (unknown and unused contents)
 
June 18, 1993: "Nearest Foreign Border" (Parsons-Hillman) original title: "My Uncle" [from the revised version of the album COLLECTION OF DRUG SONGS] ^
 
July 8, 1993: "You Ain't Goin' Nowhere" (Bob Dylan) [from the album DRUNKEN HILLBILLY COLLECTION basic track recorded at the "Jammin' With Leroy" session, additional overdubs added later]
 
July 9, 1993: "Ain't No More Caine" (Traditional: Arranged by Gary Bright) [from the album DRUNKEN HILLBILLY COLLECTION]
 
August 17, 1993: "Edge Of The Station" (Lance-Bright)  [from the album DRUNKEN HILLBILLY COLLECTION]
 
September ?, 1993: "Ducks On The Wall" (Raymond Douglas Davies) [from the album ON THE ROAD TO GIZA]
 
October ?, 1993: "Kentucky Fried Chicken" (Lance-Bright) working title: "Don't Push It!" [from the album ON THE ROAD TO GIZA] *
 
December 29, 1993: "Three Acoustic Demos" (Bob Dylan) [from the album CARDIOLOGY VOLUME 1]
 
December 30, 1993: "Boogie Woogie Bugle Boy" (Raye-Prince) * [from the album DRUNKEN HILLBILLY COLLECTION ]
 
December 31, 1993: "Bed Wetting Problems" (Robert Lance) [from the album ON THE ROAD TO GIZA] *
 
January 1, 1994: "Necrophilia" (Raupp-Lance) [additional vocal overdubs by Robert & Gary for "Part One". Original session: May 1993 (unknown date)] * +
 
January 4, 1994: "Strawberry Fields Forever" (Lennon McCartney) [from the album CARDIOLOGY VOLUME 1]
 
January 9, 1994: "Pretty Boy Floyd" (Woodrow Wilson Guthrie) [from the album DRUNKEN HILLBILLY COLLECTION ]
 
Early 1994 (unknown date): "The Ballad Of Beaver Valley" (Lance-Bright) [working title: "Beaver Valley (TBR)"]  * [from the album DRUNKEN HILLBILLY COLLECTION ]
 
Early 1994 (unknown date): "Mother's Little Helper (Jagger-Richards) [from the album DRUNKEN HILLBILLY COLLECTION ]
 
March 3, 1994: "Borderline Crisis Blues" (Lepold-Bright) working title: "Cheap Whiskey 'N Coke" [from the album DRUNKEN HILLBILLY COLLECTION ]
 
March 23, 1994: "Hunting Tigers Out In Indiah" (Hargreaves-Damerell-Evans)* [from the album DRUNKEN HILLBILLY COLLECTION ]
 
April 19, 1994: "The Nile Song" (Roger Waters) [unused demo recorded by Tom & Gary with Darren Kornball]
 
April 19, 1994: "All In The Name Of Fun" (Darren Kornbluth)  [unused demo recorded by Robert, Gary & Tom with Darren Kornball, from the album CARDIOLOGY VOLUME 1]
 
May 2, 1994: "Big House Session" (Lepold-Bright) [final overdub session for DRUNKEN HILLBILLY SESSIONS]
 
May 2, 1994: "Hunting Tigers Out In Indiah" (Hargreaves-Damerell-Evans)* ["Dialogue Overdub" spoken section recorded by Tom & Gary during the final "Big House Session"]
 
June ?, 1994: "Lucy In The Sky With Diamonds" (Lennon-McCartney) [unreleased multi layered demo recorded by Tom & Gary, from the album CARDIOLOGY VOLUME 1]
 
July ?, 1994: "On A Night Like This" (Bob Dylan) [with later lead vocal overdub by Tom, from the album DRUNKEN HILLBILLY COLLECTION]
 
August 18, 1994: "Continued Adventures Of Panama Red" [completed and unused outtake from the DRUNKEN HILLBILLY SESSIONS, from the album CARDIOLOGY VOLUME 1]
 
September ?, 1994: "Absolutely Sweet Marie" (Bob Dylan) [from the album DRUNKEN HILLBILLY COLLECTION, final vocals overdubbed on later dates, the missing original rough mix was dated]
 
January 29, 1995: "19th Nervous Breakdown" (Jagger-Richards) [with additional vocals by Tom and Gary, from the album ON THE ROAD TO GIZA]
 
Unknown date 1995: "Dead Flowers" (Jagger-Richards) [two unused outtakes from the DRUNKEN HILLBILLY SESSIONS, from the album CARDIOLOGY VOLUME 1]
 
Unknown date 1995: "Positively Fourth Street" (Bob Dylan) [from the album ON THE ROAD TO GIZA]
 
September ?, 1995: "Reminiscing" (Buddy Holly) [recorded by Gary, from the album ON THE ROAD TO GIZA]
 
September ?, 1995: "I Gotta Move" (Raymond Douglas Davies) [from the album ON THE ROAD TO GIZA recorded "live" in the studio by Gary]
 
October ?, 1995: "Suck In The Media" (Robert Lance) [introduction from the album ON THE ROAD TO GIZA two different lead vocal tracks recorded "live" in the studio by Robert still survive on tape]
 
December 26, 1995: "Did You No Wrong" (Jones-Cook-Matlock-Rotten) [from the album ON THE ROAD TO GIZA recorded by Tom & Gary]
 
March 22, 1996: "I'm Just Too Wasted To Sing This Song" (Gary Bright) [unreleased demo tape recorded by Gary]
 
Date unknown 1996: "Bullfighter Tango" (Gary Bright) [instrumental introduction from the album ON THE ROAD TO GIZA recorded by Tom & Gary}
 
Date unknown 1996: "If Not For You" (Bob Dylan) [unreleased multi layered demo tape recorded by Gary]
 
Date unknown 1996: "And Your Byrd Can Sing" (Lennon-McCartney) [unreleased multi layered demo tape recorded by Tom & Gary]
 
December 20, 1996: "Did Ya" (Raymond Douglas Davies) [unreleased multi layered demo tape recorded by Gary]
 
Date unknown 1997: [there appears to have been no recordings of any kind made by the PEYOTE COYOTES during this entire year}
 
January 8, 1998: "Untitled Introduction" (David Raupp) [recorded by Dave, currently the final PEYOTE COYOTES recording to date known to exist, from the album CARDIOLOGY VOLUME 1]
 
January 9, 1998: "The Monster Mash"  [Dave, Tom & Gary attempted to record a backing track for Robert to sing on in his absence, only a reference track exists on tape]
 
 
DIGITALLY REMASTERED VIRTUAL MASTER TAPES:
(Encoded in MP3 and RealMedia formats for upload to the Internet)
 
December 10, 1999: "Pretty Boy Floyd" [digitally remastered version from the album DRUNKEN HILLBILLY COLLECTION created at 5:28 am]
 
December 10, 1999: "Borderline Crisis Blues" [digitally remastered version from the album DRUNKEN HILLBILLY COLLECTION created at 7:51 am]
 
December 10, 1999: "Edge Of The Station"  [digitally remastered version from the album DRUNKEN HILLBILLY COLLECTION created at 9:26 am]
 
 
 
     FOOT NOTES:
 
+ NOTE: By the summer of 1993 although he could usually be found hanging around the studios on a daily basis, Dave Raupp had all but refused to participate in any of the "DRUNKEN HILLBILLY SESSIONS" and therefore any PEYOTE COYOTES projects. The albums concept was one that Dave just didn't seem to agree with. To this day he still claims to have reservations about it. On occasion, Dave did from time to time bring other artists into the studio and worked on demos with them during this period. These uncatalogued items still exist in the tape library today, but have yet to be fully examined in detail. "Necrophilia" was written by Dave and the lyrics were provided by Robert. This was in fact the last released PEYOTE COYOTES recording that Dave was actually involved with until early January 1998. At some point it became the final track for the "ON THE ROAD TO GIZA" album.

^ NOTE: "Folsom Prison Blues" and "Nearest Foreign Border" are two early "Hillbilly" recordings that were later added at the last minute onto the line-up of  the original 1993 version of "COLLECTION OF DRUG SONGS". The previous compilation cassettes from 1992 and the original early mono 10" master reel version of "Drug Songs" did not include either of these two songs. "2000 Light Years From Home" which was recorded a month before on April 24-25, 1993. This was also not included on any of the early compilations. With the album nearly completed in the can, the vocal overdub session of April 25, 1993 is significant in that it marks Tom Lepold's first real participation at the actual recording sessions. At a third overdub session additional vocals were later added by Robert Lance. The mono version of the "Drug Songs" album was very different to the final stereo mixes and is dated February 14, 1993. All of the tracks for this master were mixed in Studio "C" on this day by Dave Raupp and Gary Bright from the mid-late 1992 sessions tapes. This original 10" master reel still exists today in the PEYOTE COYOTES tape archives.
 
The "DRUNKEN HILLBILLY SESSIONS" had actually begun without any kind of conceptual ideas during May 1993, before the final stereo masters for "DRUG SONGS" were completed and compiled. The sessions continued for a full year and officially ended with various final overdubs on May 2, 1994. Many of the tracks recorded during this one year period were actually held back for the next album "ON THE ROAD TO GIZA". Indeed, there were also a large number of recordings from this period that were never used at all. The last song originally recorded for the "HILLBILLY'S" album was a Big Band cover version of Bob Dylan's "On A Night Like This". It was actually recorded two months after the end of the sessions, sometime in July of 1994. Originally Gary had arranged, conducted, produced and recorded all of the tracks by himself. At some later undocumented time, he eventually persuaded Tom to contribute his lead vocal and harmonica parts. This extravagant production became the final closing track for the album.
 
* NOTE: The "Big House Session" was a later attempt in early May 1994 by Tom Lepold and Gary Bright to finish up many of the tracks from the "DRUNKEN HILLBILLY SESSIONS". This final session was recorded a year after the first sessions for this album began. In Robert Lance's forced absence, a number of the tracks apparently had additional backing vocals overdubbed onto vacant tracks on this date in Studio "C". Also in addition to these added vocals, some harmonica overdubs for "Pretty Boy Floyd" & "Ain't No More Caine" by Tom were probably done on this night. The "Wild Orchestrations" could also have been added to "Ballad Of Beaver Valley" at this time. The remainder of the recording sessions seem to have all taken place in the old Studio "B" in Thousand Oaks, California. Studio "B" was the main studio where most of the recording sessions from as early as January 1981 took place. The "1984 Summer Sessions" and the aborted "1986 Summer Sessions" were also held in Studio "B". Most of "COLLECTION OF DRUG SONGS" was in fact recorded in the much smaller STUDIO "C", this was at one time in fact the control room for STUDIO "B". Most of the recording equipment from the studios was moved to Northern California in November 1995. After fifteen years of recording sessions, the studio was finally sold on August 3, 1997. From the information revealed in the above documentation, it can also be clearly determined that many of  the recordings for the "ON THE ROAD TO GIZA" album were in fact leftovers from the "DRUNKEN HILLBILLY SESSIONS" that didn't seem to fit the theme of the album. For additional recording information and details, see the PEYOTE COYOTES RECORDING GUIDE, available from the contents page of the PEYOTE COYOTES web site.
 
http://www.geocities.com/peyotecoyotes
 
 
Updated Revised Expanded Fourth Edition: February 7, 2001
Third Edtion corrections & additions: October 9, 2000
Revised Second Edition updated: March 22, 2000
Original First Edition compiled: December 28, 1999
 
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