Oh,
hello, glad you stopped by; pull up a chair. I was just reminiscing
through the
inspiration for HELL TO
PAY. This book "The Sea
War In Korea" started it all. I have had it in my library for many years,
perhaps since sometime in the 1960s. Back in 1992, I decided to write a
novel. Several general concepts were in my mind, but I was unable to
settle on one. I knew it was going to be a novel in a Navy setting. I
just didn't know much beyond that. I began reviewing books of Naval
subjects in my library. During that process, I pulled this one from the
shelf to read while commuting to Miami on the train. By the time my ride
to Miami was over, it was clear that this was the setting for my novel.
I spent several months reading this and other books, taking copious
notes, developing a timeline of major events of the war and forming the
framework of a story. I went to the Boca Raton Library and borrowed
books on the Korean War. I read biographical work on General Douglas
MacArthur. I was slowly, but surely, time-warping myself into that era.
I settled on a story concept, mapped out a plot, developed an outline
and wrote biographical sketches of the main fictitious characters. In
parallel with all that, I reviewed books on the art of fiction. My novel
project was launched. The title for that first effort was "The Yalu
River."
Progress
during 1993-1996 was slow, primarily due to attending Florida Atlantic
University full-time to prepare myself for a new civilian career. During
that time though, I completed a draft manuscript of the novel. As the
result of some of the books I had read on writing fiction and critiques
from friends, I decided on a major redesign of the novel and re-titled
it to "Hell to Pay." When I completed that project, I launched
a marketing campaign targeting publishers and literary agents. Despite
some hints of interest here and there, the campaign did not result in a
book contract. I decided to start another novel project and let this
manuscript "get cold" so that I could assess it more
objectively.
In
early 1999, my interest in the manuscript was rekindled. I examined the
manuscript thoroughly. I solicited comments from people who would be
objective. The net result was yet another redesign that gave it a new
starting point, stripped away 12,000 words and refined all the chapters.
The finished result is now in the court of the readers.
This
is not a "formula" book. You won't know the ultimate challenge
to the protagonist after the first chapter. The story moves like real
life; events and situations lead from one consequence to another,
constantly building momentum. I will call upon all six of your senses
and your sensibilities.
Enjoy
your flight! Watch your six or there will be HELL
TO PAY!
Pete